原始装饰艺术研究
发布时间：2018-10-13 16:00
【摘要】： 装饰艺术有广义和狭义之分,原始装饰艺术是原始人类藉此表达观念、显现人性的最主要的视觉艺术形式,我们只有从考古学和人类学材料的相互印证中,运用生物学、心理学、历史学、哲学、社会学等多种学科的知识对原始装饰艺术作综合的考察研究,才能真正透过现象揭示其本质。 原始装饰艺术发生的根源不是单一的,而是多元的综合。多元的综合不是诸因素的简单相加,也不是用传统的解构方式能够获得的部分之和,而是在一个有机整体的系统中的融会统一,这种融会统一是开放性的而不是自闭的,是动态的平衡而不是静止的对称。其中,象征着人的生命本质的精神意志始终起着主导性的作用。简言之,原始装饰艺术的发生并不是被动的选择,更不是其它文化现象的衍生物或副产品,而是在人类本能的需求与外在条件的相互适应下诞生的。 同样,原始装饰艺术的形式起源与思维起源也都不是单一的。无论是写实还是抽象,再现或表现,都不可能是简单的孰先孰后的问题,只有将它们纳入到一个整体的系统之中,以融会统一的观念来看待处于起源时期的视觉艺术形态,只有在这样的前提下,各个单位的元素才具有意义。 象征是原始装饰艺术涵义的主要特征之一,但不是惟一;还有叙事、纪事和审美等意义在原始装饰艺术中也属常见,特别是审美的意义始终以其特有的方式蕴涵于具体的装饰之中,有时被其主题或象征的意义所掩盖;有时则通过独特的形式感得以彰显。
[Abstract]:Decorative art is divided into broad sense and narrow sense. Primitive decorative art is the most important visual art form by which primitive human beings express their ideas and reveal human nature. We can only use biology from the mutual verification of archaeological and anthropological materials. The knowledge of psychology, history, philosophy, sociology and so on makes a comprehensive investigation and study on the primitive decorative art. The origin of the original decorative art is not single, but plural synthesis. Pluralistic integration is not a simple addition of factors, nor a sum of parts that can be obtained by traditional deconstruction, but a fusion unity in an organic whole system, which is open rather than autistic. It is dynamic balance, not static symmetry. Among them, the spiritual will, which symbolizes the essence of human life, always plays a leading role. In short, the occurrence of primitive decorative art is not a passive choice, much less a derivative or by-product of other cultural phenomena, It was born under the mutual adaptation of human instinct and external conditions. Similarly, the origin of the form and thought of the primitive decorative art is not single. Whether it is realism or abstract, reproduction or expression, it is impossible to be a simple question of which comes first. Only by incorporating them into a whole system, we can look at the visual art form in the period of origin with a unified concept. It is only under this premise that the elements of each unit have meaning. Symbolism is one of the main features of the meaning of the original decorative art, but it is not the only one; there is also the narrative. The significance of chronology and aesthetics is also common in the original decorative art, especially the aesthetic meaning is always contained in the specific decoration in its unique way, and is sometimes concealed by its theme or symbolic meaning. Sometimes it is manifested through a unique sense of form.
【学位授予单位】：东南大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J525
本文编号：2269189
[Abstract]:Decorative art is divided into broad sense and narrow sense. Primitive decorative art is the most important visual art form by which primitive human beings express their ideas and reveal human nature. We can only use biology from the mutual verification of archaeological and anthropological materials. The knowledge of psychology, history, philosophy, sociology and so on makes a comprehensive investigation and study on the primitive decorative art. The origin of the original decorative art is not single, but plural synthesis. Pluralistic integration is not a simple addition of factors, nor a sum of parts that can be obtained by traditional deconstruction, but a fusion unity in an organic whole system, which is open rather than autistic. It is dynamic balance, not static symmetry. Among them, the spiritual will, which symbolizes the essence of human life, always plays a leading role. In short, the occurrence of primitive decorative art is not a passive choice, much less a derivative or by-product of other cultural phenomena, It was born under the mutual adaptation of human instinct and external conditions. Similarly, the origin of the form and thought of the primitive decorative art is not single. Whether it is realism or abstract, reproduction or expression, it is impossible to be a simple question of which comes first. Only by incorporating them into a whole system, we can look at the visual art form in the period of origin with a unified concept. It is only under this premise that the elements of each unit have meaning. Symbolism is one of the main features of the meaning of the original decorative art, but it is not the only one; there is also the narrative. The significance of chronology and aesthetics is also common in the original decorative art, especially the aesthetic meaning is always contained in the specific decoration in its unique way, and is sometimes concealed by its theme or symbolic meaning. Sometimes it is manifested through a unique sense of form.
【学位授予单位】：东南大学
【学位级别】：博士
【学位授予年份】：2006
【分类号】：J525
【引证文献】
相关期刊论文 前3条
1 徐敏;;关于三大构成在建筑装饰设计专业教学中的探讨[J];江西教育;2010年Z3期
2 孙凤军;;论古代陶器修补材料[J];黑龙江史志;2013年09期
3 高宗翔;;关于三大构成在建筑装饰设计专业教学中的探讨[J];现代装饰(理论);2012年04期
相关博士学位论文 前1条
1 李嘉;造物史视野中的先秦青铜“壶”形器研究[D];武汉理工大学;2012年
相关硕士学位论文 前2条
1 李宁;对陶瓷艺术创作中重复表现手法的探索和研究[D];中国艺术研究院;2013年
2 李宁;对现代陶艺创作中重复表现手法的探索和研究[D];中国艺术研究院;2013年
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