论任伯年人物画线语言的装饰美
发布时间：2018-08-21 14:55
【摘要】： 线是最古老最基本的艺术语汇,经过千百年的锤炼,线已成为造型艺术成熟高超的表现语言。尤其在中国绘画中,线不仅作为造型的基本手段而存在,而且具有丰富的内涵和独特的装饰美感。在我国,线的装饰美早在原始社会的陶器纹饰中就已初见端倪,到春秋战国时已在绘画中有所体现,后又经历代画家的不断传承和发展,最终形成了独具装饰意味的审美风格。特别是到了晚清时候的任伯年,他在继承传统的基础上继续突破创新,而且又吸收了民间以及同时代人的艺术成就,然后融会贯通,从而形成了既有时代特色,又有个人独特风貌的用线风格。他笔下的线条聚散得体、穿插有序,线的轻重长短多变而自然。每一行笔能曲尽抑扬顿挫、转折提按的变化,呈现出既有古拙味道,又不失淳朴清新的强烈的装饰美感的用线特色。 本文从任伯年的多幅具有代表性的工笔人物作品入手,剖析研究其作品中线条所具有的独特的装饰美感。为了进行较深入的探讨,本文分三大部分逐层论述。第一部分是对任伯年人物画艺术特色的总体概括,分析构成其装饰风格的三大主要因素:即分别从造型、色彩、线条三个方面分析其中所具有的装饰因素。强调线的装饰感在形成画面整体风格中发挥的重要作用;第二部分对线条装饰美的历史渊源进行探本溯源,也就是挖掘任伯年用线所具有的装饰美感的历史根源;第三部分结合任伯年的具体作品,分析得出其线条装饰美主要体现在三大方面:即秩序感、节奏感和韵律感。 最后对形成装饰美的规律进行概括和总结,期望我们在吸收前人经验的基础上,不断开拓创新,把中国线条所特有的如装饰美等风格特点继续发扬光大,在现代绘画语境中创造新的辉煌。
[Abstract]:Line is the most ancient and basic artistic vocabulary, after thousands of years of practice, line has become the mature and superb expression language of plastic arts. Especially in Chinese painting, line not only exists as the basic means of modeling, but also has rich connotation and unique decorative beauty. In our country, the decorative beauty of line has already appeared in the pottery decoration of primitive society, and has been reflected in painting in the Spring and Autumn period and warring States period, and then experienced the continuous inheritance and development of the painter's generation, and finally formed a unique decorative aesthetic style. Especially in the late Qing Dynasty, Ren Bonian continued to break through the innovation on the basis of inheriting the tradition, and absorbed the artistic achievements of the folk and contemporary people, and then integrated them, thus forming the existing characteristics of the times. There is also a unique style of personal line style. The lines in his writing are well-knit and orderly, and the weight and length of the lines are variable and natural. Each line of pen can bend to cadence, turn the change of the press, showing both the ancient taste, but also the simple and fresh strong decorative aesthetic features. This paper begins with Ren Bonian's representative meticulous figure works and analyzes the unique decorative aesthetic feeling of the lines in his works. In order to conduct a more in-depth discussion, this paper is divided into three parts, layer by layer. The first part is a general summary of the artistic characteristics of Ren Bonian figure painting, and analyzes the three main factors that constitute its decorative style: namely, from the modeling, color, line three aspects of the analysis of the decorative factors. The second part explores the historical origin of the line decorative beauty, which is the historical root of the decorative aesthetic sense of the Ren Bonian line. The third part, combined with Ren Bonian's concrete works, concludes that the beauty of line decoration is mainly embodied in three aspects: sense of order, sense of rhythm and sense of rhythm. Finally, we generalize and summarize the rules of the formation of decorative beauty, expecting us to continue to develop and innovate on the basis of absorbing the previous experience, and to continue to carry forward the unique style characteristics of Chinese lines, such as decorative beauty. Create new splendor in the context of modern painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J212
本文编号：2196094
[Abstract]:Line is the most ancient and basic artistic vocabulary, after thousands of years of practice, line has become the mature and superb expression language of plastic arts. Especially in Chinese painting, line not only exists as the basic means of modeling, but also has rich connotation and unique decorative beauty. In our country, the decorative beauty of line has already appeared in the pottery decoration of primitive society, and has been reflected in painting in the Spring and Autumn period and warring States period, and then experienced the continuous inheritance and development of the painter's generation, and finally formed a unique decorative aesthetic style. Especially in the late Qing Dynasty, Ren Bonian continued to break through the innovation on the basis of inheriting the tradition, and absorbed the artistic achievements of the folk and contemporary people, and then integrated them, thus forming the existing characteristics of the times. There is also a unique style of personal line style. The lines in his writing are well-knit and orderly, and the weight and length of the lines are variable and natural. Each line of pen can bend to cadence, turn the change of the press, showing both the ancient taste, but also the simple and fresh strong decorative aesthetic features. This paper begins with Ren Bonian's representative meticulous figure works and analyzes the unique decorative aesthetic feeling of the lines in his works. In order to conduct a more in-depth discussion, this paper is divided into three parts, layer by layer. The first part is a general summary of the artistic characteristics of Ren Bonian figure painting, and analyzes the three main factors that constitute its decorative style: namely, from the modeling, color, line three aspects of the analysis of the decorative factors. The second part explores the historical origin of the line decorative beauty, which is the historical root of the decorative aesthetic sense of the Ren Bonian line. The third part, combined with Ren Bonian's concrete works, concludes that the beauty of line decoration is mainly embodied in three aspects: sense of order, sense of rhythm and sense of rhythm. Finally, we generalize and summarize the rules of the formation of decorative beauty, expecting us to continue to develop and innovate on the basis of absorbing the previous experience, and to continue to carry forward the unique style characteristics of Chinese lines, such as decorative beauty. Create new splendor in the context of modern painting.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J212
【引证文献】
相关期刊论文 前1条
1 余振兴;;陆涌人体线描装饰画的审美特征[J];数位时尚(新视觉艺术);2012年05期
，本文编号：2196094
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