陕西关中娃娃哨装饰艺术研究
发布时间：2019-03-02 14:16
【摘要】：陕西关中娃娃哨是民间泥塑玩具的典型代表,其小巧若拙、色彩鲜艳、独特审美的艺术特征,源自劳动者的社会生活,具有娱乐与祭祀的双重功能。它独特的艺术魅力和乡土意味,包容了深厚的文化底蕴,并揭示了农耕生活原发的自娱性特征。 本文以实地考察目前尚存在娃娃哨的关中地区和民间艺人为主,在相关文献资料和前人研究的学术成果前提下,运用文化人类学、历史学、戏剧学、美术学进行多层面、多学科比较分析。探究其源流脉络、艺术类别和文化根源;梳理它不同风格的造型特征;分析它的美学本质及审美意蕴;总结民间艺术家的创造观念与心理特点。从设计艺术学角度对陕西关中娃娃哨艺术的现状及对民间美术如何保护、传承等展开讨论。提出在当今信息时代,陕西关中娃娃哨技艺面临新的机遇与挑战,如何使其拓展是我们共同关注的问题。
[Abstract]:Shaanxi Guanzhong dolls whistle is a typical representative of folk clay plastic toys, its small skill, bright colors, unique aesthetic artistic characteristics, derived from the social life of labourers, with the dual functions of entertainment and sacrifice. Its unique artistic charm and local meaning contain profound cultural heritage and reveal the original characteristics of self-entertainment of farming life. Based on the on-the-spot investigation of Guanzhong area and folk entertainers who still exist in Wahuashang, this paper uses cultural anthropology, history, drama and fine arts on a multi-level basis under the premise of relevant literature materials and the academic achievements of previous studies, and makes use of cultural anthropology, history, drama and fine arts at various levels. Multidisciplinary comparative analysis. Explore its origins, artistic categories and cultural roots; comb its different styles of modeling characteristics; analyze its aesthetic nature and aesthetic implication; summarize the creative concept and psychological characteristics of folk artists. From the point of view of design art, this paper discusses the present situation of Shaanxi Guanzhong doll whistle art and how to protect and inherit folk art. It is pointed out that in the information age, Shaanxi Guanzhong doll whistle technology faces new opportunities and challenges, and how to expand it is a common concern of us.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J528
本文编号：2433124
[Abstract]:Shaanxi Guanzhong dolls whistle is a typical representative of folk clay plastic toys, its small skill, bright colors, unique aesthetic artistic characteristics, derived from the social life of labourers, with the dual functions of entertainment and sacrifice. Its unique artistic charm and local meaning contain profound cultural heritage and reveal the original characteristics of self-entertainment of farming life. Based on the on-the-spot investigation of Guanzhong area and folk entertainers who still exist in Wahuashang, this paper uses cultural anthropology, history, drama and fine arts on a multi-level basis under the premise of relevant literature materials and the academic achievements of previous studies, and makes use of cultural anthropology, history, drama and fine arts at various levels. Multidisciplinary comparative analysis. Explore its origins, artistic categories and cultural roots; comb its different styles of modeling characteristics; analyze its aesthetic nature and aesthetic implication; summarize the creative concept and psychological characteristics of folk artists. From the point of view of design art, this paper discusses the present situation of Shaanxi Guanzhong doll whistle art and how to protect and inherit folk art. It is pointed out that in the information age, Shaanxi Guanzhong doll whistle technology faces new opportunities and challenges, and how to expand it is a common concern of us.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J528
【参考文献】
相关期刊论文 前3条
1 孙建君;;漫谈民间美术的活态保护[J];美术观察;2007年11期
2 周利明;;鱼化寨娃娃哨源流考[J];西北美术;2006年02期
3 蔡惠姝;;中原民间艺术的活化石—泥泥狗[J];新闻爱好者;2009年20期
，本文编号：2433124
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