章草的笔墨空间探讨

发布时间：2018-05-28 21:10

本文选题：章草 + 笔墨　；参考：《山东艺术学院》2017年硕士论文

【摘要】：章草发端于两汉之际,是与隶书、今草有着密切联系,同时又是独立于二者之外的重要书体形式。围绕章草所进行的探讨与论著古已有之,但囿于章草并非实用层面上的主流式样,因此章草相对与其他书体而言,略显小众。本文首先研究章草名称的由来,总结了四种章草名称的定义。又简单介绍了章草从起源到鼎盛期又到衰落再到后来章草复兴的四个阶段。因为本文主要研究章草的笔墨空间的创新,所以第三小节是今草与章草的关系,让今草的章法融合到章草书中。第二章以古代名家为例。选择章草名家的代表作品进行空间和笔墨的分析,并且分析其不同之处,探索章草创作的新路,从而革古出新,达到笔墨对比和空间美的结合。本论文一方面将借鉴今草章法的字形变化,并系统运用到章法创作中,形成结字参差;另一方面加入墨色的浓淡枯湿,造成浓墨与飞白的强烈对比。最重要的是融入篆书的用笔,使章草具有一种“金石气”,打破飘逸疏朗之常规,最终呈现出一种强烈的视觉效果。随着研究章草的不断深入,虽然许多著作对章草演变与发展有系统的阐释,但是在空间章法的研究上则比较少见。因此,着重章法笔墨、字形大小加以创新形成空间美有较强的理论意义。本论文在章法用笔中中侧兼用,枯润相生的用墨给人带来极强的审美体验,并丰富和完善章草的雄浑气势。灵动与端庄并行,形成空间、时间与平面的三维立体效果。
[Abstract]:Zhancao originated in the Han Dynasty and is closely related to the official script. It is also an important form of calligraphy independent of the two. The discussion and argumentation around the cursive has existed in ancient times, but it is not the mainstream style on the practical level, so the cursive is a little small compared with other books. In this paper, the origin of the name of chapter grass is studied, and the definitions of four kinds of the name of chapter grass are summarized. It also briefly introduces the four stages from the origin to the heyday, to the decline, and to the later revival of the zhancao. Because this paper mainly studies the innovation of the pen and ink space of Zhang Cao, the third section is the relationship between the present grass and the chapter grass, so that the composition of this text can be merged into the book of chapter grass. The second chapter takes ancient famous writers as an example. This paper chooses the representative works of Zhang Cao famous writers to analyze the space and ink, and analyzes their differences, and explores the new way of Zhang Cao's creation, so as to achieve the combination of the contrast of pen and ink and the beauty of space. On the one hand, this paper will draw lessons from the change of the zigzag of the present herbaceous method, and systematically apply it to the creation of the Zhang method to form the heterogeneity of the conclusion; on the other hand, add the thick and thin dry and wet ink, resulting in a strong contrast between the thick ink and the flying white. The most important thing is to incorporate the pen of seal script, so that the seal grass has a kind of "golden stone gas", which breaks the elegant convention, and finally presents a strong visual effect. With the deepening of the research on the chapter, although many works on the evolution and development of the chapter has a systematic interpretation, but in the space of the study is relatively rare. Therefore, it is of great theoretical significance to focus on the style of calligraphy and ink, and to innovate the size of the font to form the beauty of space. This paper is used in the middle and side of the pen in the method of Zhang. The dry ink brings people a strong aesthetic experience, and enriches and perfects the vigorous momentum of Zhancao. Smart and dignified parallel, forming space, time and plane three-dimensional effect.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J292.1

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