藏族装饰图案的秩序感研究
发布时间：2018-11-08 08:35
【摘要】： 由于独特的地理、政治、宗教、文化背景，藏民族形成了相对独立的民族艺术，其传统一直延续至今。藏族装饰图案是表现藏族装饰艺术的主要形式之一，运用广泛，形式多样，灵活多变，如实地记录了藏族装饰艺术各个发展阶段的艺术特色，因此对它进行研究整理，并进一步用现代视觉心理学的科学研究成果对其进行分析，有重要的理论研究意义和实际应用价值。 国内国外针对藏族装饰图案的相关研究很多，并且随着切入点的不断变化，可研究性和价值也不断扩大。虽然研究的方向和内容各异，但是几乎都以宗教作为共同的主线，这也使几乎所有的藏族艺术研究拥有了一种固定的模式。与此同时也注意到，正是宗教艺术这一显著特点，使藏族装饰艺术表现出极强的规律性，而这种对规律和秩序的追求与表现是人类普遍存在的心理需求，这在西方的装饰艺术的心理学研究中已取得一些较完善和成熟的研究成果。本论文正是运用装饰艺术心理学的研究方法，以透过现象看本质的思路，通过对藏族装饰图案的具体形式的分析，力图揭示藏族装饰艺术秩序感表现的心理学本质，将西方装饰艺术的理论研究成果和研究方法运用到藏族装饰艺术图案的研究中来，使藏族装饰艺术的理论研究体系更具完整性和科学性。 论文的理论架构主要以英国著名美术史家及思想家E．H．贡布里希的《秩序感》作为理论参考，特别是他从信息论的角度，提出了秩序感知中有关信息多余度理论，这是以发展的眼光来看待信息时代装饰艺术的创新理论。论文通过对贡布里希理论的归纳提炼，同时结合图像学和传播学的相关理论，以现代的艺术研究理论来探讨传统的藏族装饰图案的艺术风格和传播意义。同时也与格式塔心理学等相关理论进行结合与比较，从视觉心理学和审美心理学的角度对理论进行架构。 以藏族的装饰图案作为研究方向，其中强调“装饰”二字是因为装饰作为一种艺术方式，它以秩序化、规律化、程式化、理想化为要求，改变和美化事物，，形成合乎人类需要、与人类审美理想相统一相和谐的美的形态。从这个层面对藏族装饰图案的秩序感和秩序性进行研究将会达成内容和形式的一致性。 论文的内容结构，首先是对装饰图案艺术中的秩序感的概念、理论基础及研 究方法做一个基本的阐述，由藏族装饰图案的秩序感研究的意义切入其与秩序感理论结合的可行性和创新性的问题。在论文的核心部分，主要从秩序的感知、创造及传播来研究藏族装饰图案中的纹饰结构、装饰结构和装饰风格等内容，并建立起藏族装饰图案秩序感理论体系。在此基础上，进一步分析总结藏族装饰图案的秩序法则。在论文的结论部分，突出论文的论点的创新性和可行性，探究有待深入的问题。
[Abstract]:Due to its unique geographical, political, religious and cultural background, the Tibetan nationality has formed a relatively independent national art, and its tradition has continued to this day. Tibetan decorative patterns are one of the main forms of Tibetan decorative art. They have been widely used, varied in form, flexible and changeable, and have truthfully recorded the artistic characteristics of Tibetan decorative art at all stages of its development, so it has been studied and sorted out. It has important theoretical significance and practical application value to further analyze it with the scientific research results of modern visual psychology. There are a lot of researches on Tibetan decorative patterns at home and abroad, and with the change of breakthrough point, the researchability and value are expanding. Although the research direction and content are different, but almost all take religion as the common thread, this also makes almost all Tibetan art research have one kind of fixed pattern. At the same time, it is precisely this remarkable feature of religious art that has made Tibetan decorative art show strong regularity, and this pursuit and expression of law and order is a universal psychological demand of mankind, This in the western decorative art psychology research has obtained some more perfect and mature research results. This thesis uses the research method of decorative art psychology to analyze the concrete forms of Tibetan decorative patterns through the thinking of phenomenon, and tries to reveal the psychological essence of the order sense of Tibetan decorative art. The theoretical research results and methods of western decorative art are applied to the research of Tibetan decorative art patterns, which makes the theoretical research system of Tibetan decorative art more complete and scientific. The theoretical framework of this paper is mainly based on the theory of the sense of order by E. H. Gonbridge, a famous British art historian and thinker. In particular, he puts forward the theory of information redundancy in order perception from the angle of information theory. This is an innovative theory of decorative art in the information age from the perspective of development. By summarizing and refining the theory of Gombrich and combining the related theories of graphics and communication, this paper discusses the artistic style and communication significance of the traditional Tibetan decorative patterns with the modern art research theory. At the same time, it combines and compares with related theories such as Gestalt psychology, and constructs the theory from the angle of visual psychology and aesthetic psychology. Taking Tibetan decorative patterns as the research direction, in which the word "decoration" is emphasized because decoration, as an artistic way, requires orderization, regularity, formulation and idealization, changes and beautifies things and forms them in accordance with the needs of mankind. The form of beauty in harmony with human aesthetic ideal. From this level, the research on the order and order of Tibetan decorative patterns will achieve the consistency of content and form. The content structure of the thesis, first of all, is to do a basic exposition on the concept, theoretical basis and research method of the sense of order in the decorative pattern art. The significance of the research on the order sense of Tibetan decorative patterns cuts into the feasibility and innovation of its combination with the theory of order feeling. In the core part of the paper, the structure, structure and style of Tibetan decorative patterns are studied from the perspective of order perception, creation and dissemination, and the theoretical system of order sense of Tibetan decorative patterns is established. On this basis, further analysis and summary of Tibetan decorative patterns of the order of the law. In the conclusion part of the thesis, the author emphasizes the innovation and feasibility of the thesis, and explores the problems that need to be further explored.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J523.5
本文编号：2317939
[Abstract]:Due to its unique geographical, political, religious and cultural background, the Tibetan nationality has formed a relatively independent national art, and its tradition has continued to this day. Tibetan decorative patterns are one of the main forms of Tibetan decorative art. They have been widely used, varied in form, flexible and changeable, and have truthfully recorded the artistic characteristics of Tibetan decorative art at all stages of its development, so it has been studied and sorted out. It has important theoretical significance and practical application value to further analyze it with the scientific research results of modern visual psychology. There are a lot of researches on Tibetan decorative patterns at home and abroad, and with the change of breakthrough point, the researchability and value are expanding. Although the research direction and content are different, but almost all take religion as the common thread, this also makes almost all Tibetan art research have one kind of fixed pattern. At the same time, it is precisely this remarkable feature of religious art that has made Tibetan decorative art show strong regularity, and this pursuit and expression of law and order is a universal psychological demand of mankind, This in the western decorative art psychology research has obtained some more perfect and mature research results. This thesis uses the research method of decorative art psychology to analyze the concrete forms of Tibetan decorative patterns through the thinking of phenomenon, and tries to reveal the psychological essence of the order sense of Tibetan decorative art. The theoretical research results and methods of western decorative art are applied to the research of Tibetan decorative art patterns, which makes the theoretical research system of Tibetan decorative art more complete and scientific. The theoretical framework of this paper is mainly based on the theory of the sense of order by E. H. Gonbridge, a famous British art historian and thinker. In particular, he puts forward the theory of information redundancy in order perception from the angle of information theory. This is an innovative theory of decorative art in the information age from the perspective of development. By summarizing and refining the theory of Gombrich and combining the related theories of graphics and communication, this paper discusses the artistic style and communication significance of the traditional Tibetan decorative patterns with the modern art research theory. At the same time, it combines and compares with related theories such as Gestalt psychology, and constructs the theory from the angle of visual psychology and aesthetic psychology. Taking Tibetan decorative patterns as the research direction, in which the word "decoration" is emphasized because decoration, as an artistic way, requires orderization, regularity, formulation and idealization, changes and beautifies things and forms them in accordance with the needs of mankind. The form of beauty in harmony with human aesthetic ideal. From this level, the research on the order and order of Tibetan decorative patterns will achieve the consistency of content and form. The content structure of the thesis, first of all, is to do a basic exposition on the concept, theoretical basis and research method of the sense of order in the decorative pattern art. The significance of the research on the order sense of Tibetan decorative patterns cuts into the feasibility and innovation of its combination with the theory of order feeling. In the core part of the paper, the structure, structure and style of Tibetan decorative patterns are studied from the perspective of order perception, creation and dissemination, and the theoretical system of order sense of Tibetan decorative patterns is established. On this basis, further analysis and summary of Tibetan decorative patterns of the order of the law. In the conclusion part of the thesis, the author emphasizes the innovation and feasibility of the thesis, and explores the problems that need to be further explored.
【学位授予单位】：昆明理工大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J523.5
【引证文献】
相关硕士学位论文 前8条
1 李娟;家居配饰设计研究[D];中南林业科技大学;2010年
2 陈卓;中国传统装饰纹样[D];中南林业科技大学;2009年
3 努尔麦麦提·阿卜杜许库尔;维吾尔族装饰图案元素在壁画中运用[D];大连理工大学;2011年
4 蒲佳;藏密曼荼罗图形的艺术特征研究[D];西安理工大学;2008年
5 尹廷乙;藏式家具在藏族居室中的应用与设计[D];西南交通大学;2010年
6 张垭欧;西藏装饰元素在高速列车内饰设计中的运用研究[D];西南交通大学;2012年
7 杜婉君;招贴设计的秩序性研究[D];山东大学;2012年
8 吴楠;基于美学原理的室内配饰品设计研究[D];沈阳航空航天大学;2013年
本文编号：2317939
本文链接：https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/2317939.html
