汉代漆器装饰纹样在髹漆饰品设计中的应用研究
发布时间:2018-09-01 15:24
【摘要】:汉代漆器在中国漆器史上具有举足轻重的地位。进行汉代漆器装饰纹样的研究,对于现代设计师重新认知传统工艺和装饰元素并将其吸收、用以指导现代设计具有重要意义。 汉代漆器装饰纹样题材丰富,具有抽象表现、统一变化、均衡律动和意象生动等美学特征。纹样的组合方式也是多种多样,包括单独纹样、适合纹样、连续纹样和综合纹样。本论文在通过文献研究法、图像学研究法、调查分析法、实践法等研究方法,在经过重新研究的基础上,结合汉代漆器装饰纹样在现代设计中的几种运用方式,发现体现传统文化精髓和具有典型代表意义的纹样、形象可直接沿用;设计师可以从汉代漆器装饰纹样中得到启发和灵感,同时结合个人偏好及设计题材对装饰纹样进行抽象提炼,按照写意的形式加以利用;对于结构复杂、形式多样、不太适合于现代设计和审美要求的装饰纹样,可适当进行简化变形,这样形成的纹饰既符合审美法则,又具有新的形象;对于那些含义丰富且多层次的装饰纹样,可将其进行打散重构,并赋予其新的意义。 借鉴汉代漆器装饰纹样在现代设计中的运用规律,笔者尝试将汉代漆器装饰纹样用于髹漆饰品的装饰设计中。在实践过程中发现了其设计规律:漆画的主体装饰纹样可选取稍显复杂的动、植物纹样,运用单独纹样作装饰;手镯、碗、镇纸等规则类小饰品,装饰纹样应稍显简单;其他不规则类小饰品,如发簪、耳环等,则可在借鉴其它纹样的基础上进行简化变形。设计及制作实践丰富了髹漆饰品的装饰纹样,也为汉代漆器装饰纹样在现代设计中的传承应用进行了有意义和有成效的尝试。
[Abstract]:The lacquer ware of Han Dynasty plays an important role in the history of Chinese lacquer ware. The research on decorative patterns of lacquer ware in Han Dynasty is of great significance for modern designers to re-recognize and absorb traditional techniques and decorative elements to guide modern design. The decorative patterns of lacquer ware in Han Dynasty are rich in subject matter, with the aesthetic characteristics of abstract expression, unified change, balanced rhythm and vivid image. The combination of patterns is also diverse, including individual patterns, suitable for patterns, continuous patterns and synthetic patterns. In this paper, through literature research, graphic research, investigation and analysis, practice and other research methods, on the basis of re-study, combined with the Han Dynasty lacquer decorative patterns in the modern design of several applications, It is found that the images can be directly used to embody the essence of traditional culture and the patterns with typical representative meanings. Designers can get inspiration and inspiration from the decorative patterns of lacquer ware in Han Dynasty. At the same time combined with personal preferences and design themes to abstract the decorative patterns, according to the form of freehand brushwork to be used; for the complex structure, diverse forms, not suitable for modern design and aesthetic requirements of decorative patterns, It is possible to simplify and deform properly, so that the patterns formed not only conform to the aesthetic law, but also have a new image; for those decorative patterns with rich and multi-level meanings, they can be scattered and reconstructed and given new significance. The author tries to apply the decorative pattern of lacquer ware in Han Dynasty to the decoration design of lacquer ornaments for reference to the application of decorative patterns of lacquer ware in modern design of Han Dynasty. In the process of practice, we found its design law: the main decorative pattern of lacquer painting can select slightly more complicated patterns of animals and plants, using individual patterns as decoration, bracelets, bowls, paperweights and other regular small ornaments, the decorative patterns should be slightly simple; Other irregular ornaments, such as hairpin and earrings, can be simplified on the basis of other patterns. The design and production practice enriched the decorative patterns of lacquer ornaments, and also made a meaningful and effective attempt for the inheritance and application of lacquer decorative patterns in the modern design of the Han Dynasty.
【学位授予单位】:中南林业科技大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:TS934.3;J522
本文编号:2217598
[Abstract]:The lacquer ware of Han Dynasty plays an important role in the history of Chinese lacquer ware. The research on decorative patterns of lacquer ware in Han Dynasty is of great significance for modern designers to re-recognize and absorb traditional techniques and decorative elements to guide modern design. The decorative patterns of lacquer ware in Han Dynasty are rich in subject matter, with the aesthetic characteristics of abstract expression, unified change, balanced rhythm and vivid image. The combination of patterns is also diverse, including individual patterns, suitable for patterns, continuous patterns and synthetic patterns. In this paper, through literature research, graphic research, investigation and analysis, practice and other research methods, on the basis of re-study, combined with the Han Dynasty lacquer decorative patterns in the modern design of several applications, It is found that the images can be directly used to embody the essence of traditional culture and the patterns with typical representative meanings. Designers can get inspiration and inspiration from the decorative patterns of lacquer ware in Han Dynasty. At the same time combined with personal preferences and design themes to abstract the decorative patterns, according to the form of freehand brushwork to be used; for the complex structure, diverse forms, not suitable for modern design and aesthetic requirements of decorative patterns, It is possible to simplify and deform properly, so that the patterns formed not only conform to the aesthetic law, but also have a new image; for those decorative patterns with rich and multi-level meanings, they can be scattered and reconstructed and given new significance. The author tries to apply the decorative pattern of lacquer ware in Han Dynasty to the decoration design of lacquer ornaments for reference to the application of decorative patterns of lacquer ware in modern design of Han Dynasty. In the process of practice, we found its design law: the main decorative pattern of lacquer painting can select slightly more complicated patterns of animals and plants, using individual patterns as decoration, bracelets, bowls, paperweights and other regular small ornaments, the decorative patterns should be slightly simple; Other irregular ornaments, such as hairpin and earrings, can be simplified on the basis of other patterns. The design and production practice enriched the decorative patterns of lacquer ornaments, and also made a meaningful and effective attempt for the inheritance and application of lacquer decorative patterns in the modern design of the Han Dynasty.
【学位授予单位】:中南林业科技大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:TS934.3;J522
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