优雅的形式—当装饰风格邂逅形式审美

发布时间：2019-01-18 09:40

【摘要】：装饰艺术较之其他艺术门类,是人类历史最早产生和普遍运用的艺术形式,它根源于人类审美追求的初衷,对于其他艺术门类的生成和发展具有极其重要的价值和意义。在人类历史发展的进程中,装饰艺术扮演了重要角色,持续影响着人们对于艺术的渐深理解和认知程度的不断加深。而正是在这个逐渐深入理解的过程之中,装饰艺术的功能和作用才得以彰显。当下,装饰理念已然深入人心,作为一种装点生活的手段日益影响着我们观看世界的方式和理解艺术的态度,并且愈加显示出装饰艺术所特有的魅力与价值。论文从对人类特有的与生俱来的对于装饰动机的阐释出发,追溯了装饰艺术活动的历史渊源及其发展进程,以及先天存在于生物体内的秩序感与装饰动机的微妙关系,并且阐述了人们关于“美”的不同理解与感受。形式与内容是关于秩序感的两个重要因素。西方艺术史始终游离和行进于“内容”与“形式”之间的暖昧。对“形式”与“内容”的不同观念,导致了不同的学说理论与研究方法。一种说法认为在艺术作品中,形式不能与内容分离,色彩、线条、光影、体积与平面的分布在视觉上的赏心悦目,必须被理解为承载着多种含义；而另外一种说法则认为艺术的本质并非存在于对自然的忠实复制,而是彰显于形式、色彩、韵律和其他一些抽象特质之中。论文从形式主义美学的角度出发,阐述了其发展进程和代表人物的主要观点,力图以形式主义美学的视角来阐释人们对于形式与内容相互作用和微妙关系的不同认知。并且讨论了和形式与内容这对概念相关联的一些范畴与观念,对它们进行了初步概括和甄别。论文以“肥与瘦”这对立的两种形式为个案,具体分析了人们在具体表达情境中对于肥与瘦这两种对立形式的态度随不同时代而变化的相应审美情趣,以及审美体验上的差异。最后论文以肌理的形式美感和装饰作用为出发点进一步探讨了形式审美作用于装饰风格的不同表达方式以及在艺术创作与情感抒发中的现实意义。
[Abstract]:Compared with other kinds of art, decorative art is the earliest form of art in human history and widely used. It originates from the original intention of human aesthetic pursuit, and has extremely important value and significance for the formation and development of other artistic categories. In the course of the development of human history, decorative art plays an important role, and continues to affect people's deeper understanding of art and the deepening of cognition. And it is in this gradual in-depth understanding of the process, decorative art function and role can be highlighted. At present, the concept of decoration has been deeply rooted in people's heart. As a means of decorating life, the way we view the world and the attitude of understanding art are increasingly influenced, and the unique charm and value of decorative art are more and more displayed. Based on the innate explanation of decorative motivation, this paper traces the historical origin and development process of decorative art activities, and the subtle relationship between the sense of order and the decorative motivation inherent in living things. And elaborated the people regarding "the beauty" the different understanding and the feeling. Form and content are two important factors about sense of order. The western history of art has always drifted and moved between "content" and "form". Different concepts of form and content lead to different theories and research methods. One view is that in works of art, form cannot be separated from content, color, line, light and shadow, volume and plane distribution in the visual pleasing to the eye, must be understood as carrying a variety of meanings; Another view is that the nature of art does not exist in the faithful reproduction of nature, but in form, color, rhythm and other abstract qualities. From the point of view of formalism aesthetics, this paper expounds its development process and the main viewpoints of representatives, and tries to explain the different cognition of the interaction and subtle relationship between form and content from the perspective of formalism aesthetics. And some categories and concepts related to the concepts of form and content are discussed, and they are preliminarily summarized and identified. Taking "fat and thin" as an example, this paper analyzes the corresponding aesthetic interest and the difference of aesthetic experience between people's attitude towards fat and thin in specific expression situation. At last, the thesis discusses the different expressions of formal aesthetic effect on decorative style and its practical significance in artistic creation and emotional expression from the point of view of formal aesthetic feeling and decorative function of texture.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525

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