建筑装饰材料的知觉现象分析

发布时间：2018-12-15 18:49

【摘要】： 对于建筑装饰材料表现力的探索一直伴随建筑发展的始终,不同的时代有着不同的标准。但有趣的是即使在科技发达的现代社会,传统风格的建筑装饰材料仍然具有跨越时空的感召力,它仍然启迪着人们对质感、光线、色彩、象征意义及其他知觉体验的关注。自从工业革命以来,生铁材料的出现以及其后大规模的应用从根本上改变了建筑的形制,并且满足了城市的不断扩张与人口范围的扩大。随之新兴材料的不断涌现使这种态势越加明显。由此可见建筑材料不但具有美学意义而且更具有社会意义。从一定意义上来说建筑材料类别的交替印证了不同时代的更迭,同时,它们也证明了特定时代的局限和人们想要挣脱这种局限的欲望和勇气。经过了现代主义诸多风格的流变,当物质资源极大丰富的同时,人们又重新回归到了对建筑材料表现多样性的诉求。由此,建筑材料从结构走向表皮,从功能走向装饰,用其自身特殊的气质满足着新的时期人们对于建筑功能和情感的需求。因此,本文绕过建筑装饰材料的物理属性分析,从知觉现象的角度分析建筑装饰材料在建筑空间里的表现力。以建筑现象学为理论依据,突破以往对建筑装饰材料的功能及纯粹形式的争论,关注人类意识与材料的关联,回归到建筑装饰材料本身,探索各种复杂表象之间的关系,明确建筑装饰材料的魅力不仅仅源于自身的形、色、质这一概念,更源于人们的体验以及体验产物空间感的再创造。本文主体围绕陕西富平陶艺村中所使用的建筑装饰材料展开论述,并以其周边民居的住宅改造为实例,范围涵盖了宾馆、饭店、博物馆、工作室等公共建筑和设施。其目的并不旨在提供一种具体化的执行方法,而是旨在引导一种独特的对待建筑装饰材料的思维方式,尤其针对如何在建筑全球化浪潮中寻找地域价值问题具有借鉴意义。
[Abstract]:The exploration of the expressive power of architectural decoration materials has always been accompanied by the development of architecture, different times have different standards. But what's interesting is that even in the technologically advanced modern society, traditional architectural decorative materials still have the appeal across time and space, and they still inspire people's attention to texture, light, color, symbolism and other perceptual experiences. Since the Industrial Revolution, the appearance of pig iron and its large-scale application have fundamentally changed the shape of buildings and satisfied the continuous expansion of cities and the expansion of population. With the continuous emergence of emerging materials, this situation is becoming more and more obvious. This shows that building materials not only have aesthetic significance but also have social significance. In a sense, the alternation of building material types confirms the change of different times, at the same time, they also prove the limitations of a particular era and people's desire and courage to break away from this limitation. After the development of modernism, when the material resources are abundant, people return to the demand of diversity of architectural materials. As a result, building materials from structure to skin, from function to decoration, with its own special temperament to meet the needs of the new period for the architectural function and emotion. Therefore, this paper bypasses the analysis of the physical properties of architectural decoration materials, and analyzes the expressive force of architectural decorative materials in the architectural space from the perspective of perceptual phenomena. Based on the theory of architectural phenomenology, this paper breaks through the previous debates on the function and pure form of architectural decoration materials, pays close attention to the relationship between human consciousness and materials, returns to the architectural decoration materials itself, and explores the relationship between various complex representations. It is clear that the charm of architectural decoration material is not only derived from the concept of shape, color and quality, but also from the experience of people and the re-creation of the experience product space sense. The main body of this paper focuses on the architectural decoration materials used in the ceramic village of Fuping Shaanxi Province and takes the residential renovation of its surrounding folk houses as an example covering public buildings and facilities such as hotels restaurants museums and studios. Its purpose is not to provide a concrete execution method, but to guide a unique way of thinking about architectural decoration materials, especially to find the regional value in the tide of architectural globalization.
【学位授予单位】：西安建筑科技大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：TU238

【共引文献】