清代室内壁瓶的装饰艺术语言研究
发布时间：2018-08-28 17:09
【摘要】：随着中国制瓷技术的不断发展和完善，到明末创造了一种由室内空间陈设到墙壁悬挂的一种瓷器样式，即壁瓶。其逐渐成为了下到文人雅士，上到帝王将相共同追捧的高雅艺术品。尤其是在清代中期，特别受到了乾隆皇帝个人的喜爱，并保存下大量的诗文资料。在其发展的过程中，制作手法和工艺日益完备，对其它艺术门类也有大量的吸收和借鉴。使其饱含了丰富的文化内涵，，能成为特定时代艺术审美倾向的代表。 壁瓶的产生是传统工艺美术在人类居住空间中装饰性的集中体现，本文对清代室内壁瓶研究的出发点在于分析壁瓶艺术语言的特征，探讨其艺术价值。使人们对于壁瓶的认识不再简单的停留于表面，而是从更深层次加深对于壁瓶的艺术研究。所以论文着重从历史和文化等角度追溯壁瓶在清朝这个特定时代产生并繁荣的原因，清代的社会背景作为壁瓶广泛应用的大前提，制瓷技术发展成为了壁瓶种类繁多的基础，帝王将相文人雅士的追捧丰富了壁瓶艺术的文化内涵。在以上条件下壁瓶形成了自身的独特的艺术语言和文化内涵的特征。论文进一步对壁瓶的装饰艺术语言进行分析、总结。并探讨其艺术语言在室内装饰中的价值。从而对清代壁瓶艺术的装饰美的规律进行提炼，探究壁瓶艺术在现代语境中的艺术价值和对其发展利用的方法，以达到“古为今用”的目的。
[Abstract]:With the continuous development and perfection of porcelain making technology in China, by the end of Ming Dynasty, a kind of porcelain style, that is, wall bottle, was created from interior space display to wall hanging. It gradually became a scholar to the elegant scholar, to the emperor together sought after the elegant art. Especially in the middle of Qing Dynasty, he was especially loved by Emperor Qianlong and kept a lot of literature and poems. In the process of its development, production techniques and techniques are increasingly complete, and there are a lot of absorption and reference to other art categories. Make it full of rich cultural connotations, can become the representative of artistic aesthetic tendency of a specific era. The appearance of wall bottle is the concentrated embodiment of traditional arts and crafts in human living space. The starting point of this paper is to analyze the characteristics of wall bottle art language and discuss its artistic value. So that people do not simply stay on the surface of the wall bottle, but deepen the art research of the wall bottle from a deeper level. Therefore, the paper focuses on tracing back the reasons for the emergence and prosperity of the wall bottle in the Qing Dynasty from the historical and cultural perspectives. The social background of the Qing Dynasty is the premise of the wide application of the wall bottle, and the development of the porcelain making technology has become the basis for the wide variety of wall bottles. The courtship of the literati and literati enriches the cultural connotation of the art of wall bottle. Under the above conditions, the wall bottle has formed its own unique artistic language and cultural connotation characteristics. The paper further analyzes and summarizes the decorative art language of the wall bottle. And discusses its artistic language in the interior decoration value. Thus, the law of decorative beauty of wall bottle art in Qing Dynasty is refined, and the artistic value of wall bottle art in modern context and the method of its development and utilization are explored in order to achieve the purpose of "using the past for the present".
【学位授予单位】：河北科技大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TU238
本文编号：2210033
[Abstract]:With the continuous development and perfection of porcelain making technology in China, by the end of Ming Dynasty, a kind of porcelain style, that is, wall bottle, was created from interior space display to wall hanging. It gradually became a scholar to the elegant scholar, to the emperor together sought after the elegant art. Especially in the middle of Qing Dynasty, he was especially loved by Emperor Qianlong and kept a lot of literature and poems. In the process of its development, production techniques and techniques are increasingly complete, and there are a lot of absorption and reference to other art categories. Make it full of rich cultural connotations, can become the representative of artistic aesthetic tendency of a specific era. The appearance of wall bottle is the concentrated embodiment of traditional arts and crafts in human living space. The starting point of this paper is to analyze the characteristics of wall bottle art language and discuss its artistic value. So that people do not simply stay on the surface of the wall bottle, but deepen the art research of the wall bottle from a deeper level. Therefore, the paper focuses on tracing back the reasons for the emergence and prosperity of the wall bottle in the Qing Dynasty from the historical and cultural perspectives. The social background of the Qing Dynasty is the premise of the wide application of the wall bottle, and the development of the porcelain making technology has become the basis for the wide variety of wall bottles. The courtship of the literati and literati enriches the cultural connotation of the art of wall bottle. Under the above conditions, the wall bottle has formed its own unique artistic language and cultural connotation characteristics. The paper further analyzes and summarizes the decorative art language of the wall bottle. And discusses its artistic language in the interior decoration value. Thus, the law of decorative beauty of wall bottle art in Qing Dynasty is refined, and the artistic value of wall bottle art in modern context and the method of its development and utilization are explored in order to achieve the purpose of "using the past for the present".
【学位授予单位】：河北科技大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TU238
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