海派花鸟画对景德镇近现代釉上彩瓷装饰的影响

发布时间：2019-03-16 13:47

【摘要】： 清朝是中国古代美术的终结,也是中国近代美术的开端。19世纪中叶,上海的经济发展迅速,近现代中国绘画以上海画坛为前哨阵地,以“海派”画家为代表,以生动活泼而又雅俗共赏的写意花鸟画和人物画为主体的新的画风,将中国绘画推向了新的发展阶段。海上画派是我国近代绘画史上最为重要的和最具影响力的艺术流派之一。花鸟画的成就,则因海上画派的出现,在晚清达到又一个高峰。而此时景德镇的瓷业生产的规模巨缩,官、民窑的瓷器质量明显下降。这期间,景德镇的釉上彩瓷除了传统的门类外,又悄然兴起了两种具有开拓性的釉上彩瓷新品种:浅绛彩和新粉彩。其装饰风格深受海派绘画风格的影响。本文选取海派花鸟画对景德镇近现代釉上彩瓷装饰的影响这一角度进行论述。以美术史学和比较学的研究方法,对海派名家参与绘制釉上彩瓷和海派花鸟画对景德镇近现代釉上彩瓷装饰的影响进行分析研究。本文希望通过研究,使人们更加深刻的认识到,海派花鸟画对景德镇近现代釉上彩瓷装饰影响的利弊关系,及当代的釉上彩瓷装饰该如何发展。全文共分为五章。本文第一章通过概念的界定,将海派概念进行说明,同时进一步概述了海派的形成、发展及海派花鸟画的特征。第二章通过海派画家参与绘制釉上彩瓷,及海派花鸟画对景德镇近现代釉上彩瓷装饰现象的论述,来证明海派花鸟画对景德镇近现代釉上彩瓷装饰的影响。第三章论述了海派后画家与釉上彩瓷。第四章从海派花鸟画的艺术地位进行论述,并进一步阐述了海派花鸟画对景德镇近现代釉上彩瓷装饰的利弊关系。在文章结论部分,本文提出了在当代釉上彩瓷装饰应该如何发展。
[Abstract]:The Qing Dynasty was the end of ancient Chinese art and the beginning of modern Chinese art. In the middle of the 19th century, Shanghai's economy developed rapidly, and modern Chinese painting took the Shanghai painting world as the outpost, represented by the "Shanghai School" painters. The new style of painting, which is mainly composed of vivid and elegant paintings of flowers and birds and figures, pushes Chinese painting to a new stage of development. Marine painting school is one of the most important and influential art schools in modern Chinese painting history. The achievement of flower and bird painting, because of the appearance of the painting school at sea, reached another peak in the late Qing Dynasty. At this time Jingdezhen porcelain industry production scale shrink, official, civil kiln porcelain quality significantly decreased. During this period, Jingdezhen color porcelain in addition to the traditional categories, but also quietly emerged two pioneering on-glaze color porcelain varieties: light crimson color and new powder color. Its decorative style is deeply influenced by the style of Shanghai painting. This paper discusses the influence of Shanghai style flower-and-bird painting on the glazed porcelain decoration in Jingdezhen. Based on the methods of art historiography and comparative study, this paper analyzes the influence of the participation of famous artists of Shanghai School on the decoration of glaze-colored porcelain and flower-and-bird painting of Shanghai School on the decoration of modern glaze porcelain in Jingdezhen. Through the research, this paper hopes to make people realize more deeply the relation between the advantages and disadvantages of the influence of Shanghai style flower-and-bird painting on the modern glazed porcelain decoration in Jingdezhen, and how to develop the contemporary colored porcelain decoration on glaze. The paper is divided into five chapters. The first chapter explains the concept of Shanghai School through the definition of concept, and further summarizes the formation and development of the Shanghai School and the characteristics of the Flower and Bird paintings of the Shanghai School. The second chapter proves the influence of Shanghai-style flower-and-bird painting on the color porcelain decoration of Jingdezhen by participating in painting color porcelain on glaze and discussing the decorative phenomenon of flower-bird painting on glaze in Jingdezhen in order to prove the influence of flower-and-bird painting of Shanghai school on the decoration of color porcelain on glaze in Jingdezhen. The third chapter discusses the post-Shanghai painters and glazed colored porcelain. The fourth chapter discusses the artistic status of Shanghai-style flower-and-bird painting, and further expounds the advantages and disadvantages of Shanghai-style flower-and-bird painting on modern glazed porcelain decoration in Jingdezhen. In the conclusion part, this paper puts forward how to develop the color porcelain decoration on the glaze.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J527

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