乌珠穆沁搏克服饰图案种类及应用研究

发布时间：2018-12-08 21:14

【摘要】：追溯历史,成吉思汗统一蒙古各部后大力倡导军事,搏克是军事训练的主要内容,更是选兵点将的重要依据,这种训练满足了蒙古族生存、战争、强身健体等各方面的需要。政权稳定以后其军事功能弱化,逐步变为娱乐竞技活动。尽管元朝之后的几百年里,草原经历了政权更替,时代变迁,但搏克运动从未间断过。搏克发展到清朝中后期在中国的内蒙古草原的不同地区主要形成四大流派,由于部落的历史文化和风俗习惯的限制导致了搏克服饰审美的不同,各地方搏克服饰款式也各有分别。其中蒙古族搏克文化习俗保存最完好的是乌珠穆沁草原,它被称为北方少数民族摔跤手的摇篮。乌珠穆沁的搏克服饰历史最为久远,其发展一直延续至今,因此乌珠穆沁搏克服饰具有较高的艺术研究价值。搏克服饰图案,经历了数百年的传承与发展并持续繁荣,彰显出了蒙古族的才智、技能与文化。它用自身的艺术形式展现着蒙古族的美学观和价值观,是蒙古族文化特色的艺术珍宝。了解、保护重要的民族文化遗产,将它完整的传承下去是我们责无旁贷的历史职责。通过对现有的搏克服饰图案发掘并整理,能够丰富现代设计造型手段,为民族品牌的设计提供新的养分。本论文主要分为三部分,第一部分介绍了搏克服饰的起源与发展,主要是从历史发展的脉络进行叙述,分别是汉代饰牌纹样的两人角斗纹样到元代设有专门的体育机构制定专供跤衣；清代搏克服饰样式的基本确立到现代制作精良的搏克服饰。搜集各个时期的文物和文献记载,便于我们了解搏克服饰逐步演变的过程。描述乌珠穆沁搏克服饰的特点,从搏克服饰的构成部分进行说明,分别从护身颈结圈、摔跤衣、摔跤裙、摔跤裤与套裤、靴子与靴捆五个部分进行了大量的文字与图片分析,整理出乌珠穆沁搏克服饰的服饰规格,并分析服饰背后蕴藏的寓意象征和美好祝福。第二部分从搏克服饰图案艺术形态和呈现方式进行论述,主要有乌珠穆沁搏克服饰的代表元素、构成形式、装饰规律、呈现方式四个部分,从视图案分析的角度去研究乌珠穆沁搏克服饰图案的设计形式的基础构成以及服饰图案背后自强不息精神的、观念的、心理的、情感的、意志的、审美的深层次内容。第三部分主要从艺术应用价值角度表述在当今社会背景下,乌珠穆沁搏克服饰的图案如何能融入新的时代潮流,成为一种民族文化新风尚。突出乌珠穆沁搏克服饰图案所展现的魅力,在保留重要的文化积淀和审美情趣的基础上,有效达到传播搏克服饰文化的目标。在设计应用方面我以《鹰舞》、《传授》、《比赛》、《延续》四个主题的装饰画为载体,通过对色彩和图案的提炼,加之立体的呈现方式表现,使之成为标志性的符号。
[Abstract]:Tracing back to the history, Genghis Khan strongly advocated the military after unifying the Mongolian ministries, and Polk was the main content of military training and an important basis for the selection of soldiers. This kind of training satisfied the needs of Mongolian survival, war, physical fitness and so on. After the stability of the regime, its military function was weakened and gradually turned into recreational and competitive activities. Although the grassland experienced regime change and time change in the hundred years after Yuan Dynasty, the Boque movement never stopped. Boke developed to the middle and late Qing Dynasty and formed four major schools in different areas of Inner Mongolia steppe in China. Due to the limitation of tribal history, culture and customs, Boke's dress appreciation was different. There are also different styles of Booker clothing in different places. The Mongolian Boke culture and customs are best preserved in Wuzhoumuqin Prairie, which is known as the cradle of the wrestlers of the northern ethnic minorities. The history of Wuzhoumuqin's Bock dress is the longest, and its development has been going on up to now, so it has high artistic research value. The design of Booker dress has been passed on and developed for hundreds of years and has continued to flourish, showing the talents, skills and culture of the Mongols. With its own artistic form, it shows the Mongolian aesthetic outlook and values, and is an art treasure with Mongolian cultural characteristics. Understand, protect the important national cultural heritage, it is our historical duty to inherit it intact. By excavating and sorting out the existing Booker clothing patterns, it can enrich the modern design methods and provide new nutrients for the design of national brands. This paper is mainly divided into three parts. The first part introduces the origin and development of Booker clothing, mainly from the historical development of the context of the narrative. Han Dynasty decoration card pattern of two people fighting pattern to the Yuan Dynasty has a special sports organization to set up for fall clothes; The basic establishment of the style of Boke dress in Qing Dynasty came to the modern well-made Bock dress. Collection of cultural relics and documentary records of each period, facilitate us to understand the gradual evolution of Bork clothing process. This paper describes the characteristics of the dress of Uzhoumuqinbok, explains the components of the dress, and analyzes a great deal of text and pictures from the five parts of the body, such as neck knot, wrestling dress, wrestling skirt, wrestling trousers and overalls, boots and boots bundles. Arrange the dress specification of the dress of Wuzhoumuqinbok, and analyze the symbol of implication and the blessing of beauty behind the dress. The second part discusses the artistic form and presentation mode of Bock clothing pattern, mainly including the representative elements, the form of composition, the decorative law, the presentation mode of the dress, and the four parts of the presentation mode, including the representative elements of the dress, the form of the decoration, the pattern of decoration and the way of presentation. From the angle of visual pattern analysis, this paper studies the basic structure of the design form of the dress pattern of Uzzamudinbok and the deep content of the self-improvement spirit, the idea, the psychology, the emotion, the will and the aesthetic behind the dress pattern. The third part mainly from the artistic application value angle in the present society background, how the design of the Wudhumuqinbok clothing can melt into the new times trend, becomes a kind of national culture new fashion. On the basis of preserving the important cultural accumulation and aesthetic interest, we can effectively achieve the goal of spreading Booker dress culture. In the aspect of design application, I take the decorative paintings of the four themes of "Eagle Dance", "imparting", "Competition" and "continuation" as the carrier. Through the extraction of colors and patterns, and the expression of stereoscopic presentation, I make it a symbolic symbol.
【学位授予单位】：内蒙古师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：TS941.2

【相似文献】