现代纤维艺术中装饰语言的多元性研究
发布时间：2019-04-01 23:57
【摘要】：现代纤维艺术已经进入了一个前所未有的发展时期,本文旨在结合个人的创作和实践经验；通过查阅大量的论著、作品集等相关资料；并结合参观的诸多纤维艺术展中收集来的图片资料,来探讨在现代纤维艺术创作的过程中,结合利用新型的材料和工艺、充分的发挥综合材料的特性；解读现代纤维艺术这种结合了独特的装饰艺术的表现形式；作品本身不断追求实用与装饰形式、作品与场景空间的统一的趋向,这些因素的交叉叠加,使得其体现出了作品的多元化的价值和装饰话语。现代纤维艺术不仅是在古老的编织,缂丝等工艺形式的基础上的传承和发展,还是一门结合了现代科技与工艺,在材料、制作手段、表现形式等方面不断的创新与突破,而逐渐发展成为装饰艺术中一种特殊的艺术门类。现代纤维艺术初期的发展是从欧洲和美国开始的,起初虽然要依附于实用的功能性存在着,但是其后具有审美价值的装饰性话语在其创作和表达的过程中,逐渐占据了越来越重要的比重,这才使得现代纤维艺术为我们呈现出了丰富多彩的视觉盛宴。 现代纤维艺术逐渐突破了传统的设计理念,以多变的表现形式展示纤维材料的独特魅力,这些变革丰富了纤维艺术的装饰语言,也让现代纤维艺术在现代艺术中作为一门独立独特的艺术门类而存在变为可能。即使与其它的艺术相比,它的历史还相对短暂,从最初的纤维艺术这个概念的提出到至今的短短几十年的时间里,它以蓬勃的生命力证明了它存在的价值,在快节奏发展的今天,现代纤维艺术满足了人们迫切地想回归自然、回归自我、回归人类本质属性的一种心理需求；它通过纤维材料天生的亲和力、结合新的技术手段、多样的表达形态等诸多因素满足了人们的这种渴望的同时也为古老的编织艺术扩展了一个无比广阔的探索空间。纤维艺术的实用性功能逐渐被富有装饰意味的形式所代替,而装饰语言作为一种可以传递情感、信息、交流文化的视觉化符号见证并伴随着这门年轻而又古老的艺术前行的脚步。 本文旨在以现代纤维艺术中装饰语言为研究对象,结合具体材料的发展、表达形式的改变、观念的变革等方面对现代纤维艺术的装饰语言进行的新形式的构建,来研究其多元化发展的倾向；并在此基础上通过研究现代纤维艺术与装饰语言,探索两者之间的关系,从而探究现代纤维艺术的新形式所需要新的装饰艺术语言,而新的装饰话语必然会构建新的纤维艺术的表现形式,并为解决如何扩展新的表现形式提供现实的可能和理论上的基础。
[Abstract]:Modern fiber art has entered an unprecedented development period, this article aims to combine individual creation and practical experience, by consulting a large number of works, works collection and other related materials; Combined with the pictures collected from many fiber art exhibitions, this paper discusses the characteristics of comprehensive materials in the process of modern fiber art creation, combining with the use of new materials and techniques. The interpretation of the modern fiber art, which combines the unique forms of decorative art; The works themselves continue to pursue the practical and decorative forms, the unity of the works and the scene space, the overlapping of these factors make it reflect the diversified value and decorative discourse of the works. Modern fiber art is not only inherited and developed on the basis of ancient knitting, silk tapestry and other technological forms, but also a combination of modern science and technology, continuous innovation and breakthrough in materials, means of production, forms of expression, and so on. And gradually developed into a special art category in decorative art. The development of modern fiber art began in Europe and the United States at first, although it was dependent on the practical function, but then the decorative discourse with aesthetic value was in the process of its creation and expression. Gradually occupying a more and more important proportion, this makes the modern fiber art for us to present a rich and colorful visual feast. The modern fiber art has gradually broken through the traditional design concept and displayed the unique charm of the fiber material in various forms of expression. These changes enrich the decorative language of the fiber art. It also makes it possible for modern fiber art to exist as an independent and unique art category in modern art. Even if compared with other art, its history is still relatively short, from the original concept of fiber art to the present in a short period of several decades, it proved its value with vigorous vitality. With the rapid development of modern fiber art, the modern fiber art meets the psychological needs of people who want to return to nature, to themselves and to the essential attributes of human beings. Through the natural affinity of fiber materials, combined with new technical means, various forms of expression and many other factors to satisfy the desire of people, but also for the ancient art of weaving to expand an incomparable wide exploration space. The practical function of fiber art is gradually replaced by decorative forms, and decorative language as a kind of can convey emotion, information, The visual symbol of communication culture bears witness to the pace of this young and ancient art. The purpose of this paper is to construct the decorative language of modern fiber art in terms of the development of concrete materials, the change of expression form, the change of concept and so on, taking the decorative language of modern fiber art as the research object and combining with the development of concrete materials, the change of expression form and the change of concept. To study the tendency of its diversified development; And on this basis, through the study of modern fiber art and decorative language, explore the relationship between the two, so as to explore the new form of modern fiber art needs a new decorative art language. The new decorative discourse will inevitably construct a new form of expression of fiber art and provide a realistic and theoretical basis for solving the problem of how to expand the new form of expression.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TS935.5
本文编号：2452026
[Abstract]:Modern fiber art has entered an unprecedented development period, this article aims to combine individual creation and practical experience, by consulting a large number of works, works collection and other related materials; Combined with the pictures collected from many fiber art exhibitions, this paper discusses the characteristics of comprehensive materials in the process of modern fiber art creation, combining with the use of new materials and techniques. The interpretation of the modern fiber art, which combines the unique forms of decorative art; The works themselves continue to pursue the practical and decorative forms, the unity of the works and the scene space, the overlapping of these factors make it reflect the diversified value and decorative discourse of the works. Modern fiber art is not only inherited and developed on the basis of ancient knitting, silk tapestry and other technological forms, but also a combination of modern science and technology, continuous innovation and breakthrough in materials, means of production, forms of expression, and so on. And gradually developed into a special art category in decorative art. The development of modern fiber art began in Europe and the United States at first, although it was dependent on the practical function, but then the decorative discourse with aesthetic value was in the process of its creation and expression. Gradually occupying a more and more important proportion, this makes the modern fiber art for us to present a rich and colorful visual feast. The modern fiber art has gradually broken through the traditional design concept and displayed the unique charm of the fiber material in various forms of expression. These changes enrich the decorative language of the fiber art. It also makes it possible for modern fiber art to exist as an independent and unique art category in modern art. Even if compared with other art, its history is still relatively short, from the original concept of fiber art to the present in a short period of several decades, it proved its value with vigorous vitality. With the rapid development of modern fiber art, the modern fiber art meets the psychological needs of people who want to return to nature, to themselves and to the essential attributes of human beings. Through the natural affinity of fiber materials, combined with new technical means, various forms of expression and many other factors to satisfy the desire of people, but also for the ancient art of weaving to expand an incomparable wide exploration space. The practical function of fiber art is gradually replaced by decorative forms, and decorative language as a kind of can convey emotion, information, The visual symbol of communication culture bears witness to the pace of this young and ancient art. The purpose of this paper is to construct the decorative language of modern fiber art in terms of the development of concrete materials, the change of expression form, the change of concept and so on, taking the decorative language of modern fiber art as the research object and combining with the development of concrete materials, the change of expression form and the change of concept. To study the tendency of its diversified development; And on this basis, through the study of modern fiber art and decorative language, explore the relationship between the two, so as to explore the new form of modern fiber art needs a new decorative art language. The new decorative discourse will inevitably construct a new form of expression of fiber art and provide a realistic and theoretical basis for solving the problem of how to expand the new form of expression.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：TS935.5
【参考文献】
相关期刊论文 前2条
1 伊里卡·毕勒特;瑞士洛桑国际壁挂艺术双年展回顾[J];世界美术;1997年04期
2 陈瑾;材料——纤维艺术的重要表现语言[J];装饰;2003年03期
，本文编号：2452026
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