惠山泥塑的传统元素在现代室内装饰中的运用研究
发布时间：2018-11-15 19:28
【摘要】： 无锡的惠山泥塑历史悠久,在500多年的发展历史中,奠定了自己独特的历史地位,在中国工艺美术史上和天津“泥人张”一南一北,各有千秋,都代表了我国泥塑艺术的最高成就。 惠山泥塑艺术作为一种珍贵的民间手工艺术表现形式,也正面临着濒临失传的发展瓶颈,本人认为仅仅依靠保持或保护是远远不够的,应该更多的考虑让其走出研究所,走出博物馆,走出历史,让它重新回到民间,回到普通人的生活中。我们应该在继承传统的基础上对其作进一步的塑造与提升,让它可以以全新的面貌和生存形式面对现代的市场竞争。 本文通过实地考察和资料分析,收集了目前泥塑艺术发展的诸多困境,并分析其形成原因,认为在目前社会发展日新月异的情况下,只有赋予惠山泥塑新的生命、新的诠释语言、新的发展方向,将这种原本最纯粹的民间手工艺产品、一种民俗文化转化为一种最切合社会发展的产业化经济,才是最终的发展方向。 同时就目前室内装饰行业的发展情况、国内国外的实际案例分析了将传统元素运用在室内装饰中的可行性,也导出了本文的主题即如何将惠山泥塑的传统元素——色彩元素、造型元素以及纹饰元素导入到室内装饰设计中,并概括出两大原则、三大方法将这三种传统元素运用在室内装饰领域,用传统而又时尚的手法,使两者有机结合,共同发展,创造出富有地域文化气息的室内环境。 最后结合本人的设计实例做出详细的说明。 室内装饰设计是一项需要经过长期研究和发展的艺术,随着时代的变迁,室内装饰设计的创作重点也有所侧重,但是结合民间传统文化而发展是具有历史必然性的。
[Abstract]:The Huishan clay statue in Wuxi has a long history and has established its own unique historical position in the development history of more than 500 years. In the history of Chinese arts and crafts, and Tianjin's "clay man Zhang", one south and one north, each has its own unique characteristics. Both represent the highest achievement of the clay sculpture art in our country. Huishan clay sculpture art, as a precious form of folk handicraft art, is also facing the development bottleneck that is on the verge of being lost. I think it is far from enough to rely solely on preservation or protection. We should give more consideration to getting it out of the research institute. Go out of the museum, out of history, let it back to the folk, back to the life of ordinary people. We should further shape and upgrade it on the basis of inheriting tradition so that it can face the modern market competition with a new look and survival form. Through field investigation and data analysis, this paper collects many difficulties in the development of clay sculpture art at present, and analyzes the reasons for its formation. It is believed that under the circumstances of rapid social development, only Huishan clay sculpture can be endowed with a new life. A new interpretation language and a new direction of development are the ultimate development direction to transform the purest folk handicraft products and folklore culture into a kind of industrialized economy which is most suitable for the development of society. At the same time, according to the development of interior decoration industry at present, the paper analyzes the feasibility of applying traditional elements in interior decoration by actual cases at home and abroad, and also derives the theme of this paper, that is, how to apply the traditional element of Huishan clay sculpture, the color element, to the interior decoration. The modeling elements and the decorative elements are introduced into the interior decoration design, and two principles are summarized. The three major methods apply these three traditional elements in the interior decoration field, and use the traditional and fashionable techniques to make the two elements organically combine and develop together. Create a rich regional culture of indoor environment. Finally, with my design example to make a detailed explanation. Interior decoration design is an art that needs to be studied and developed for a long time. With the change of the times, the creative emphasis of interior decoration design is also focused on, but it is historical inevitability to develop with the combination of folk traditional culture.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J524
本文编号：2334225
[Abstract]:The Huishan clay statue in Wuxi has a long history and has established its own unique historical position in the development history of more than 500 years. In the history of Chinese arts and crafts, and Tianjin's "clay man Zhang", one south and one north, each has its own unique characteristics. Both represent the highest achievement of the clay sculpture art in our country. Huishan clay sculpture art, as a precious form of folk handicraft art, is also facing the development bottleneck that is on the verge of being lost. I think it is far from enough to rely solely on preservation or protection. We should give more consideration to getting it out of the research institute. Go out of the museum, out of history, let it back to the folk, back to the life of ordinary people. We should further shape and upgrade it on the basis of inheriting tradition so that it can face the modern market competition with a new look and survival form. Through field investigation and data analysis, this paper collects many difficulties in the development of clay sculpture art at present, and analyzes the reasons for its formation. It is believed that under the circumstances of rapid social development, only Huishan clay sculpture can be endowed with a new life. A new interpretation language and a new direction of development are the ultimate development direction to transform the purest folk handicraft products and folklore culture into a kind of industrialized economy which is most suitable for the development of society. At the same time, according to the development of interior decoration industry at present, the paper analyzes the feasibility of applying traditional elements in interior decoration by actual cases at home and abroad, and also derives the theme of this paper, that is, how to apply the traditional element of Huishan clay sculpture, the color element, to the interior decoration. The modeling elements and the decorative elements are introduced into the interior decoration design, and two principles are summarized. The three major methods apply these three traditional elements in the interior decoration field, and use the traditional and fashionable techniques to make the two elements organically combine and develop together. Create a rich regional culture of indoor environment. Finally, with my design example to make a detailed explanation. Interior decoration design is an art that needs to be studied and developed for a long time. With the change of the times, the creative emphasis of interior decoration design is also focused on, but it is historical inevitability to develop with the combination of folk traditional culture.
【学位授予单位】：江南大学
【学位级别】：硕士
【学位授予年份】：2008
【分类号】：J524
【引证文献】
相关硕士学位论文 前2条
1 胡海英;旅游酒店室内空间文化性设计研究[D];中南林业科技大学;2013年
2 宋国栋;回纹在现代室内设计中的应用研究[D];中南林业科技大学;2013年
，本文编号：2334225
本文链接：https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/2334225.html
