台湾寺庙建筑龙柱装饰艺术研究

发布时间：2019-05-08 15:34

【摘要】：台湾是一个宗教信仰多元化的地区,在整个台湾有10000多座寺庙(1),包括佛教、道教、儒教以及各种民间信仰。在台湾寺庙建筑装饰上,人们经常能够看到繁复的造型和艳丽的色彩所营造出的一种热闹欢腾的独特氛围。其中,龙柱便是台湾寺庙建筑装饰艺术不可或缺的一部分,是台湾地区石雕艺术的代表,具有明显的民俗文化特色。与中国很多地区的传统宫庙建筑柱式相比,台湾寺庙龙柱无疑是一颗闪亮的明珠,丰富而独特的艺术形式,可谓是巧夺天工。龙柱以姿态丰富的神龙为主体,造型威严雄壮、惟妙惟肖、栩栩如生,其优美、生动的艺术表现力深深的打动着每一位观赏者。随着历史的发展,台湾寺庙中的龙柱无所不在,并从早期的一对到多对,甚至出现处处有龙柱,柱柱是龙柱的景象。台湾寺庙龙柱装饰艺术造型丰富、雕刻精美,烘托了建筑的威严气势,营造了寺庙的神圣氛围,体现了台湾人民群众不同历史时期的审美情趣和审美理想,是中国石雕艺术的瑰宝。本文以台湾寺庙建筑龙柱装饰艺术为研究对象,首先对研究背景、国内外现状、研究目的和意义进行了简明扼要的阐述,并明确研究的内容和范围。其次,从起源、释义、结构、布局、作用、形式和规格等方面对龙柱装饰艺术进行概述,并以此为基础,呈现较为完整的龙柱形象。再次,以流派和总体特征为比较研究的横向轴线,对不同派别、代表匠师和具体案例进行分析,并对台湾寺庙龙柱的总体特征进行概括研究,为后面的章节做好铺垫。然后,以清代时期、日据时期、民国时期的时间顺序为深入研究的纵向轴线,详细分析每个时期龙柱装饰艺术的形式与特点,以及对代表柱例进行描述,并对演变趋势进行比较分析。同时,深入发掘影响龙柱形成与演变的历史文化因素。最后,对龙柱装饰艺术的价值进行探讨,前瞻性地思考龙柱的现代传承和发展。希望对台湾寺庙建筑龙柱装饰艺术做一个比较全面的梳理和呈现,为进一步的研究提供一定的参考。
[Abstract]:Taiwan is a multi-religious region with over 10000 temples (1), including Buddhism, Taoism, Confucianism and various folk beliefs. In Taiwan's temple decoration, people can often see a complex shape and colorful colors to create a lively and unique atmosphere. Among them, the dragon column is an indispensable part of the decorative art of temple architecture in Taiwan, is the representative of stone carving art in Taiwan, with obvious folk culture characteristics. Compared with the traditional temple architecture in many parts of China, the dragon pillar of Taiwan temple is undoubtedly a shining pearl, rich and unique art form, can be described as a skillful work. Dragon column with rich posture of the dragon as the main body, majestic and majestic shape, lifelike, its beautiful, vivid artistic expression deeply moved every viewer. With the development of history, the dragon columns in Taiwan temples are everywhere, from one pair to many pairs in the early days, and there are even dragon columns everywhere, and the columns are dragon columns. Taiwan temples are rich in decorative art and beautifully carved, which sets off the majesty of architecture, creates the sacred atmosphere of temples, and embodies the aesthetic taste and aesthetic ideals of the people of Taiwan in different historical periods. It is the treasure of Chinese stone carving art. In this paper, the dragon pillar decoration art of temple architecture in Taiwan is taken as the research object. Firstly, the research background, the present situation at home and abroad, the purpose and significance of the study are briefly expounded, and the content and scope of the study are clarified. Secondly, this paper summarizes the decorative art of dragon pillar from the aspects of origin, interpretation, structure, layout, function, form and specification, and on this basis, presents a more complete image of dragon pillar. Thirdly, taking schools and general characteristics as the transverse axis of comparative study, this paper analyzes the different factions, representative craftsmen and concrete cases, and generalizes and studies the overall characteristics of dragon columns in Taiwan temples, in order to pave the way for the later chapters. Then, taking the time sequence of Qing Dynasty, Japanese occupation period and Republic of China period as the longitudinal axis of in-depth study, this paper analyzes in detail the forms and characteristics of dragon pillar decoration art in each period, and describes the representative column examples. The evolution trend is compared and analyzed. At the same time, deeply explore the historical and cultural factors that affect the formation and evolution of Dragon Pillar. Finally, the value of dragon column decoration art is discussed, and the modern inheritance and development of dragon column is forward-looking. In order to provide some reference for further research, we hope to make a comprehensive arrangement and presentation of the dragon column decoration art of temple architecture in Taiwan.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：TU252

【相似文献】