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徐渭在明代书史的定位问题考察

发布时间:2018-07-16 12:23
【摘要】:目前各种版本的书法史对徐渭放在明代中期还是晚明持有不同的意见,本文就这一现象分别从物理时间和徐渭书风两个方面进行分析,并得出结论,徐渭在明代书法史中应被定位在明代中期。 明代书法史借鉴明史分期理论,基本认同以1567年为分界点将明代书法史分为中期和晚期。徐渭生活的时间恰好跨越了两个时段,但徐渭主要的交友活动和文学艺术创作都主要在1567年以前。 从艺术风格上来说,徐渭是“个性书风”的代表,但“个性书风”萌芽于明代初期,明代中期经以祝允明为代表的书家有意识的探索,发展到徐渭基本确立了“个性书风”的发展方向。 因此得出结论无论从物理时间上来看还是从书风角度来说,徐渭都应该被划分在明代中期无疑。
[Abstract]:At present, various versions of calligraphy history hold different opinions on whether Xu Wei is in the middle or late Ming Dynasty. This paper analyzes this phenomenon from two aspects of physical time and Xu Wei-shu style, and draws a conclusion. Xu Wei should be positioned in the middle of Ming Dynasty in the history of calligraphy. The calligraphy history of Ming Dynasty was divided into middle and late period by drawing lessons from the theory of stages of Ming history and taking 1567 as the dividing point. Xu Wei's life span two periods, but Xu Wei's main dating activities and literary and artistic creation were mainly before 1567. In terms of artistic style, Xu Wei is the representative of "individual style of calligraphy", but "personality style of calligraphy" sprouted in the early Ming Dynasty, and the calligraphers who were represented by Zhu Yunming in the middle of Ming Dynasty made a conscious exploration. The development of Xu Wei basically established the development direction of personality style. Therefore, it can be concluded that Xu Wei should be divided in the middle of Ming Dynasty in terms of both physical time and calligraphy style.
【学位授予单位】:首都师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J292.1

【参考文献】

相关期刊论文 前1条

1 赵轶峰;历史分期的概念与历史编纂学的实践[J];史学集刊;2001年04期



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