浙西南畲族装饰图案的视觉符号研究
发布时间：2018-09-10 07:48
【摘要】：浙西南畲族装饰图案是来源于少数民族并且与日常生活密切相关民间装饰艺术表现形式。其包含着丰富的民族历史、文化、理想以及追求等语义，具有很浓郁的地域特征。但是，现今畲族装饰图案正在逐渐消逝，特别是它作为探知畲族装饰艺术文化的精髓和畲族的审美心理的部分。针对这种情况，需要我们重新系统的认知畲族装饰图案，思考它历史的存在状态。 论文立足于历年畲族装饰文化研究基础及对浙西南、闽东地区畲族田野考察的成果，从符号学、图案学的角度，结合运用设计学、民俗学、民族学、人类学等研究理论及方法，对畲族装饰图案视觉符号形成的历史文化渊源及特征进行系统的分析，对畲族装饰图案视觉符号的语汇及语义进行深入剖析，对畲族装饰图案视觉符号的语构类型及其法则进行尝试性分与归纳。主要得出如下几点认识： 1、畲族装饰图案视觉符号受到了畲族历史的民族崇拜、聚居迁徙、农耕经济、汉族交往、宗教文化的影响，因为这些不同因素，给了畲族装饰图案创作灵感，同时赋予装饰图案灵魂，使得这些装饰图案不再只是简单的点线面，而是能够传达语义的视觉符号，进一步形成了属于本民族范畴的独特的视觉符号语言。 2、畲族装饰图案不仅是约定俗成的具有认知性和实用性的视觉符号，，同时也是具有鲜明隐喻性、生动形象性和丰富情感性的艺术符号。其中丰富情感构成了畲族装饰图案作为视觉符号的核心内涵，也是其艺术性的本质体现。 3、畲族装饰图案视觉符号主要表现对本民族的崇拜；对生活赞美及憧憬；以及趋利避害、期盼美好生活歌颂美好爱情的语义特点。也进一步阐释了装饰图案是对一个民族在社会发展过程中不断变化的有力证明；同时也说明装饰图案是承载着代表本民族的审美情感的民族文化心理的客体表达方式。 研究浙西南畲族装饰图案的视觉符号不仅拓展了符号学在视觉艺术的应用领域，有助于建构浙西南畲族装饰图案视觉符号系统体系，同时对畲族整个民族的文化研究的有效补充，进而也对当今艺术设计的民族化与地域化特色有一定的借鉴作用。
[Abstract]:The decorative pattern of she nationality in southwestern Zhejiang is a form of folk decorative art which originated from ethnic minorities and is closely related to daily life. It contains rich national history, culture, ideal and pursuit semantics, with very strong regional characteristics. However, the decorative patterns of she nationality are gradually disappearing, especially as a part of exploring the essence of she nationality's decorative art culture and she nationality's aesthetic psychology. In view of this situation, we need to re-recognize the she ethnic decorative patterns and reflect on its historical existence. The thesis is based on the research foundation of she nationality decoration culture and the achievements of field investigation on she nationality in the southwest of Zhejiang and the east of Fujian province. From the angle of semiotics and patterning, it combines the theories and methods of design, folklore, ethnology, anthropology and so on. This paper makes a systematic analysis of the historical and cultural origin and characteristics of the she nationality decorative pattern visual symbol, and deeply analyzes the vocabulary and semantics of the she nationality decorative pattern visual symbol. This paper attempts to divide and induce the types and rules of the she nationality decorative pattern visual symbols. The main conclusions are as follows: 1. The visual symbols of the she nationality decorative patterns are influenced by the historical ethnic worship, migration, farming economy, communication of the Han nationality and religious culture, because of these different factors. It gives the she nationality the inspiration to create the decorative patterns and the soul of the decorative patterns so that these decorative patterns are not only simple points and lines, but also visual symbols that can convey semantic meaning. Second, the decorative pattern of she nationality is not only a cognitive and practical visual symbol, but also has a distinct metaphorical character. Vivid images and rich affective artistic symbols. The rich emotion constitutes the core connotation of the she nationality decorative pattern as the visual symbol, and is also the essence of its artistic nature. 3, the she nationality decorative pattern visual symbol mainly expresses the worship to this nationality, the praise and the vision to the life; And seeking advantages and avoiding disadvantages, looking forward to a better life eulogizing the semantic characteristics of good love. It also further explains that decorative pattern is a powerful proof of a nation's changing in the process of social development, and that decorative pattern is the object expression mode of national cultural psychology which represents the aesthetic emotion of the nation. The research on the visual symbol of she nationality decorative pattern in southwest Zhejiang not only expands the application field of semiotics in visual art, but also helps to construct the visual symbol system of she nationality decoration pattern in southwest Zhejiang province. At the same time, it is an effective supplement to the cultural research of the whole she nationality, and it can also be used for reference to the nationalization and regionalization of the art design.
【学位授予单位】：浙江农林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522.8
[Abstract]:The decorative pattern of she nationality in southwestern Zhejiang is a form of folk decorative art which originated from ethnic minorities and is closely related to daily life. It contains rich national history, culture, ideal and pursuit semantics, with very strong regional characteristics. However, the decorative patterns of she nationality are gradually disappearing, especially as a part of exploring the essence of she nationality's decorative art culture and she nationality's aesthetic psychology. In view of this situation, we need to re-recognize the she ethnic decorative patterns and reflect on its historical existence. The thesis is based on the research foundation of she nationality decoration culture and the achievements of field investigation on she nationality in the southwest of Zhejiang and the east of Fujian province. From the angle of semiotics and patterning, it combines the theories and methods of design, folklore, ethnology, anthropology and so on. This paper makes a systematic analysis of the historical and cultural origin and characteristics of the she nationality decorative pattern visual symbol, and deeply analyzes the vocabulary and semantics of the she nationality decorative pattern visual symbol. This paper attempts to divide and induce the types and rules of the she nationality decorative pattern visual symbols. The main conclusions are as follows: 1. The visual symbols of the she nationality decorative patterns are influenced by the historical ethnic worship, migration, farming economy, communication of the Han nationality and religious culture, because of these different factors. It gives the she nationality the inspiration to create the decorative patterns and the soul of the decorative patterns so that these decorative patterns are not only simple points and lines, but also visual symbols that can convey semantic meaning. Second, the decorative pattern of she nationality is not only a cognitive and practical visual symbol, but also has a distinct metaphorical character. Vivid images and rich affective artistic symbols. The rich emotion constitutes the core connotation of the she nationality decorative pattern as the visual symbol, and is also the essence of its artistic nature. 3, the she nationality decorative pattern visual symbol mainly expresses the worship to this nationality, the praise and the vision to the life; And seeking advantages and avoiding disadvantages, looking forward to a better life eulogizing the semantic characteristics of good love. It also further explains that decorative pattern is a powerful proof of a nation's changing in the process of social development, and that decorative pattern is the object expression mode of national cultural psychology which represents the aesthetic emotion of the nation. The research on the visual symbol of she nationality decorative pattern in southwest Zhejiang not only expands the application field of semiotics in visual art, but also helps to construct the visual symbol system of she nationality decoration pattern in southwest Zhejiang province. At the same time, it is an effective supplement to the cultural research of the whole she nationality, and it can also be used for reference to the nationalization and regionalization of the art design.
【学位授予单位】：浙江农林大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J522.8
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