先秦篆书的形式秩序建构

发布时间：2018-07-03 07:22

本文选题：先秦 + 篆书　；参考：《广西师范大学》2011年硕士论文

【摘要】：人类历史进程中始终贯穿着人类理性精神的积淀以及对形式秩序的向往与建构。中国书法在形式秩序方面的发展进程在早期的发展阶段中,与人类社会的历史发展进程有着极为相似的同步性。书法艺术作为人类文化精神的外化显现形式,随着人类理性精神的提高以及对形式秩序认识的逐步提升,在形式秩序方面也逐步发展成熟。本文以形式秩序的发展演变为主线,以商、西周、秦各时代的历史文化为背景,通过对从商代甲骨文、西周金文、秦刻石等篆书艺术的历史发展轨迹进行考察,论证篆书艺术发展过程中始终贯穿着书法形式秩序的建构历程,揭示对书法形式秩序研究的价值与意义。本文具体分四个章节进行论述：第一章,线条样式的确定。提出以线代面、以直代曲的观点,对仿形线条样式进行具体论述；运用篆引的发现与成熟对准仿形线条样式进行论证,提出肥笔的消亡、锐笔的消退、书写特性的确立的观点进行具体论述；提出几何抽象式线条样式的观点对图案化仿形线条样式进行具体论述。最终论证中国书法艺术的核心表现形式——线条样式的发现与发展过程以及书写性线条样式的秩序化过程。第二章,字形结构的秩序建构。提出图画式仿形、符号化简化、同字异形的观点对甲骨文阶段进行具体论述;提出字形的规范化、符号化对金文阶段大篆典范的建立进行论证；运用文字结构的规范统一、字形结构的几何式抽象对秦刻石文字阶段进行论证。第三章,构形空间的秩序建构。提出形体大小较大差异、构形空间的不稳定性、构形的抽象性与形象性共存的观点对甲骨文阶段进行具体论证；提出文字大小的逐步统一、文字形体空间的规范、文字象形特征的逐渐消退观点进行具体论证；提出垂直重心的建立、对称与均衡的形式法则、上紧下松的构形图式、预成图式的建立的观点进行具体论证。第四章,章法秩序的建构。提出随形布势、多块面的篇章、自上而下、纵向成列的观点对甲骨文阶段章法进行具体论证；提出预置空间、下行而左、纵向垂直、横向行列的观点对金文阶段章法进行具体论证；提出整体空间的静态的平衡感与抽象的几何装饰性特征构成整饬简洁的平衡图式论证秦刻石章法秩序典范的建立。最后得出结论,篆书艺术的发展历程始终贯穿着形式秩序的建构的历程,为书法史研究提供一个新的视角。以期抛砖引玉,希望引起更多专家学者对书法形式秩序研究产生兴趣并推进对中国书法史的进一步研究。
[Abstract]:In the course of human history, the accumulation of human rational spirit and the yearning and construction of formal order are always running through. The development process of Chinese calligraphy in formal order in the early stage of development, and the historical development process of human society has a very similar synchronism. Calligraphy as the manifestation of human cultural spirit, with the improvement of human rational spirit and the gradual improvement of understanding of the formal order, the formal order has gradually developed and matured. Taking the evolution of formal order as the main line, taking the historical culture of Shang, Western Zhou and Qin dynasties as the background, this paper makes an investigation of the historical development track of the seal script art of Shang Dynasty, Western Zhou Dynasty, Jin Dynasty and Qin Dynasty. In the process of development of seal script art, the course of construction of calligraphy form order is always running through, and the value and significance of the study of calligraphy form order are revealed. This article is divided into four chapters: the first chapter, the determination of line style. In this paper, the author puts forward a concrete discussion on the copying line style from the viewpoint of line replacing plane and straight substitution, and proves the pattern of copying line by using the discovery and maturity of seal character quotation, and puts forward the death of fat pen and the extinction of sharp pen. The viewpoint of the establishment of writing characteristics is discussed in detail, and the view of geometric abstract line style is put forward. Finally, it demonstrates the discovery and development process of line style and the order process of writing line style, which is the core expression form of Chinese calligraphy art. The second chapter, the order construction of the glyph structure. This paper puts forward the view of picture-style copying, symbolization simplification, the same character heteromorphism, discusses the oracle bone writing stage concretely, puts forward the standardization of the glyph, the symbolization of the establishment of the model of the big seal character in the Jin Dynasty, and applies the standard unity of the character structure, The geometric abstraction of the font structure demonstrates the stage of the stone engraving in the Qin Dynasty. Chapter three, the order construction of configuration space. The author puts forward the viewpoints of great difference of shape size, instability of configuration space, coexistence of abstractness and visualization of configuration to the stage of oracle bone inscription, the gradual unification of character size, the standard of character form space, The idea of gradual regression of the pictographic features of characters is discussed in detail, and the establishment of vertical center of gravity, the formal rules of symmetry and equilibrium, the conformation schema of top compactness and the looseness of upper and lower forms, and the establishment of preformed schemata are put forward to demonstrate concretely. The fourth chapter, the construction of the order. This paper puts forward the viewpoint of following shape distribution, multi-facet chapters, top-down, vertical sequence to demonstrate the oracle bone structure, and puts forward the preset space, downlink and left, vertical, vertical and vertical. From the view of horizontal column and column, this paper demonstrates concretely the formative method of Jin Wen, and puts forward that the static balance feeling of the whole space and the abstract geometric decorative feature constitute the balance schema of neat and succinct to demonstrate the establishment of the order model of the Qin stone engraving method. Finally, the author draws a conclusion that the development course of seal script art runs through the course of the construction of formal order, which provides a new angle of view for the study of calligraphy history. It is hoped that more experts and scholars will be interested in the study of the formal order of calligraphy and promote the further study of the history of Chinese calligraphy.
【学位授予单位】：广西师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J292.31

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