近代博山传统陶瓷装饰纹样研究
发布时间：2018-11-07 17:12
【摘要】：清华大学美术学院教授张守智在《美在民间——中国民间陶瓷》一文中说：“民间陶瓷是中国陶瓷发展的根,文人陶、官窑瓷都是根植在民间陶瓷丰厚土壤中成长发展的。历史上名窑的形成或官窑的出现,都离不开民窑窑火旺盛的依托。”以博山为代表的淄博窑是磁州窑系的一个重要组成部分,在中国制瓷史上烧造了大量民用陶瓷器皿,是一个重要的北方民间窑口。囿于泥料和釉料,博山陶瓷的整体风格就是“粗大笨重”,但勤劳的博山窑工却充分发挥自己的聪明才智,自由大胆的进行创作,在实用的基础之上采用各种装饰技法,甚至大量引用其他民间艺术形式的元素来进行创作,从而形成了具有鲜明地域特色和独特审美趣味的陶瓷艺术风格。尤其是近代博山陶瓷更是以“讲究实用、注重装饰”为宗旨,极尽陶瓷装饰之能事。品类繁多、丰富绚烂的博山近代陶瓷装饰艺术,由于其泥质的制约以及北方粗狂、豪放的地域文化的影响,致使其艺术风格与景德镇的婉约、雅致迥然不同,而呈现出粗野、率真的审美趣味,博山传统陶瓷艺术的这种审美情趣虽然有些粗俗,难登大雅之堂,但仍是博山传统民间文化的重要组成部分,通过对博山传统陶瓷装饰艺术的研究,不仅为研究当时的社会人文风貌提供了大量资料,而且在现代艺术多元化发展的大背景下,对现代艺术的发展有一定的启示。故本文将结合作品,系统详细的对近代博山陶瓷装饰艺术进行研究。
[Abstract]:Zhang Shouzhi, a professor at the Academy of Fine Arts of Tsinghua University, said in "Beauty in the Folk-Chinese Folk Ceramics": "Folk ceramics are the root of the development of Chinese ceramics. In history, the formation of famous kilns or the appearance of official kilns can not be separated from the strong fire of civilian kilns. " Zibo kiln, represented by Boshan, is an important part of Cizhou kiln system. It has burned a large number of civil ceramic utensils in the history of porcelain making in China, and is an important folk kiln mouth in the north. Confined to the clay and glaze, the overall style of Boshan ceramics is "big and heavy", but the industrious Boshan Kiln workers give full play to their intelligence, free and bold to create, on the basis of practical use of various decorative techniques, Even a large number of other elements of folk art form to create, thus forming a distinct regional characteristics and unique aesthetic taste of ceramic art style. Especially in modern Boshan ceramics, the aim is to pay attention to practicality and decoration. Because of the restriction of its muddy quality and the influence of the wild and unrestrained regional culture in the north, the artistic style of Boshan is very different from Jingdezhen's politeness and elegance, but it appears to be rough and wild. The frank aesthetic taste, the aesthetic taste of the traditional ceramic art of Boshan, though somewhat vulgar and difficult to enter the hall of great elegance, is still an important part of the traditional folk culture of Boshan. Through the research on the decorative art of traditional ceramics in Boshan, It not only provides a lot of information for the study of the social and humanistic features at that time, but also has some enlightenment to the development of modern art under the background of the diversified development of modern art. Therefore, this article will be combined with works, systematic and detailed research on the modern Boshan ceramic decorative art.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2317018
[Abstract]:Zhang Shouzhi, a professor at the Academy of Fine Arts of Tsinghua University, said in "Beauty in the Folk-Chinese Folk Ceramics": "Folk ceramics are the root of the development of Chinese ceramics. In history, the formation of famous kilns or the appearance of official kilns can not be separated from the strong fire of civilian kilns. " Zibo kiln, represented by Boshan, is an important part of Cizhou kiln system. It has burned a large number of civil ceramic utensils in the history of porcelain making in China, and is an important folk kiln mouth in the north. Confined to the clay and glaze, the overall style of Boshan ceramics is "big and heavy", but the industrious Boshan Kiln workers give full play to their intelligence, free and bold to create, on the basis of practical use of various decorative techniques, Even a large number of other elements of folk art form to create, thus forming a distinct regional characteristics and unique aesthetic taste of ceramic art style. Especially in modern Boshan ceramics, the aim is to pay attention to practicality and decoration. Because of the restriction of its muddy quality and the influence of the wild and unrestrained regional culture in the north, the artistic style of Boshan is very different from Jingdezhen's politeness and elegance, but it appears to be rough and wild. The frank aesthetic taste, the aesthetic taste of the traditional ceramic art of Boshan, though somewhat vulgar and difficult to enter the hall of great elegance, is still an important part of the traditional folk culture of Boshan. Through the research on the decorative art of traditional ceramics in Boshan, It not only provides a lot of information for the study of the social and humanistic features at that time, but also has some enlightenment to the development of modern art under the background of the diversified development of modern art. Therefore, this article will be combined with works, systematic and detailed research on the modern Boshan ceramic decorative art.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
【参考文献】
相关期刊论文 前1条
1 费利君;中国古代陶瓷纹样中的象征意味[J];美与时代;2005年06期
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