耀州窑陶瓷装饰纹样艺术特点的研究
发布时间：2018-10-12 08:46
【摘要】：耀州窑是我国北方烧造陶瓷的历史名窑之一，其烧造历史悠久，工艺技术精湛，窑场规模宏大。它以独具装饰风格特色的青瓷刻花和黑釉剔花、划花、印花等，成为北方陶瓷的代表。其独特艺术风格的装饰纹样与优美多变的器物造型完美结合，在工艺技术与设计上都达到了较高的水平。装饰纹样是在记录和表达了中华先民的生存经验和文化认识的基础上，从多方面反映出我国古代劳动人民在观察、记录、表现、创新等方面的诸多模式，也体现了古人在纹饰创造与发展方面的聪明才智和民族文化属性。勤劳智慧的古代能工巧匠们，在长期的劳动实践过程中，不断探索、创新工艺，创造了具有浓厚民间民族特色、蕴涵丰富内容的装饰艺术，在我国工艺美术史中留下了光辉而绚烂的篇章。 陶瓷作为一门科学与艺术完美结合的产物，是中华文明的象征，中国是陶瓷的王国，中国也将陶瓷一步步推进了历史艺术的王国。耀瓷以其悠久的烧造历史、丰富的品种和特有的装饰纹样，传承者千年不熄的民俗文化，自然的渗透于现代人们的感受之中。 本文从耀州窑形成的历史原因与文化背景出发，重点对其历史发展过程、文化渊源、造型以及装饰纹样艺术特征、纹样构图、文化属性以及民间风俗对耀州窑陶瓷装饰纹样的影响进行深入分析研究。通过大量的图片分析对比，对耀瓷装饰纹样的艺术特点和文化寓意进行一定的研究。笔者多次对耀州窑当地进行调研考察，拓展到当今社会生活中耀州瓷的发展与运用情况分析，发现诸多发展过程中问题，并提出一些关于耀州窑陶瓷未来发展的建议。对耀州窑陶瓷装饰纹样艺术特点的研究，为其传承传统陶瓷文化，来推动当代陶瓷艺术创造，努力做到艺术性与时代性兼顾，为耀州窑陶瓷艺术的发展提供更广阔的空间，使这一文化遗产永远散发其灿烂的光辉。耀瓷应该在保留原有艺术特色的前提下，紧随时代步伐，，开拓创新，进行符合现代人审美需求的造型设计，才能再创辉煌，不断发扬光大。
[Abstract]:Yaozhou Kiln is one of the famous kilns in northern China. It has a long history and exquisite craftsmanship. It has a unique decorative style of celadon carving and black glaze tick flowers, prints and so on, become the representative of Northern Ceramics. The decorative pattern of its unique artistic style is perfectly combined with the beautiful and changeable shape of the utensils, and has reached a higher level in technology and design. Decorative patterns are based on recording and expressing the living experience and cultural understanding of the Chinese ancestors, and reflect from many aspects the various modes of observation, recording, performance, innovation and so on among the working people in ancient China. It also reflects the wisdom and national cultural attributes of the ancients in the creation and development of ornaments. The industrious and intelligent ancient craftsmen, in the long process of labor practice, constantly explored and innovated the craft, and created decorative arts with strong folk national characteristics and rich contents. In the history of Chinese arts and crafts left a brilliant and brilliant chapter. As a product of the perfect combination of science and art, ceramics is the symbol of Chinese civilization, China is the kingdom of ceramics, and China has pushed ceramics to the kingdom of historical art step by step. With its long history of burning, rich varieties and unique decorative patterns, Yaozheng inherits a thousand years of folk culture, which naturally permeates the feelings of modern people. Starting from the historical reasons and cultural background of the formation of Yaizhou Kiln, this paper focuses on its historical development process, cultural origin, modeling and decorative pattern art features, pattern composition, The influence of cultural attributes and folk customs on the decorative patterns of Yaozhou Kiln was studied. Through the analysis and comparison of a large number of pictures, the artistic characteristics and cultural implications of the decorative patterns of glowing porcelain are studied to a certain extent. The author has carried on the investigation and investigation to the Yao Zhou kiln for many times, extended to the analysis of the development and application of the Yao Zhou porcelain in the current social life, found many problems in the process of development, and put forward some suggestions on the future development of the Yao Zhou kiln ceramics. The study on the characteristics of the decorative pattern art of Yaozhou Kiln, in order to inherit the traditional ceramic culture, to promote the creation of contemporary ceramic art, to strive to achieve both artistry and the times, and to provide a broader space for the development of the ceramic art of the Yaizhou Kiln. So that this cultural heritage will forever radiate its brilliant brilliance. Under the premise of retaining the original artistic characteristics, Yiu porcelain should follow the step of the times, blaze new trails and innovate, and carry on the styling design in line with the aesthetic needs of modern people, in order to create brilliance again and carry forward continuously.
【学位授予单位】：西安工程大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2265506
[Abstract]:Yaozhou Kiln is one of the famous kilns in northern China. It has a long history and exquisite craftsmanship. It has a unique decorative style of celadon carving and black glaze tick flowers, prints and so on, become the representative of Northern Ceramics. The decorative pattern of its unique artistic style is perfectly combined with the beautiful and changeable shape of the utensils, and has reached a higher level in technology and design. Decorative patterns are based on recording and expressing the living experience and cultural understanding of the Chinese ancestors, and reflect from many aspects the various modes of observation, recording, performance, innovation and so on among the working people in ancient China. It also reflects the wisdom and national cultural attributes of the ancients in the creation and development of ornaments. The industrious and intelligent ancient craftsmen, in the long process of labor practice, constantly explored and innovated the craft, and created decorative arts with strong folk national characteristics and rich contents. In the history of Chinese arts and crafts left a brilliant and brilliant chapter. As a product of the perfect combination of science and art, ceramics is the symbol of Chinese civilization, China is the kingdom of ceramics, and China has pushed ceramics to the kingdom of historical art step by step. With its long history of burning, rich varieties and unique decorative patterns, Yaozheng inherits a thousand years of folk culture, which naturally permeates the feelings of modern people. Starting from the historical reasons and cultural background of the formation of Yaizhou Kiln, this paper focuses on its historical development process, cultural origin, modeling and decorative pattern art features, pattern composition, The influence of cultural attributes and folk customs on the decorative patterns of Yaozhou Kiln was studied. Through the analysis and comparison of a large number of pictures, the artistic characteristics and cultural implications of the decorative patterns of glowing porcelain are studied to a certain extent. The author has carried on the investigation and investigation to the Yao Zhou kiln for many times, extended to the analysis of the development and application of the Yao Zhou porcelain in the current social life, found many problems in the process of development, and put forward some suggestions on the future development of the Yao Zhou kiln ceramics. The study on the characteristics of the decorative pattern art of Yaozhou Kiln, in order to inherit the traditional ceramic culture, to promote the creation of contemporary ceramic art, to strive to achieve both artistry and the times, and to provide a broader space for the development of the ceramic art of the Yaizhou Kiln. So that this cultural heritage will forever radiate its brilliant brilliance. Under the premise of retaining the original artistic characteristics, Yiu porcelain should follow the step of the times, blaze new trails and innovate, and carry on the styling design in line with the aesthetic needs of modern people, in order to create brilliance again and carry forward continuously.
【学位授予单位】：西安工程大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
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本文编号：2265506
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