说“鱼”—解析中国鱼纹装饰
发布时间：2019-06-11 22:24
【摘要】： 中国传统装饰给我们留下了丰富的精神文化财富,回顾中国工艺设计的历史,传统鱼纹装饰以其独特的文化内涵和艺术魅力演绎着各种风格与形式。作为传统经典的装饰语言,鱼纹是人的主观情感意识对自然物象形态的升华。它体现着不同时代、地区、阶层之间的文化继承与交流,有着独具特征的艺术表现形式。本文从鱼纹装饰的形态特征谈起,通过对中国鱼纹装饰的发展与渊源的文化历程浏览,分析鱼纹装饰的构成演化以及其特有的吉祥寓意。说明了传统鱼纹装饰是一个形式与内容不断积淀演化的产物,有着极为丰富的装饰形式和思想内容。蕴涵着高度的装饰性和概括性。同时具有超越现实的意蕴和浪漫色彩。鱼纹装饰作为我国传统的装饰文化形式之一,随着社会的进步和设计思维的不断更新,它将继续服务于装饰领域并具有强大的生命力。因此,我们应该珍惜祖先优秀的文化遗产,从现代设计的角度对传统鱼纹加以研究与运用。在当今设计领域追求时尚性、多元性、国际性的同时,决不能忽视传统装饰设计的经典语言。而这种强调民族性、本土化的设计语言也确实成为当今装饰设计领域的新趋势。
[Abstract]:Chinese traditional decoration has left us rich spiritual and cultural wealth. Looking back on the history of Chinese craft design, the traditional fish pattern decoration deduces various styles and forms with its unique cultural connotation and artistic charm. As a traditional classical decorative language, fish pattern is the sublimation of human subjective emotional consciousness to the form of natural objects. It embodies the cultural inheritance and exchange among different times, regions and strata, and has unique artistic forms of expression. This paper discusses the morphological characteristics of fish grain decoration, and analyzes the composition and evolution of fish pattern decoration and its unique auspicious implication through the cultural process of the development and origin of fish pattern decoration in China. It is shown that the traditional fish grain decoration is a product of continuous accumulation and evolution of form and content, and has a very rich decorative form and ideological content. It contains a high degree of decoration and generality. At the same time, it has the meaning of surpassing reality and romantic color. As one of the traditional decorative cultural forms in our country, fish grain decoration will continue to serve in the field of decoration and has strong vitality with the progress of society and the continuous renewal of design thinking. Therefore, we should cherish the excellent cultural heritage of our ancestors and study and apply the traditional fish grain from the perspective of modern design. While pursuing fashion, pluralism and internationality in the field of design, the classical language of traditional decoration design must not be ignored. And this emphasis on nationality, localization of the design language has indeed become a new trend in the field of decorative design.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J522
本文编号：2497499
[Abstract]:Chinese traditional decoration has left us rich spiritual and cultural wealth. Looking back on the history of Chinese craft design, the traditional fish pattern decoration deduces various styles and forms with its unique cultural connotation and artistic charm. As a traditional classical decorative language, fish pattern is the sublimation of human subjective emotional consciousness to the form of natural objects. It embodies the cultural inheritance and exchange among different times, regions and strata, and has unique artistic forms of expression. This paper discusses the morphological characteristics of fish grain decoration, and analyzes the composition and evolution of fish pattern decoration and its unique auspicious implication through the cultural process of the development and origin of fish pattern decoration in China. It is shown that the traditional fish grain decoration is a product of continuous accumulation and evolution of form and content, and has a very rich decorative form and ideological content. It contains a high degree of decoration and generality. At the same time, it has the meaning of surpassing reality and romantic color. As one of the traditional decorative cultural forms in our country, fish grain decoration will continue to serve in the field of decoration and has strong vitality with the progress of society and the continuous renewal of design thinking. Therefore, we should cherish the excellent cultural heritage of our ancestors and study and apply the traditional fish grain from the perspective of modern design. While pursuing fashion, pluralism and internationality in the field of design, the classical language of traditional decoration design must not be ignored. And this emphasis on nationality, localization of the design language has indeed become a new trend in the field of decorative design.
【学位授予单位】：辽宁师范大学
【学位级别】：硕士
【学位授予年份】：2006
【分类号】：J522
【引证文献】
相关硕士学位论文 前1条
1 东谦;悬鱼造型艺术在服装空间设计中的应用[D];河北科技大学;2012年
，本文编号：2497499
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