安徽民间装饰图案的应用价值研究
发布时间：2018-08-29 14:52
【摘要】： 民间艺术承载着一个民族区域文化的审美特质,反映一个民族的生活方式、生活态度和文化审美趣向,具有独特的艺术表现形式和组织结构的历史形态；反映出其不同时代的创新意识、创造能力和艺术精神。安徽具有着悠久的文化传统和深厚的文化底蕴,有着种类和形式诸多的民间艺术形式,其中,各种优秀的物质和非物质文化遗产都具有着很重要的理论价值和应用价值。 装饰图案是一门装饰艺术,是实用与装饰相结合的一种艺术形式。它把生活中的自然形象经过艺术加工,使其造型、色彩、构图等适用于审美目的一种设计图样。安徽民间装饰图案是一种利用视觉形象手段传达民俗文化的符号形式,是劳动者民俗观念、民俗文化和审美意识集体智慧的结晶。民间艺术蕴藏着极其丰富的装饰图案内容,反映与呈现出特定的民族心理和民族性格,也影响着民族心理和性格的形成和发展,是现代艺术设计创意的渊源和基础,对当代的文化和艺术设计的发展有着重要作用。特别是在民族化和本土化大发展背景下,对具有地方特色艺术资源的保护、传承、开发和利用更加重要。 本文研究的主要内容是通过徽州雕刻艺术、芜湖铁画艺术、淮南寿州窑陶瓷艺术、阜阳剪纸艺术等,几种典型艺术装饰图案的审美特征及应用价值等方面的研究,力求概括提炼出具有安徽典型地方特色的装饰图案。旨在对这些宝贵的文化艺术资源进行保护开发和传承。研究方法：采用理论研究和实践调查相结合；文献参考和市场调研相结合；网络信息和实地考察相结合；历史考察和具体分析相结合；整体把握和个案分析相结合；科学分析和艺术创作相结合；客观依据和创新开发相结合等研究方法。 本论文具有较为鲜明的地方特色,把安徽民间装饰图案研究成果应用于现代设计,为现代艺术设计创作提供独特的民族设计语言,促进设计学科和设计产业发展。推动传统文化元素和现代设计创新性结合,丰富现代设计的内涵和资源。此外,安徽民间艺术装饰图案的应用研究对传承和保护民间传统文化有重要作用,使传统的各种物质和非物质文化遗产的保护从仅停留在少数专家和爱好者的局面,发展到更多的人加入到本土文化保护的行动中来,对保护开发和传承这些文化艺术资源起到积极的推动作用。
[Abstract]:Folk art bears the aesthetic characteristics of a national regional culture, reflecting the way of life of a nation, life attitude and cultural aesthetic interest, with a unique form of artistic expression and organizational structure of the historical form; It reflects the creative consciousness, creative ability and artistic spirit of different times. Anhui has a long cultural tradition and profound cultural heritage, has a variety of types and forms of folk art forms, among which, various outstanding material and intangible cultural heritage has a very important theoretical value and application value. Decorative pattern is a decorative art, is a combination of practical and decorative art form. It makes the natural image of life through artistic processing, so that its shape, color, composition, etc., is suitable for aesthetic purposes a design pattern. Anhui folk decoration pattern is a symbol form which conveys folk culture by means of visual image. It is the crystallization of the collective wisdom of laborer's folklore concept, folk custom culture and aesthetic consciousness. Folk art contains extremely rich decorative design contents, reflecting and presenting specific national psychology and national character, also affecting the formation and development of national psychology and character, which is the origin and foundation of modern art design creativity. It plays an important role in the development of contemporary culture and art design. Especially in the context of the great development of nationalization and localization, it is more important to protect, inherit, develop and utilize artistic resources with local characteristics. The main content of this paper is the research of Huizhou carving art, Wuhu iron painting art, Huainan Shouzhou kiln ceramic art, Fuyang paper-cut art, aesthetic characteristics and application value of several typical decorative patterns. Strive to summarize and refine the typical local characteristics of Anhui decorative patterns. The aim is to protect and develop these precious cultural and artistic resources. Research methods: the combination of theoretical research and practical investigation; the combination of literature reference and market research; the combination of network information and field investigation; the combination of historical investigation and concrete analysis; the integration of overall grasp and case analysis; Combination of scientific analysis and artistic creation, objective basis and innovative development and other research methods. This paper has the distinct local characteristic, applies the Anhui folk decoration pattern research achievement to the modern design, provides the unique national design language for the modern art design creation, promotes the design discipline and the design industry development. Promote the combination of traditional cultural elements and modern design innovation, enrich the connotation and resources of modern design. In addition, the applied research on the decorative patterns of folk art in Anhui plays an important role in inheriting and protecting the traditional folk culture, so that the protection of the traditional material and intangible cultural heritage will remain in the situation of only a few experts and enthusiasts. The development of more people to participate in the action of local cultural protection, to protect the development and inheritance of these cultural and artistic resources play a positive role.
【学位授予单位】：安徽工程大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J525
本文编号：2211544
[Abstract]:Folk art bears the aesthetic characteristics of a national regional culture, reflecting the way of life of a nation, life attitude and cultural aesthetic interest, with a unique form of artistic expression and organizational structure of the historical form; It reflects the creative consciousness, creative ability and artistic spirit of different times. Anhui has a long cultural tradition and profound cultural heritage, has a variety of types and forms of folk art forms, among which, various outstanding material and intangible cultural heritage has a very important theoretical value and application value. Decorative pattern is a decorative art, is a combination of practical and decorative art form. It makes the natural image of life through artistic processing, so that its shape, color, composition, etc., is suitable for aesthetic purposes a design pattern. Anhui folk decoration pattern is a symbol form which conveys folk culture by means of visual image. It is the crystallization of the collective wisdom of laborer's folklore concept, folk custom culture and aesthetic consciousness. Folk art contains extremely rich decorative design contents, reflecting and presenting specific national psychology and national character, also affecting the formation and development of national psychology and character, which is the origin and foundation of modern art design creativity. It plays an important role in the development of contemporary culture and art design. Especially in the context of the great development of nationalization and localization, it is more important to protect, inherit, develop and utilize artistic resources with local characteristics. The main content of this paper is the research of Huizhou carving art, Wuhu iron painting art, Huainan Shouzhou kiln ceramic art, Fuyang paper-cut art, aesthetic characteristics and application value of several typical decorative patterns. Strive to summarize and refine the typical local characteristics of Anhui decorative patterns. The aim is to protect and develop these precious cultural and artistic resources. Research methods: the combination of theoretical research and practical investigation; the combination of literature reference and market research; the combination of network information and field investigation; the combination of historical investigation and concrete analysis; the integration of overall grasp and case analysis; Combination of scientific analysis and artistic creation, objective basis and innovative development and other research methods. This paper has the distinct local characteristic, applies the Anhui folk decoration pattern research achievement to the modern design, provides the unique national design language for the modern art design creation, promotes the design discipline and the design industry development. Promote the combination of traditional cultural elements and modern design innovation, enrich the connotation and resources of modern design. In addition, the applied research on the decorative patterns of folk art in Anhui plays an important role in inheriting and protecting the traditional folk culture, so that the protection of the traditional material and intangible cultural heritage will remain in the situation of only a few experts and enthusiasts. The development of more people to participate in the action of local cultural protection, to protect the development and inheritance of these cultural and artistic resources play a positive role.
【学位授予单位】：安徽工程大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J525
【引证文献】
相关硕士学位论文 前4条
1 窦悦;侗锦纹样在土特产包装设计中的应用研究[D];湖南师范大学;2012年
2 何沙;黎族妇女服饰图案与现代平面设计的应用研究[D];海南大学;2012年
3 叶荔;用企业形象设计的力量活化芜湖老字号[D];安徽工程大学;2012年
4 冯永荣;山西民居木雕装饰图案研究[D];山西师范大学;2013年
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