论设计视角下的陕西秦汉瓦当装饰纹样
发布时间：2019-04-04 13:17
【摘要】：瓦当纹样是装饰于瓦当当面的纹饰，瓦当是古代传统建筑中的典型构件，不仅具有防雨护檐的实用价值，而且又能在古建筑中起到极为重要的装饰美化作用。丰富多彩的瓦当纹样饰于瓦当当面，点缀于传统古建筑的屋檐，形成独具中国特色的古建筑群。秦汉时期的瓦当纹样作为中国传统装饰艺术的一个小分支，一种传统文化载体，以其具有生命力的形式美感体现着人们与自然和历史的关系，具有极强的民族艺术特色。正是这些历史遗留下的经典作品，共同连接成了灿烂的古代文明。 在瓦当纹样装饰艺术中，题材涉及范围之广，形象造型之传神，表现手法之简练，构成形式之多变，内涵之丰富，无不体现瓦当纹样装饰艺术之精粹。透过风采各异的瓦当装饰纹样，我们可以感受到当时人们质朴的审美观念以及对美的不懈追求，可以说这是人们在对美的探索历程中的又一个里程碑，无论是图像瓦当、图案瓦当还是文字瓦当，每一个瓦当当面都倾满了创作者的智慧和心血。小小的瓦当所承载的不仅仅是精妙绝伦的装饰纹样，瓦当纹样中所蕴藏的深刻内涵更是人们对美的追求的升华。随着时间的流逝，纵然在现代建筑中很难找到瓦当的身影，但这并不意味着瓦当装饰纹样会因此而销声匿迹，相反，新的时代会赋予瓦当装饰纹样新的使命，以一种崭新的角色出现。从设计的角度看，瓦当作为一种设计元素的融入，为瓦当在当代中国的设计领域拓展出了新的审美视野。也恰恰是这些或生动优美或威严庄重的瓦当纹样装饰艺术，让世人有机会一窥古人的生活轨迹或更深层面的信仰，从而更好的发扬民族文化，进而将独具特色的民族元素运用到设计之中，创作出既具有国际气质又不失民族风格的艺术作品。 通过对瓦当纹样的起源演变作为切入点，从设计的视角分别对各种瓦当的形态特点和艺术特点进行解读，对不同瓦当装饰纹样的构成形式进行分析，同时依据相关的资料记载及考古发掘研究，对瓦当纹样的精神内涵和美感体现进行整理和探讨，进而深层次的挖掘瓦当纹样的形式美与精神理念，从中解读出装饰纹样的形式美感和蕴藏其中的审美原理，得出了不同纹样对平面设计的启示；通过考察瓦当纹样在现代艺术设计中的文化价值和应用宗旨，进一步证明来源于本土文化的传统纹样所具有的基本图案要素，，在现代设计领域中所占据着的重要地位。
[Abstract]:Wadang pattern is decorated in front of Wadang. Wadang is a typical component of ancient traditional architecture. It not only has practical value of preventing rain and protecting eaves, but also plays a very important role in decoration and beautification of ancient architecture. Rich and colorful Wadang pattern decorated in front of Wadang, embellished in the eaves of traditional ancient architecture, forming a unique Chinese characteristics of the ancient architectural complex. As a small branch of Chinese traditional decorative art, Wadang pattern in Qin and Han dynasties, a carrier of traditional culture, embodies the relationship between people and nature and history with its vitality, and has strong national artistic characteristics. It is these classic works left behind by history that join together into a splendid ancient civilization. In the decorative art of Wadang pattern, the subject matter involves a wide range, the spirit of image modeling, the simplicity of expression techniques, the variety of the form of composition, the rich connotation, all reflect the essence of the decorative art of Wadang pattern. Through the various decorative patterns of Wadang, we can feel people's simple aesthetic concept and unremitting pursuit of beauty at that time. It can be said that this is another milestone in people's exploration of beauty, no matter it is the image of Wadang. The pattern Wadang or the text Wadang, each Wadang face is filled with the creator's wisdom and hard work. Small Wadang carries not only the exquisite decorative patterns, but also the profound connotation of the Wadang patterns is the sublimation of people's pursuit of beauty. With the passage of time, even though it is difficult to find the figure of Wadang in modern architecture, this does not mean that the decorative pattern of Wadang will disappear as a result, on the contrary, the new era will give Wadang decorative pattern a new mission. Appear as a brand-new character. From the point of view of design, Wadang, as a design element, has expanded a new aesthetic field of vision for Wadang in the field of design in contemporary China. It is precisely these or vivid and graceful or dignified decorative arts of Wadang patterns that give the world a chance to take a glimpse of the path of life of the ancients or a deeper level of belief, so as to better carry forward the national culture. Furthermore, the unique national elements are applied to the design to create artistic works with both international temperament and national style. Through the origin and evolution of Wadang pattern as a starting point, from the angle of view of design, this paper interprets the morphological characteristics and artistic characteristics of various Wadang patterns, and analyzes the constituent forms of different Wadang decorative patterns. At the same time, according to the relevant data records and archaeological excavations, the spiritual connotation and aesthetic embodiment of the Wadang pattern are arranged and discussed, and then the formal beauty and spiritual concept of the Wadang pattern are excavated in a deep-seated way. From the interpretation of the decorative patterns of the formal aesthetic sense and the aesthetic principles contained therein, the inspiration of different patterns to the graphic design is obtained. By examining the cultural value and applied tenet of Wadang pattern in modern art design, it is further proved that the basic pattern elements of traditional patterns derived from native culture play an important role in the field of modern design.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J522
本文编号：2453852
[Abstract]:Wadang pattern is decorated in front of Wadang. Wadang is a typical component of ancient traditional architecture. It not only has practical value of preventing rain and protecting eaves, but also plays a very important role in decoration and beautification of ancient architecture. Rich and colorful Wadang pattern decorated in front of Wadang, embellished in the eaves of traditional ancient architecture, forming a unique Chinese characteristics of the ancient architectural complex. As a small branch of Chinese traditional decorative art, Wadang pattern in Qin and Han dynasties, a carrier of traditional culture, embodies the relationship between people and nature and history with its vitality, and has strong national artistic characteristics. It is these classic works left behind by history that join together into a splendid ancient civilization. In the decorative art of Wadang pattern, the subject matter involves a wide range, the spirit of image modeling, the simplicity of expression techniques, the variety of the form of composition, the rich connotation, all reflect the essence of the decorative art of Wadang pattern. Through the various decorative patterns of Wadang, we can feel people's simple aesthetic concept and unremitting pursuit of beauty at that time. It can be said that this is another milestone in people's exploration of beauty, no matter it is the image of Wadang. The pattern Wadang or the text Wadang, each Wadang face is filled with the creator's wisdom and hard work. Small Wadang carries not only the exquisite decorative patterns, but also the profound connotation of the Wadang patterns is the sublimation of people's pursuit of beauty. With the passage of time, even though it is difficult to find the figure of Wadang in modern architecture, this does not mean that the decorative pattern of Wadang will disappear as a result, on the contrary, the new era will give Wadang decorative pattern a new mission. Appear as a brand-new character. From the point of view of design, Wadang, as a design element, has expanded a new aesthetic field of vision for Wadang in the field of design in contemporary China. It is precisely these or vivid and graceful or dignified decorative arts of Wadang patterns that give the world a chance to take a glimpse of the path of life of the ancients or a deeper level of belief, so as to better carry forward the national culture. Furthermore, the unique national elements are applied to the design to create artistic works with both international temperament and national style. Through the origin and evolution of Wadang pattern as a starting point, from the angle of view of design, this paper interprets the morphological characteristics and artistic characteristics of various Wadang patterns, and analyzes the constituent forms of different Wadang decorative patterns. At the same time, according to the relevant data records and archaeological excavations, the spiritual connotation and aesthetic embodiment of the Wadang pattern are arranged and discussed, and then the formal beauty and spiritual concept of the Wadang pattern are excavated in a deep-seated way. From the interpretation of the decorative patterns of the formal aesthetic sense and the aesthetic principles contained therein, the inspiration of different patterns to the graphic design is obtained. By examining the cultural value and applied tenet of Wadang pattern in modern art design, it is further proved that the basic pattern elements of traditional patterns derived from native culture play an important role in the field of modern design.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J522
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相关期刊论文 前1条
1 王科本;;汉代瓦当艺术的美学特征[J];黔南民族师范学院学报;2007年01期
相关硕士学位论文 前1条
1 赵新周;瓦当艺术在现代环境艺术中设计中的应用研究[D];西安建筑科技大学;2009年
本文编号：2453852
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