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半坡彩陶纹样的装饰语素及特点

发布时间:2019-04-10 07:55
【摘要】: 彩陶装饰纹样是彩陶器皿上的装饰图案,彩陶装饰纹样是我国新石器时代留下的最美的图案。西安半坡彩陶的发掘规模较大,提供了丰富的史前考古资料,开创了我国考古学研究新领域。对我国古代文明有了新的认识和依据,而且对我国史前居民的社会组织,生产活动,和我国考古学文化区,系、类型、的研究,也为彩陶艺术方面的研究提供了更多的资料。 本文,首先分析了半坡彩陶的发现和发掘,也对半坡彩陶的产生的地理、历史背景进行了分析,来说明半坡先民发明彩陶的生产,生活的基础和地理、历史等条件。 本文的重点是分析半坡彩陶装饰纹样的艺术性,首先分析了几种半坡彩陶的典型纹样的产生,发展,逐步变化的过程;分析了半坡彩先民观察事物和审美意识的发展和变化,也分析了半坡彩陶纹样的装饰艺术法则。半坡彩陶图案纹样大多为鱼纹,这些图案大部分是经过了深思熟虑,预先设计好的,与不同的器型相结合,因此在彩陶图案中体现出了不同的形式法则。半坡先民们,在长期的制陶生产艺术实践过程中,不断地提高了审美能力和艺术形式法则,为研究图案的形式法则提供了丰富的资料。而半坡彩陶纹样的艺术特点,特别是鱼纹,形式变化繁多,整体单纯,简练,明快并且与造型完美结合,整体协调美观。 随着半坡彩陶的大量出土和发掘,许多的学者从不同的角度和不同的领域进行了研究,本文旨在前人对半坡彩陶的研究基础上,从装饰艺术这样一个新的领域和视角,对半坡彩陶纹样的艺术性从多个角度,作进一步的分析和研究。分析半坡彩陶独特的装饰艺术特点和艺术价值。
[Abstract]:The decorative pattern of colored pottery is the decorative pattern on the utensils of colored pottery. The decorative pattern of colored pottery is the most beautiful pattern left by the Neolithic Age in China. Xi'an Banpo painted pottery excavated on a large scale, providing a wealth of prehistoric archaeological data, opened up a new field of archaeology in China. There is a new understanding and basis for the ancient civilization of our country, and the research on the social organization, production activities, and archaeological cultural districts, departments, types and types of the prehistoric inhabitants of our country also provides more information for the study of the art of painted pottery. This paper first analyzes the discovery and excavation of Banpo painted pottery, and also analyzes the geographical and historical background of the emergence of Banpo painted pottery to explain the production, the basis of life, the geography, history and other conditions of the invention of painted pottery by the forefathers of Banpo. The emphasis of this paper is to analyze the artistry of decorative pattern of semi-slope colored pottery. Firstly, it analyzes the process of generation, development and gradual change of several typical patterns of semi-slope colored pottery. This paper analyzes the development and change of the observation and aesthetic consciousness of the forefathers of the Banpo Color, and also analyzes the decorative art rules of the painted pottery patterns of the Banpo. The patterns of semi-slope painted pottery are mostly fish patterns. Most of these patterns have been carefully thought out, designed in advance and combined with different types of utensils. Therefore, different rules of form have been embodied in the design of painted pottery. During the long-term practice of pottery production, the forebears of Banpo continuously improved their aesthetic ability and the law of artistic form, which provided abundant data for studying the formal law of patterns. On the other hand, the artistic features of Banpo painted pottery pattern, especially the fish pattern, are varied, simple, concise, bright and perfectly combined with the shape, and the whole harmony is beautiful. With a large number of excavations and excavations of Banpo painted pottery, many scholars have carried on research from different angles and different fields. The purpose of this paper is to study Banpo painted pottery from a new field and perspective, such as decorative art, on the basis of previous studies on Banpo painted pottery. This paper makes a further analysis and research on the artistry of the painted pottery pattern of the slope from many angles. This paper analyzes the unique decorative artistic characteristics and artistic value of Banpo painted pottery.
【学位授予单位】:西安美术学院
【学位级别】:硕士
【学位授予年份】:2007
【分类号】:K876.3

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