中国舞剧身体语言的叙事初探

发布时间：2018-01-21 00:00

本文关键词： 中国舞剧舞蹈身体语言叙事　出处：《北京舞蹈学院学报》2006年01期 　论文类型：期刊论文

【摘要】：在中国舞剧不断发展的过程中,创作者们在形式、结构等方面做出了不少探索,但身体这一舞剧最根本的叙事工具,其语言的叙事功能却仍有待得到更大程度上的开发。从一个6分钟左右的舞蹈作品到一台大型的舞剧,随着时间长度的增加与内容含量的丰富,身体作为一种语言通过舞蹈动作进行表达,其语言的功能也发生了变化。这时身体不仅是表现的对象,更变成了表现的手段。此时舞蹈的独特性也就在于其表达媒介的独特,即身体语言的独特性——身体除了表达自身的美感外,更上升为一种语言,它不仅表现自身,还可解释或传达其他更多的内容与含义。所以说,舞蹈身体语言这种非文字的、无声的语言,其叙事性的特征仍有待得到更大程度上的开掘。
[Abstract]:In the process of the development of Chinese dance dramas, the creators have made a lot of exploration in form, structure and so on, but the body is the most fundamental narrative tool of the dance drama. However, the narrative function of the language has yet to be developed to a greater extent. From a dance piece of about 6 minutes to a large dance play, with the increase of time and content rich. The body as a language is expressed through dance movements, and its language function has also changed. At this time, the body is not only the object of expression. At this time, the uniqueness of dance lies in its unique medium of expression, that is, the uniqueness of body language-the body not only expresses its own aesthetic sense, but also rises to a language. It not only expresses itself, but also can explain or convey more contents and meanings. Therefore, the narrative features of non-verbal and silent language such as dance body language still need to be explored to a greater extent.
【作者单位】：北京舞蹈学院03级
【分类号】：J723
【正文快照】： 一、当前中国舞剧创作的问题自从中国第一次引进苏联模式的舞剧创作与训练体系开始,创作者们对舞剧这种舞蹈艺术最高形式的创作热情便一发不可收拾。纵观中国舞剧的创作从语言整合到结构突围,从以人写事到取事立人,从神话舞剧到革命舞剧,从阶级斗争到民族和睦,从对国家事件的

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