辽宁地区辽代装饰艺术研究
发布时间：2018-12-24 13:28
【摘要】： 辽宁地区的辽代装饰艺术,其中包括内蒙古、山西、河北的辽代装饰有一种同中国南方传统装饰造型和风格不大一样的特点。尽管南方的装饰特征与辽代的装饰艺术的若干方面进行比较会发现不少共同之处,但一般来讲,总能准确无误地把辽代装饰艺术的经典之作与中国南方的装饰艺术区别开来。大辽国是中国境内几个不同政权,他们受汉文化的影响,在艺术上也随之而来。由于这些民族的落后而不能不以中国固有的先进政治、经济、文化制度来统治国家。辽宁地区的辽代装饰艺术是中原文化、草原游牧文化和长白山森林文化交汇的产物。他们所创造的装饰艺术在广泛吸收唐代和宋代的艺术形式,而不失民族特色。 论文旨在透过对该地区辽代装饰艺术的研究,让人们深入了解其内涵,在追求现代生活的同时,重视对传统文化的审美,关注历史遗存的保护,注重人与环境的融洽和谐。该文以辽代装饰艺术为切入点,围绕辽宁地区辽代遗迹和辽代名胜的装饰特征进行探讨,运用历史学、民俗学、宗教学等社会人文科学与建筑理论、装饰理论相结合的研究方法,进行了实地考查和测绘,在尽可能多地收集掌握资料的基础上,就典型案例进行分析,将中国传统文化对辽代装饰艺术的诸多方面的影响和渗透进行梳理,从而透视了辽代装饰艺术的演变历程和审美要求。
[Abstract]:The Liao Dynasty decoration art in Liaoning area, including Inner Mongolia, Shanxi, Hebei, has a different style and style with the traditional decoration in southern China. Although the decorative characteristics of the South and several aspects of the decorative arts of the Liao Dynasty will find a lot in common, generally speaking, it can always accurately distinguish the classical works of the decorative arts of the Liao Dynasty from the decorative arts of southern China. There are several different regimes in China, which are influenced by Han culture and followed in art. Due to the backwardness of these ethnic groups, China's inherent advanced political, economic, cultural system can not rule the country. The decorative art of Liao Dynasty in Liaoning is the result of the intersection of Central Plains Culture, grassland nomadic Culture and Changbai Mountain Forest Culture. The decorative art they created absorbed the artistic forms of Tang and Song dynasties without losing their national characteristics. Through the study of the decorative art of Liao Dynasty in this area, the thesis aims to make people deeply understand its connotation, while pursuing modern life, attach importance to the aesthetics of traditional culture, pay attention to the protection of historical relics, and pay attention to the harmony between human beings and environment. This paper takes the decorative art of Liao Dynasty as the breakthrough point, discusses the features of Liao Dynasty relics and places of interest in Liaoning, and applies the theories of social humanities and architecture, such as history, folklore, religious education, etc. On the basis of collecting and mastering information as much as possible, the paper analyzes typical cases by combining the research method of decoration theory with field examination and mapping. The influence and penetration of Chinese traditional culture on many aspects of decoration art in Liao Dynasty are combed, and the evolution process and aesthetic requirements of decoration art in Liao Dynasty are analyzed.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J525
[Abstract]:The Liao Dynasty decoration art in Liaoning area, including Inner Mongolia, Shanxi, Hebei, has a different style and style with the traditional decoration in southern China. Although the decorative characteristics of the South and several aspects of the decorative arts of the Liao Dynasty will find a lot in common, generally speaking, it can always accurately distinguish the classical works of the decorative arts of the Liao Dynasty from the decorative arts of southern China. There are several different regimes in China, which are influenced by Han culture and followed in art. Due to the backwardness of these ethnic groups, China's inherent advanced political, economic, cultural system can not rule the country. The decorative art of Liao Dynasty in Liaoning is the result of the intersection of Central Plains Culture, grassland nomadic Culture and Changbai Mountain Forest Culture. The decorative art they created absorbed the artistic forms of Tang and Song dynasties without losing their national characteristics. Through the study of the decorative art of Liao Dynasty in this area, the thesis aims to make people deeply understand its connotation, while pursuing modern life, attach importance to the aesthetics of traditional culture, pay attention to the protection of historical relics, and pay attention to the harmony between human beings and environment. This paper takes the decorative art of Liao Dynasty as the breakthrough point, discusses the features of Liao Dynasty relics and places of interest in Liaoning, and applies the theories of social humanities and architecture, such as history, folklore, religious education, etc. On the basis of collecting and mastering information as much as possible, the paper analyzes typical cases by combining the research method of decoration theory with field examination and mapping. The influence and penetration of Chinese traditional culture on many aspects of decoration art in Liao Dynasty are combed, and the evolution process and aesthetic requirements of decoration art in Liao Dynasty are analyzed.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2007
【分类号】：J525
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