“鬼文化”在民间舞蹈嬗变中的体现

发布时间：2018-01-12 02:27

本文关键词：“鬼文化”在民间舞蹈嬗变中的体现　出处：《河北师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：“鬼文化”是世界上各个国家、各个民族在其发展历程中都不可避免要出现的一种文化类型。就我国来说，中华民族五十六个民族大家庭当中的每一个成员，在其发展历史中都渗透有“鬼文化”的影响。而舞蹈，作为一种形体动作艺术，也在方方面面收到了“鬼”文化的影响。比如由原始的“傩仪”演变而来的“傩戏”与“傩舞”，就是“鬼文化”影响舞蹈艺术的一种比较直接的表现方式。然而，除了这种直接的表现方式之外，在我国的舞蹈艺术中，“鬼文化”对舞蹈（博阿含戏曲、喜剧中的舞蹈性动作）艺术的影响，还存在着一些比较间接、比较曲折的表现方式。比如傀儡戏，比如“二鬼摔跤”这样的道具舞蹈。相较于“鬼文化”影响舞蹈艺术的直接表现方式，间接的表现方式更能够展示一些舞蹈艺术嬗变的规律性问题。故而，笔者选择了“‘鬼’文化在民间舞蹈嬗变中的体现——以‘二鬼摔跤’为例”这个研究课题，试图通过对分布于我国各地的“二鬼摔跤”类舞蹈艺术源流的分析，来揭示“鬼文化”在民间舞蹈嬗变过程中的作用机制问题。全文共分为六个部分开展。第一部分为绪论，，阐述本选题的研究背景、研究意义、国内外研究现状、论文结构、研究方法和重难点；第二部分介绍“鬼文化”影响之下“傩仪”、“傩戏”与“傩舞”三者之间的关系；第三部分阐述“二鬼摔跤”的表演形态；第四部分以舞蹈、文学和绘画为例，诠释“鬼文化”对于我国各种艺术形式的影响；第五部分揭示鬼、傀儡、傀儡戏与“二鬼摔跤”之间的关系；第六部分为结论，对全文进行概括性的总结。
[Abstract]:"ghost culture" is a kind of culture that every country and nation in the world will inevitably appear in the course of its development. As far as our country is concerned, every member of the 56 national families of the Chinese nation. In its development history, there is the influence of "ghost culture". Dance, as a form of movement art. Also received in all aspects of the "ghost" culture, such as the original "Nuo Yi" evolved from the "Nuo Opera" and "Nuo Dance." "ghost culture" is a more direct expression of dance art. However, in addition to this direct way of expression, in our dance art, "ghost culture" to dance (Boahan opera. The influence of the art of dancing in comedy, there are some more indirect, more zigzag ways of expression, such as puppet play. Such as "two ghosts wrestling" such props dance. Compared with "ghost culture" affect the direct performance of dance art, indirect ways of expression can show some dance art transmutation regularity. The author chooses "the embodiment of 'ghost' culture in the evolution of folk dance-take 'two ghosts wrestling' as an example" this research topic. This paper attempts to reveal the mechanism of the role of "ghost culture" in the evolution of folk dance through the analysis of the origin of dance art of "Ergui Wrestling", which is distributed in various parts of our country, in order to reveal the role of "ghost culture" in the evolution of folk dance. The paper is divided into six parts. The first part is the introduction, which describes the research background, research significance, domestic and foreign research status, the structure of the paper, research methods and important difficulties; The second part introduces the relationship among Nuo Yi, Nuo Opera and Nuo Dance under the influence of "ghost culture". The third part expounds the performance form of "two ghosts wrestling"; Part 4th takes dance, literature and painting as examples to explain the influence of "ghost culture" on various artistic forms in China. Part 5th reveals the relationship between ghosts, puppets, puppet dramas and "two ghosts wrestling"; The 6th part is the conclusion, carries on the general summary to the full text.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J722.21

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