帖学在当代的复兴及反思

发布时间：2018-07-16 20:20

【摘要】：帖学在历史演变进程中,到明代已明显出现走下坡路的趋势,至清代则呈现出衰退不振的格局,清代书法由于帝王的喜好,书法风尚不归于董既归于赵,"康、雍之世,专仿香光;乾隆之代,竟讲子昂"。由于"二王"法帖真迹传世极少,阁帖又辗转失真,所以书家们都通过反复摹刻的阁帖学习书法,帖学每况愈下,加之馆阁体的书风愈演愈烈,帖学呈现出衰微的局面。清末,碑学的大兴,愈发使得千年的帖学处于衰靡状态。就当帖学陷入困境,面临传承中断的危机之时,沈尹默高高举起了帖学的大旗,并提出了学习二王法帖的一套科学合理的理论体系。自此帖学呈现出复兴的势头,在沈尹默之后又有一大批书法家致力于帖学。直至今日,帖学的势头明显压过碑学,成为当今书法的主流,形成了"新帖学"热。
[Abstract]:In the course of historical evolution, the trend of decline has been obvious by the Ming Dynasty, and by the Qing Dynasty, there was a declining pattern. The calligraphy style of the Qing Dynasty was not attributed to Dong because of the emperors' preference. "Zhao Kang, Yong Zhi," Only imitate the fragrant light; Qianlong's generation, but talk about the son of "." Due to the fact that the true works of the "two kings" are rarely handed down and the pavilions are distorted, the calligraphers learn calligraphy through the repeated copying of the emblems, and the study of the calligraphy goes from bad to worse. In addition, the style of the books in the pavilions is getting worse and worse, and the placards show a declining situation. At the end of Qing Dynasty, the popularity of tablet study made the thousand years of placards in a state of decline. When Xixue was in trouble and faced with the crisis of inheritance interruption, Shen Yinmo raised the banner of placard high and put forward a set of scientific and reasonable theoretical system for learning from two kings. Since then, there has been a revival of the post, and a large number of calligraphers have devoted themselves to it since Shen Yinmo. To this day, the trend of placard obviously overpower tablet study, become the mainstream of calligraphy today, forming the "new post" hot.
【作者单位】：西宁市书法家协会;
【分类号】：J292.1

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