“工艺形气神论”在工艺美术与装饰艺术对比研究中的运用
发布时间：2019-04-30 16:56
【摘要】：正在日常生活中,我们会遇到这样的困惑:面对—个制作工艺复杂的首饰或图案丰富的花瓶,我们应该称它为装饰品还是工艺品?这个看似不起眼的小问题,其实已经涉及装饰艺术与工艺美术的本质问题,即这两个概念的范畴。本文尝试从“工艺形气神论”的视角出发,通过对比具体个案,对这一问题进行探析。“工艺形气神论”是从工艺的哲学层面出发,以“天人合一,物我合一”的传统造物理想为基底,借助“形”、“气”、“神”三个互相制约、互相影响的概念,把与造物活动有关的核心要素串联成一体的新型理论。该理论展现的是中国传统造物思维,不仅适用于工艺研究,
[Abstract]:In daily life, we will encounter the confusion: in the face of a complex craft jewelry or rich pattern vase, should we call it an ornament or a handicraft? This seemingly small problem has already involved the nature of decorative art and arts and crafts, that is, the category of these two concepts. This paper tries to analyze this problem from the angle of "the theory of craft form and spirit" by comparing the specific cases. Based on the traditional creation ideal of "the unity of nature and man, the unity of things and me", the concept of "form", "Qi" and "God" are three concepts that restrict each other and influence each other with the help of "form", "Qi" and "God", starting from the philosophical aspect of craft. A new theory of concatenating the core elements related to creation activities. This theory shows the Chinese traditional thinking of creation, which is not only suitable for the research of craft,
【作者单位】： 景德镇陶瓷大学;
本文编号：2468892
[Abstract]:In daily life, we will encounter the confusion: in the face of a complex craft jewelry or rich pattern vase, should we call it an ornament or a handicraft? This seemingly small problem has already involved the nature of decorative art and arts and crafts, that is, the category of these two concepts. This paper tries to analyze this problem from the angle of "the theory of craft form and spirit" by comparing the specific cases. Based on the traditional creation ideal of "the unity of nature and man, the unity of things and me", the concept of "form", "Qi" and "God" are three concepts that restrict each other and influence each other with the help of "form", "Qi" and "God", starting from the philosophical aspect of craft. A new theory of concatenating the core elements related to creation activities. This theory shows the Chinese traditional thinking of creation, which is not only suitable for the research of craft,
【作者单位】： 景德镇陶瓷大学;
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