山东临沂民间乐舞艺术的传承及发展研究

发布时间：2018-01-05 13:33

本文关键词：山东临沂民间乐舞艺术的传承及发展研究　出处：《河北师范大学》2015年硕士论文　论文类型：学位论文

【摘要】：乐舞,是将诗词吟唱、乐器演奏、舞蹈表演相结合并同步呈现的一种综合性艺术表现形式,源于先民的生活,早期乐舞多用于祭祀或宫廷盛典,伴随着社会的进步、经济的发展和文明程度的提高,民间乐舞蓬勃发展,乐舞的功能也由娱神演变到娱人,后还增加了自娱的功能。临沂地区的民间乐舞历史悠久,种类繁多,风格鲜明,目前所存形式主要有秧歌、假形舞、灯舞、鼓舞等,手中多有道具,锣鼓乐与之相合。乐舞是临沂地区民族文化的灵魂载体,能体现当地的传统文化、风俗习惯和精神生活,具有重要的研究价值。目前,由于历史和社会原因,一些乐舞艺术已面临传承危机,濒临遗失。当地政府的保护政策和民间艺人的创新努力虽为其拓展了一定的生存空间,但是面对现代经济社会的取舍,民间乐舞发展的被动地位始终没有改变。任何艺术形式都是为了满足民众生产、生活和精神的需要而产生,临沂的民间乐舞即是当地民众利用欢歌妙舞的形式追求美好生活,展现生命激情最直观的见证。在对这份“活化石”传承和发展的过程中,我们不仅要利用高科技的保护手段,具备充实的心理认知和拥有详实的资料储备,我们还应当建立理性系统的操作机制、充分利用产业化推广建设和教育创新传承,否则乐舞艺术也只能是永远地停留在被保护阶段,并最终成为博物馆或图书馆里被观望的欣赏品,不再拥有真正的活力与震撼力。本文的研究共分为五部分:第一部分绪论主要阐述了临沂民间乐舞艺术传承发展的选题背景、研究现状综述、论文研究思路流程、研究目的以及论文开展所使用的研究方法;第二部分是对临沂民间乐舞艺术的概述。首先是对其生存环境的分析,主要从地理环境和人文环境两个方面进行解析讨论;其次是深入挖掘各类文献资料,结合自己的分析对临沂民间乐舞艺术历史发展进行梳理总结。第三部分包含三个方面的内容,其一是对临沂各县区的民间乐舞进行详细研究,分析种类特征、文化内涵、表现形式,在前人研究的基础之上进行了更系统的创新研究,探讨了某些乐舞之间的相互联系;其二是总结了临沂乐舞的系统特点;其三是对临沂民间乐舞的社会价值功能进行分析研究。第四部分是对临沂民间乐舞的传承现状及策略研究,这一章节也是本文的重点章节。首先对临沂民间乐舞的传承现状从优良环境及不利因素两方面进行剖析其发展前景,然后通过总结的问题分别从政府政策主导、社区活动补充、品牌产业化推广、舞蹈教育拓展等四个维度进行策略探讨。第五部分结论是对全文最后的归纳和总结。
[Abstract]:Music and dance is a kind of comprehensive artistic expression which combines poetry, musical instrument performance and dance performance. It originates from the life of the ancestors, and early music and dance is mostly used for sacrifice or palace festival. With the progress of society, the development of economy and the improvement of civilization, folk music and dance flourish, and the function of music and dance evolves from entertainment god to entertainment people. The folk music and dance in Linyi area has a long history, various types and distinctive styles. At present, there are mainly Yangko, false form dance, lantern dance, inspiration and so on, and there are many props in the hands. Music and dance is the soul carrier of the national culture in Linyi region, which can reflect the local traditional culture, customs and spiritual life, has important research value. At present, due to historical and social reasons. Some music and dance art has been faced with inheritance crisis, near loss. The protection policy of local government and the innovative efforts of folk artists have opened up a certain living space for them, but in the face of modern economic and social trade-offs. The passive position of folk music and dance development has not changed. Any art form is to meet the needs of people's production, life and spirit. Linyi folk music and dance is the local people using the form of singing and dancing to pursue a better life, showing the most intuitive witness of the passion of life. In the process of inheritance and development of this "living fossil". We should not only make use of high-tech means of protection, have full psychological cognition and have detailed data reserve, but also establish the operation mechanism of rational system. Make full use of the industrialization promotion construction and education innovation inheritance, otherwise the music and dance art can only stay in the protected stage forever, and finally become the museum or the library is wait-and-see appreciation. This paper is divided into five parts: the first part of the introduction mainly describes the background of Linyi folk music and dance art inheritance and development of the topic background, research status summary. The research thought flow, research purpose and the research methods used in the paper development; The second part is an overview of Linyi folk music and dance art. Firstly, it analyzes the living environment of Linyi folk music and dance, mainly from the two aspects of geographical environment and human environment. The second is to dig into all kinds of literature, combined with their own analysis of Linyi folk music and dance art history development combing and summing up. The third part contains three aspects of content. The first is the detailed study of the folk music and dance in Linyi counties and districts, the analysis of the types of characteristics, cultural connotations, forms of expression, on the basis of previous studies on the basis of a more systematic and innovative research. The relationship between some music and dance is discussed. The second is the summary of Linyi music and dance system characteristics; The third part is to analyze the social value function of Linyi folk music and dance. 4th part is to Linyi folk music and dance inheritance status and strategy research. This chapter is also the key chapter of this paper. First of all, the present situation of Linyi folk music and dance from the good environment and adverse factors to analyze its development prospects, and then through the summary of issues from the government policy led. Community activities supplement, brand industrialization promotion, dance education expansion four dimensions to explore the strategy. 5th part of the conclusion is the final summary of the full text.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J722.21

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