中国传统几何纹样在室内界面装饰中的应用研究
发布时间：2018-09-06 06:53
【摘要】：几何纹样作为中国传统文化的重要组成部分,一直贯穿于中国历史发展的各个时期,贯穿于人们生活的始终,反映出不同时期的风俗习惯。从原始社会简单的几何线形到奴隶社会粗犷的青铜纹饰,再到封建社会精美繁复富有吉祥寓意的几何纹样,都凝聚着中华民族的文化精华,反映出相应时期独特的艺术审美观。 室内界面作为空间重要的围合构件,其装饰是室内空间设计的重要内容。从传统建筑室内装饰到现代室内装饰,界面的装饰图案、色彩、材料等方面都反映不同的时代特性。现代室内设计师须根据当前美学形式法则,通过对界面构图、色彩、材质等方面进行分析研究,设计出具有现代感又不失整体中式感的室内空间。 本论文主要分四部分内容：第一部分对传统几何纹样的起源、发展及分类进行归纳总结；第二部分分析几何纹样在室内各建筑界面、编织界面和家具界面中的运用形式；第三部分论述现代室内界面的处理形式、室内界面装饰图案的构成形式、色彩搭配及材料选用；第四部分将传统几何纹样与现代室内界面的色彩搭配及材料运用相结合,总结出今后中国传统几何纹样在现代室内界面设计中的设计要点及设计方法；最后选取经典案例进行分析,并做出设计实践。 本论文所要探讨的是我国传统几何纹样在室内界面设计中的应用,以探索中国传统几何纹样的文化内涵与古今建筑室内界面设计手法为主线,搭建起古今室内界面装饰纹样纵横交错、经纬交织的整体构架,从而寻找传统与现代的对接点,古为今用,为创造中国现代室内设计的民族性面貌起到一定的理论借鉴作用。
[Abstract]:Geometric pattern, as an important part of Chinese traditional culture, has been running through every period of the development of Chinese history, throughout the life of people, reflecting the customs and habits of different periods. From the simple geometric lines of primitive society to the rough bronze ornaments of slave society, to the exquisite and complicated geometric patterns of feudal society with auspicious implication, they all condensed the essence of Chinese culture and reflected the unique artistic aesthetics of the corresponding period. Interior interface is an important enclosed component in space, and its decoration is an important content of interior space design. From traditional architectural interior decoration to modern interior decoration, the decorative patterns, colors and materials of the interface reflect different characteristics of the times. The modern interior designer should design the interior space with modern feeling without losing the whole Chinese style by analyzing and studying the interface composition, color, material and so on according to the current aesthetic form rule. This paper is divided into four parts: the first part summarizes the origin, development and classification of the traditional geometric patterns, the second part analyzes the application of geometric patterns in the interior interface, weaving interface and furniture interface. The third part discusses the processing form of the modern interior interface, the composition form of the interior interface decoration pattern, the collocation of the color and the material selection, the fourth part combines the traditional geometric pattern with the color collocation and the material application of the modern indoor interface. The main points and design methods of Chinese traditional geometric patterns in modern interior interface design are summarized. Finally, the classic cases are selected and the design practice is made. This paper discusses the application of traditional geometric patterns in interior interface design in China. The main line is to explore the cultural connotation of Chinese traditional geometric patterns and the interior interface design techniques of ancient and modern architecture. The whole frame of intersecting longitude and weft is set up in order to find the docking point between tradition and modern and to make use of the past for the present and to create the national features of modern interior design in China.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J525
本文编号：2225587
[Abstract]:Geometric pattern, as an important part of Chinese traditional culture, has been running through every period of the development of Chinese history, throughout the life of people, reflecting the customs and habits of different periods. From the simple geometric lines of primitive society to the rough bronze ornaments of slave society, to the exquisite and complicated geometric patterns of feudal society with auspicious implication, they all condensed the essence of Chinese culture and reflected the unique artistic aesthetics of the corresponding period. Interior interface is an important enclosed component in space, and its decoration is an important content of interior space design. From traditional architectural interior decoration to modern interior decoration, the decorative patterns, colors and materials of the interface reflect different characteristics of the times. The modern interior designer should design the interior space with modern feeling without losing the whole Chinese style by analyzing and studying the interface composition, color, material and so on according to the current aesthetic form rule. This paper is divided into four parts: the first part summarizes the origin, development and classification of the traditional geometric patterns, the second part analyzes the application of geometric patterns in the interior interface, weaving interface and furniture interface. The third part discusses the processing form of the modern interior interface, the composition form of the interior interface decoration pattern, the collocation of the color and the material selection, the fourth part combines the traditional geometric pattern with the color collocation and the material application of the modern indoor interface. The main points and design methods of Chinese traditional geometric patterns in modern interior interface design are summarized. Finally, the classic cases are selected and the design practice is made. This paper discusses the application of traditional geometric patterns in interior interface design in China. The main line is to explore the cultural connotation of Chinese traditional geometric patterns and the interior interface design techniques of ancient and modern architecture. The whole frame of intersecting longitude and weft is set up in order to find the docking point between tradition and modern and to make use of the past for the present and to create the national features of modern interior design in China.
【学位授予单位】：东北林业大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J525
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