论李白凤书法篆刻

发布时间：2018-05-27 16:14

本文选题：李白凤 + 新诗　；参考：《河南大学》2013年硕士论文

【摘要】：李白凤是我国著名的新诗诗人。他活跃在二十世纪初的中国新诗诗坛上，其文学著作颇丰，广涉小说、剧本、散文、考据和古文字研究等。他早年如齐白石门学篆刻数日，先后同文学泰斗柳亚子、著名学者郭沫若、文学家臧克家、施蛰存、端木蕻良、艺术家黄永玉、以及后来同唐兰等人的探讨学术，他活跃在中国二十至四十年代间的中国新诗诗坛。作诗之余，他还对书法和篆刻的热爱有加，不辍笔刀。他的文学和艺术在那个社会动荡的年代闪烁着特立独行异样的光辉。交友和相互影响，是除此以外，他一生对艺术的钟爱和在居无定所的同时，对其不曾舍弃，一直默默地追求。历经辛亥革命后，中国处在政治动荡、军阀混战的民国时期。动荡的国内局势，经济萧条，文化受西方资本主义的冲击。许多青年人放弃了几千年传承下来的“之乎者也”，迎接新思潮的洗礼。李白凤身处其中，在受到马列主义影响的同时，他和万千文人志士一样，用篇篇诗歌歌颂浪漫和光明，也以笔作刀地抨击黑暗的政治与反动派的恶势力。在抗战时期，性格的耿直不屈和不合于俗驱使他像鲁迅一样以笔代刀，，写下充满爱国热情的“战斗檄文”，身处在革命大后方的桂林，与柳亚子等文人志士交流文学，评论时事。革命后，辗转南北的他，落脚七朝古都——开封，“十年动乱”的迫害没有使他那颗向往“光明”的诗人之心枯萎，钻研考古并写出价值斐然的杂考等论著。在他漂泊各地时，其创作的诗和文章发表于《新诗》、《诗至》、《星岛日报》、《大公报》、《文艺复兴》、《文萃》，创作剧本《卢沟桥的烽火》，散文集《圣者的血迹》，短篇小说集《马和放马的人》及中篇小说《小鬼》、《洗马河传奇》、《小鬼》、《芳邻》、《孩子们》。在开封二十余年的时光里，他不再热衷于新诗，转而搞起考据学研究，一边做学问，一边从艺的他在暮年时，写出《金文骈技》、《东方氏族考》、《周易“爻变”的辩证规律》、《器铭流变初探》、《石鼓维疑》、《款式学杂考》、《沤堂说礼》、《东夷杂考》和《古铜韵语》等著作。其中《东夷杂考》和《古铜韵语》出版发行，对考古学是有贡献的。他幼时开始习书，精通两篆、长于钟鼎、金文创作。以至于其友施蛰存赞赏道：“国内的大篆，没有见到过比他写的好的。”其篆刻广博秦汉、涉猎流派，风格之多变，尤长于以古代象形文字入印，探索之深远。李白凤在长达几十年的漂泊中从不“弃笔滞刀”一直追求着攀登艺术高峰。他晚年的艺术作品在当时的开封以至于中原文艺界有深远的影响。当他一直盼望的“光明”已在破晓之际，百经风霜的李白凤在日夜撰写讲稿时患病，不久谢世。李白凤的一生只能用坎坷来诠释，也正是在有着坎坷的人生旅途中，他对文学、对艺术的热爱和坚持不懈的精神，不能不让人在声声感叹中默默地敬佩和赞赏。
[Abstract]:Li Baifeng is a famous poet of new poetry in China. He is active in the early 20th century Chinese new poetry, his literary works are abundant, covering novels, scripts, prose, textual research and ancient writing research. In his early years, such as Qi Baishi's door study of seal cutting, he followed the literature master Liu Yazi, the famous scholar Guo Moruo, the writers Zang Kejia, Shi Zhecun, Duanmu Hongliang, the artist Huang Yongyu, and later Tang Lan and others. He was active in Chinese new poetry from the 20 s to 40 s. In addition to his poems, he also loved calligraphy and seal cutting. His literature and art sparkled with maverick brilliance in that time of social unrest. To make friends and influence each other is in addition to his love for art in his life and in the absence of a place at the same time, it has not given up, has been quietly pursuing. After the Revolution of 1911, China was in the period of political turbulence and warlords fighting. Turbulent domestic situation, economic depression, culture by the impact of Western capitalism. Many young people gave up the thousands of years passed down, and welcomed the baptism of the new trend of thought. Li Baifeng was among them, influenced by Marxism-Leninism at the same time, he, like thousands of literati, chanted romance and light with a poem, and also attacked the dark politics and the evil forces of the reactionaries with a pen. During the Anti-Japanese War, the unyielding and unconventional character drove him, like Lu Xun, to write down the "battle call", which was full of patriotic enthusiasm, and was in Guilin, in the rear of the revolution, to exchange literature with Liu Yazi and other literati. Comment on current events. After the revolution, he settled in Kaifeng, the ancient capital of the seven dynasties. The persecution of "ten years of turmoil" did not wither the heart of his poet who yearned for "light", studied archaeology and wrote valuable essays and so on. While he was wandering around, His poems and articles are published in New Poems, Poems to, Daily Sing Tao, Ta Kung Pao, Renaissance, Wen Zi, script, Beacon of Lugou Bridge, prose collection, Blood of the Holy one, short story collection, Man of Horse and Horse. And novella Imp, Legend of the River Wash, Imp, Fangling, Kids. For more than twenty years in Kaifeng, he was no longer keen on new poetry, but instead engaged in textual research. Writing "Jin Wen Pian technique", "Oriental Clan examination", "Zhou Yi" Yao change Dialectical Law "," preliminary study on the change of Qi Ming "," Shi Du Wei doubt "," style study mixed examination "," retang Tang Shuo Li "," Dongyi Miscellaneous examination "and" Ancient Bronze rhyme language "and so on." Among them, Dongyi miscellaneous textual research and bronze rhyme were published and published, which contributed to archaeology. When he was young, he began to study books, proficient in the two seal characters, longer than Zhong Ding, Jin creation. So much so that his friend Shi Zhecun praised: "domestic big seal, has not seen better than he wrote." Its seal cutting broad Qin and Han dynasties, dabbling school, style, especially long to ancient hieroglyphs into the printing, exploring the far-reaching. Li Baifeng has never "abandoned pen and knife" in decades of wandering to climb the art peak. His later works of art in Kaifeng at that time that the Central Plains literature and art had a profound impact. When the light which he had been looking forward to was at dawn, Li Baifeng fell ill as she wrote his speech day and night, and died soon. Li Baifeng's life can only be interpreted with ups and downs, and it is in the bumpy journey of life that his love for literature, his love for art and perseverance cannot but be admired and appreciated silently in his voice and sigh.
【学位授予单位】：河南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J292.1;J292.41

【参考文献】