甘南迭部“道吾”供食节祭祀舞蹈研究
本文关键词: “尕巴”舞 “摆阵”舞 祭礼 艺术特征 文化含义 出处:《西北师范大学》2014年硕士论文 论文类型:学位论文
【摘要】:本文将从民族学、民俗学、文化人类学、社会学等学科入手,,结合田野考察及相关文献资料,从民间宗教信仰、民俗文化背景、舞蹈角度入手,用思想、信仰、习俗来解释该“道吾”(意即供食节)祭礼舞蹈的现存形态,对舞蹈的起源、表演样态与特征、演唱曲调、服饰、道具形制及表演场图等各个方面进行真实的描述。探寻藏族民间舞蹈的发展进程,探究其现存舞蹈文化的含义。全文共分五部分:导论:分为“道吾”供食节概述;选题的目的意义、研究方法、研究综述。 第一章:对甘肃甘南藏族自治州迭部县的自然生态环境和人文生态环境进行全面的概括叙述。 第二章:甘肃甘南“道吾”供食节基本概述:全面叙述“道吾”供食节的主要形式内容;对其播布区域进行详细划分,把田野调查法、访谈法等研究方法并结合历史文献资料对祭礼活动的来源分析说明。 第三章:“道吾”供食节祭礼活动的表演形态考察:是论文中较为重要的一个章节;也是田野工作考察的集中体现;对祭礼活动中的“尕巴”舞;“摆阵”舞从来源说、表演机制、演唱曲调、伴奏样式、表演内容与形式、典型动律特征进行了全面而详尽的阐释。运用舞蹈生态学的理论观点对舞蹈形态及风格特征作了总体概括与分析。 第四章:“道吾”供食节祭礼舞蹈的文化解读:参考民俗学、民族学、宗教学、人类学等学科分析解读祭礼活动中所蕴涵的宗教信仰、民俗功能、社会作用、文化价值,从仪式本身所具有的形态内容从不同出发点分类详述,汲取民俗文化精华;解剖仪式深层次的文化价值; 第五章:“道吾”供食节的现当代发展与思考:最后一个章节分析出祭礼活动变迁的动因、传承濒临断裂的根源;并对仪式内容的发展提出一点自己的思考与观点。
[Abstract]:This article will start with ethnology, folklore, cultural anthropology, sociology and other disciplines, combining field investigation and related documents, from the perspective of folk religious beliefs, folk culture background, dance, with ideas, beliefs. Custom to explain the "Tao Wu" (meaning for food festival) ritual dance of the extant form, the origin of the dance, performance patterns and characteristics, singing tunes, costumes. The form of props and performances of the scene map and other aspects of the real description. Explore the development of Tibetan folk dance process. The paper is divided into five parts: introduction: introduction: the introduction is divided into an overview of the "Tao Wu" feeding festival; The purpose significance, research method and research summary of the selected topic. Chapter one: the natural ecological environment and humanistic ecological environment of Dibu County, Gannan Tibetan Autonomous Prefecture, Gansu Province. The second chapter: Gansu Gannan "Tao Wu" food festival basic outline: comprehensively narrates "Tao Wu" food supply festival main form content; In this paper, the author divides the distribution area in detail, analyzes the sources of the ritual activities by field investigation, interview and other research methods, combined with historical documents. The third chapter: "Daogu" for food festival of the performance of the performance of the form of observation: is a more important chapter of the paper; It is also the concentrated embodiment of field work investigation; The "Gaba" dance in the ritual activities; From the source, performance mechanism, singing tune, accompaniment style, performance content and form. In this paper, the characteristics of typical moving-law are explained in detail, and the characteristics of dance form and style are summarized and analyzed by using the theory of dance ecology. Chapter 4th: the cultural interpretation of ritual dance in "Tao Wu": referring to folklore, ethnology, religion, anthropology, etc., analyzing the religious belief, the function of folk custom, and the function of society. The cultural value, from the ritual itself has the form content from the different starting point classification detailed, absorbs the folk custom culture essence; The deep cultural value of dissecting ceremony; Chapter 5th: the present and contemporary development and thinking of "Tao Wu" feeding Festival: the last chapter analyzes the causes of the changes of ritual activities and the root causes of the near-rupture of inheritance; And the development of the ritual content put forward some of their own thinking and views.
【学位授予单位】:西北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J722.21
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