当前位置:主页 > 文艺论文 > 装饰艺术论文 >

新密打虎亭汉墓壁画的装饰元素研究及其在包装设计中的应用

发布时间:2018-12-10 20:47
【摘要】:新密打虎亭汉墓是全国的重点文物保护单位,作为中国最大的汉墓之一,该墓距今有1800多年的历史。汉代的墓室壁画是汉代绘画艺术的重要遗存,它描绘出一个丰富多姿的汉代世界,充分展现了汉代墓室壁画艺术的丰富内容及绘画技法,填补了中国汉代美术史上墓室壁画研究的空白。打虎亭汉墓壁画中蕴含着丰富的装饰性元素,它具备装饰壁画的主要艺术特征和装饰元素中的较多特色,形成了自己独具特色的装饰风格,由此体现出打虎亭汉墓壁画的主要装饰魅力。打虎亭汉墓壁画虽然没有完全依据所谓的装饰艺术法则,但无论是从其构图、造型、色彩还是从历史所赋予它的新面貌来看,都展现出浓郁的装饰趣味。其中,不管是表现汉代宴饮活动场面的宴饮百戏图、表现汉代竞技活动的相扑图,还是表现宾客出行的车马出行图、表现汉代侍女特征的侍女图以及位于壁画墓墓顶的藻井图案,都传达出汉代最具特征的装饰画面,体现在这些壁画中的装饰元素种类丰富、形态多样、造型生动。对打虎亭汉墓壁画中“装饰性”元素进行研究和探讨,会有利于加深对装饰艺术手法和装饰趣味的进一步了解,从而与现代的设计方法联系起来,在汲取历史养分的同时,创造出新的具有独特装饰趣味的现代设计风格。汉代的墓室壁画是汉代绘画艺术中比较完整的美术遗存,在壁画中蕴含的诸多装饰元素对现代包装设计有较为重要的影响作用。新密打虎亭汉墓壁画的装饰元素是中国传统装饰艺术的重要组成部分,具有独具特色的赋色技巧与自成体系的造型法则,对现代包装设计有实际性的指导意义。对墓室壁画中典型的审美思想、传统的哲学观念、独特的造型模式及浓郁的装饰色彩的充分借鉴,是使现代社会的包装设计中突出表现传统艺术精神与民族文化,深化艺术设计语言的主要手段和重要的途径。打虎亭汉墓壁画的构图简洁生动、造型动静有序、画面朴实厚重、色彩变幻灵动,墓室壁画写天地物体之灵气,呈现出虚幻超脱的画面意境,表现出中国民族的本土艺术特征与鲜明的时代特色。打虎亭汉墓壁画蕴含的深邃寓意与丰富多样的造型样式,经过历史的洗礼后,这些具有中国传统意韵的墓室壁画装饰元素依旧具有强大旺盛的生命力,并且源源不断地为现代包装设计提供丰富的设计素材。
[Abstract]:As one of the largest Han tombs in China, the tomb has a history of more than 1800 years. The tomb murals of the Han Dynasty are an important relic of the painting art of the Han Dynasty, which depicts a rich and colorful world of the Han Dynasty, and fully demonstrates the rich contents and painting techniques of the murals in the tomb rooms of the Han Dynasty. Filled in the Chinese Han Dynasty art history tombs murals research blank. There are abundant decorative elements in the murals of Tahu Pavilion Han Tomb, which have the main artistic characteristics of decorative murals and more characteristics of decorative elements, forming their own unique decorative style. This reflects the main decorative charm of the Han Tomb murals of the Tahu Pavilion. Although the murals of the Han Tomb of the Tiger Pavilion are not completely based on the so-called decorative art law, they show rich decorative interest in terms of their composition, modeling, color or the new appearance given by history. Among them, whether it is a performance of the Han Dynasty banquet event scenes of a hundred drama pictures, performance of the Han Dynasty competitive activities of sumo map, or show guests travel car and horse travel map, The handmaid pictures which show the characteristics of handmaids in Han Dynasty, as well as the algae well pattern at the top of the mural tombs, convey the most characteristic decorative pictures of Han Dynasty, which are embodied in the rich kinds of decorative elements, various forms and vivid shapes in these murals. The study and discussion of the "decorative" elements in the murals of the Han Tomb of the Tahu Pavilion will help to deepen the understanding of the decorative art techniques and decorative tastes, thus connecting with the modern design methods, and at the same time absorbing the historical nutrients. Create a new style of modern design with unique decorative interest. The tomb murals of the Han Dynasty are relatively complete art remains in the painting art of the Han Dynasty. Many decorative elements contained in the murals play a more important role in the modern packaging design. As an important part of Chinese traditional decorative art, the decorative elements of the frescoes in the Han Tombs of Hsin Mi-da Tiger Pavilion have unique color techniques and self-made modeling rules, which have practical guiding significance for modern packaging design. The typical aesthetic thought, traditional philosophy idea, unique modeling mode and rich decorative color in the murals of tomb room can make the traditional artistic spirit and national culture outstanding in the packaging design of modern society. Deepen the main means and important ways of artistic design language. The composition of the murals of the Han Tomb of the Tiger Pavilion is simple and vivid, the shape is in an orderly manner, the pictures are simple and thick, the colors are changing, and the murals of the tomb room write the spirit of the objects of heaven and earth, showing the unreal and transcendent artistic conception of the pictures. It shows the characteristics of Chinese native art and the distinctive characteristics of the times. After the baptism of history, the decorative elements of these tomb murals with Chinese traditional rhyme still have strong and exuberant vitality. And continue to provide rich design materials for modern packaging design.
【学位授予单位】:中原工学院
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:J524.2

【参考文献】

相关期刊论文 前10条

1 于琼;刘莉萍;郭国强;万彤;;现代礼品包装中民族风格的探讨[J];包装工程;2007年02期

2 李征;许广彤;;解读现代标志中的民族艺术元素[J];包装工程;2009年07期

3 熊媚妮;;民族风格在平面广告设计中的应用[J];成功(教育);2008年10期

4 殷韦韦;;我国传统文化对现代广告设计的影响[J];池州学院学报;2009年02期

5 袁文芳;;中国传统元素在广告设计中的运用[J];东南传播;2009年07期

6 李洋;;唐代墓室仕女画的兴盛及原因[J];大众文艺(理论);2009年04期

7 蒋莉;;试论敦煌壁画艺术中蕴涵的装饰趣味[J];大众文艺(理论);2009年14期

8 左明;;中国画的装饰性对平面设计影响探微[J];硅谷;2008年03期

9 陈虎;;中国传统图形在标志设计中的应用[J];光盘技术;2009年04期

10 彭仁;;浅谈现代标志设计中的传统图案[J];今日南国(理论创新版);2009年10期

相关硕士学位论文 前1条

1 冯晓娟;民族图形的国际化研究[D];江南大学;2004年



本文编号:2371179

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/shinazhuanghuangshejilunwen/2371179.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户6437e***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com