论演员塑造舞剧人物形象的方法——从舞剧《原野》中焦大星的形象塑造谈起

发布时间：2017-12-30 20:02

本文关键词：论演员塑造舞剧人物形象的方法——从舞剧《原野》中焦大星的形象塑造谈起　出处：《北京舞蹈学院学报》2009年02期 　论文类型：期刊论文

【摘要】：舞剧是综合性艺术,它以舞蹈为主要表现方式,综合多种艺术手段,按照戏剧形式展开。作为戏剧的一种,舞剧中剧情的发展和结构的设置不仅仅是为了述说一个故事,更重要的是刻画人物形象、展示人物性格、探究人物心理,而舞剧主题的开掘和对观众的启发也必须通过鲜活、丰满的人物形象来实现。可见,人物形象的塑造在舞剧中处于不可替代的中心地位。诚然,舞剧人物形象的塑造离不开编剧、编导、演员和舞台服装设计人员等多方面合作,但贯穿作品创作、最终承载剧作的,却非舞剧演员莫属。因此,本文着重探究演员塑造舞剧人物形象时的诸多可行方法。笔者以出演舞剧《原野》中焦大星的实践体会为切入点,在与原作和话剧、戏曲的对比中,针对舞剧人物形象的特点和演员的特殊作用,提出了几个可供参考的方法。
[Abstract]:Dance drama is a comprehensive art, which takes dance as the main way of expression, synthesizes various artistic means, and develops according to the form of drama. As a kind of drama, it is a kind of drama. The development and structure of the drama is not only to tell a story, more important is to portray the character image, show character, explore the character psychology. And the excavation of the theme of dance drama and the inspiration to the audience must also be realized through fresh and full character image. It can be seen that the portrayal of character image is in the irreplaceable central position in the dance play. The portrayal of characters in dance plays can not be separated from the cooperation of screenwriters, directors, actors and stage designers, etc. But through the creation of works, the ultimate bearing of the drama is not dance actors. This paper focuses on exploring many feasible ways for actors to portray the characters of dance dramas. The author takes the practical experience of Jiao Da Xing in the field of dance play as the starting point in the comparison with the original play and drama and drama. In view of the characters' characteristics and the special role of actors, this paper puts forward several methods for reference.
【作者单位】：北京舞蹈学院;
【分类号】：J723
【正文快照】： 一部成功的舞剧,除了要有简明清晰的结构、吸引观众的情节、精彩优美的舞段以及巧妙眩目的舞美之外,还必须塑造出丰满、生动、令人难忘、耐人寻味的人物形象。真正成功的人物形象塑造,绝不仅仅在编剧的笔下产生,也不会在舞蹈编导手中截止,而是由演员最终承载并一次次地再创作

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