吉祥纹样在我国现代陶瓷装饰艺术中的运用

发布时间：2018-09-09 16:24

【摘要】： 吉祥是一种文化,具有历史的连续性和传承性。它在不同时代、不同社会背景下,其意义在某种程度具有永恒性。传统陶瓷中的吉祥纹样表现有着几千年的悠久历史,它对我们在新的时代如何传承和发扬民族文化和精神有着重要的价值。首先,本论文分析了吉祥纹样在现代陶瓷装饰运用研究的国内外现状,并界定相关的概念。然后,文章从吉祥纹样在传统陶瓷中的发展历程,吉祥纹样运用于我国现代陶瓷的社会要求,传统陶瓷吉祥纹样的时代局限性,这几个方面阐述现代陶瓷装饰中运用吉祥纹样的必要性。同时,通过现代陶瓷吉祥涵义不确定性,吉祥纹样表现技法的多样性,陶瓷新技术、新工艺对吉祥纹样运用的影响三个方面说明吉祥纹样如何在现代陶瓷装饰中运用。最后,强调了吉祥是人类共同精神的弘扬,指出吉祥纹样运用于现代陶瓷艺术具有深远的意义。
[Abstract]:Auspicious is a kind of culture, with historical continuity and inheritance. In different times and different social backgrounds, its meaning is permanent to some extent. The expression of auspicious patterns in traditional ceramics has a long history for thousands of years. It is of great value to how to inherit and carry forward the national culture and spirit in the new era. Firstly, this paper analyzes the current situation of auspicious patterns in the application of modern ceramic decoration, and defines the related concepts. Then, from the development process of auspicious patterns in traditional ceramics, the application of auspicious patterns to the social requirements of modern ceramics in China, the limitations of traditional ceramic auspicious patterns of the times, These several aspects expound the necessity of applying auspicious patterns in modern ceramic decoration. At the same time, through the uncertainty of the auspicious meaning of modern ceramics, the diversity of expression techniques of auspicious patterns, the influence of new ceramic technology and new technology on the application of auspicious patterns, this paper explains how auspicious patterns can be used in modern ceramic decoration. Finally, it emphasizes that auspicious is the development of the common spirit of human beings, and points out that the application of auspicious patterns in modern ceramic art is of profound significance.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J527

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