藏族传统家具装饰艺术及风格研究

发布时间：2018-08-31 12:27

【摘要】：家具文化作为文化系统的一部分,与其他文化共存一体,它的产生、发展必定受到其他领域文化的影响。家具装饰则是家具文化的体现与物质表达。藏族家具历史悠久、自成体系,具有强烈的民族风格。它的发展历史,是随着藏区人民的生存环境、宗教信仰、生活习惯和生产力发展而变化的。藏族地区由于其特殊的政教合一的制度,使得藏族家具具有强烈的宗教色彩。加之其地处中亚,与国内中原地区、印度、尼泊尔等交流密切,在这个历史背景下,藏族人民将本土文化与外来文化融合发展,由此藏族家具具有了独特的民族特征。论文研究以藏族传统家具的装饰为切入点,借助了调查法、归纳整理法、系统分析法,对藏族传统家具的分布、形制结构、使用功能和装饰进行了系统研究。藏族传统家具装饰风格具有鲜明的民族特色：装饰材料丰富,因材施工,能完美地体现各种材质的光泽、质感与肌理。装饰手法多样,各种装饰手法合理运用,华丽的家具会出现多种装饰手法综合运用的情况。藏族人全民信奉佛教,对宗教怀有虔诚的心,并由此衍生出藏族道德与日常礼仪,从而影响到家具的形制与装饰。雪域高原严酷的生存环境造就了藏族品格特质,藏族审美也独具特色,喜欢高明度、高纯度,对比性强的鲜艳色彩,崇黑尚白,喜欢金黄色、红色,多补色并置,并喜欢繁复华美的装饰。论文研究重点是藏族传统家具的装饰,通过对装饰形式、手法和风格的分析,探究藏族传统家具装饰风格形成的原因以及文化含义：藏族传统家具的功能类型、形制结构与藏族人民的生活习俗有关；家具形制具建筑性,体量感、秩序感强,与藏族人民的审美意趣有关；家具的装饰手法多样,与藏区材料特性有关；家具的装饰图案多宗教题材,与藏民族宗教渗入日常生活有关。通过对藏族传统家具装饰风格及其形成原因的分析,有助于进一步了解和挖掘藏族家具文化中隐含的宗教意识、审美意识、价值观念和思维逻辑,总结其家具设计理念,以更为理性的态度理解藏族艺术。通过对藏族传统家具的整理与分析,总结出藏族家具独具特色的装饰风格及其构成元素,探究造成这种装饰风格的文化背景,从而更好地理解和继承藏族的文化元素,挖掘藏族传统文化资源,促进现代设计整体视野的调整与转换,拓展现代设计的发展空间。
[Abstract]:Furniture culture, as a part of cultural system, coexists with other cultures. Its emergence and development must be influenced by other cultures. Furniture decoration is the embodiment and material expression of furniture culture. Tibetan furniture has a long history, self-system, with a strong national style. Its development history changes with the development of Tibetan people's living environment, religious belief, living habits and productive forces. Because of its special system of integration of government and religion, Tibetan furniture has strong religious color. In addition, it is located in Central Asia and has close exchanges with the Central Plains of China, India, Nepal and so on. Under this historical background, the Tibetan people integrate the native culture with the foreign culture and develop, so the Tibetan furniture has its unique national characteristics. This paper takes the decoration of Tibetan traditional furniture as the breakthrough point, with the help of investigation method, inductive arrangement method and systematic analysis method, makes a systematic study on the distribution, shape and structure, use function and decoration of Tibetan traditional furniture. Traditional Tibetan furniture decoration style has distinct national characteristics: rich in decorative materials, because of material construction, it can perfectly reflect the luster, texture and texture of various materials. Adornment technique is diverse, all kinds of adornment technique reasonable use, gorgeous furniture can appear a variety of adornment technique to use synthetically circumstance. The Tibetan people believe in Buddhism and have a devout heart for religion, which gives rise to Tibetan morality and daily etiquette, thus affecting the shape and decoration of furniture. The harsh living environment of the snowy plateau has created the Tibetan character, and the Tibetan aesthetic has its own unique characteristics. It likes bright, pure and contrasting bright colors, black and white, yellow, red, and many complementary colors. And like the complex and beautiful decoration. This paper focuses on the decoration of Tibetan traditional furniture. Through the analysis of decoration form, technique and style, the paper explores the reasons for the formation of Tibetan traditional furniture decoration style and its cultural implication: the function type of Tibetan traditional furniture. The shape structure has something to do with the living customs of the Tibetan people, the furniture has the architectural character, the sense of body weight, the sense of order, and the aesthetic interest of the Tibetan people, the decoration technique of the furniture is various, and it is related to the characteristic of the material in the Tibetan area. The decorative patterns of furniture have many religious themes, which are related to the infiltration of Tibetan religion into daily life. Through the analysis of Tibetan traditional furniture decoration style and its forming reasons, it is helpful to further understand and excavate the hidden religious consciousness, aesthetic consciousness, value concept and thinking logic in Tibetan furniture culture, and sum up its furniture design idea. Understand Tibetan art in a more rational manner. Through the arrangement and analysis of Tibetan traditional furniture, the unique decorative style and its constituent elements of Tibetan furniture are summarized, and the cultural background of this decorative style is explored, so as to better understand and inherit the Tibetan cultural elements. Excavate the Tibetan traditional cultural resources, promote the adjustment and transformation of the whole vision of modern design, and expand the development space of modern design.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J525

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