论舞蹈在河南豫剧现代戏中的运用

发布时间：2018-01-25 07:35

本文关键词： 舞蹈河南豫剧现代戏　出处：《中国艺术研究院》2014年硕士论文　论文类型：学位论文

【摘要】：2006年,豫剧被列入第一批《国家级非物质文化遗产名录》。但就新中国成立后诞生的河南豫剧现代戏而言,它的发展却是举步维艰的,这与作为豫剧本体语言之一的舞蹈,没能发挥出应有的作用不无关系。因此,本文试图发现并总结舞蹈在河南豫剧现代戏的演进中存在的问题,从而为有效地在河南豫剧现代戏中运用舞蹈提出对策与建议。笔者从一个“外视角”,将河南豫剧现代戏的舞蹈置于它所处的时代背景与文化环境中进行研究,通过对河南豫剧现代戏萌芽、探索和多元化三个发展时期的纵向梳理,总结、归纳出舞蹈在其中存在的三个主要问题,即舞蹈编创的边缘化、机械的“舞伴唱”,以及舞蹈程式传承与发展的缺失。横向对比与河南豫剧现代戏共时并存的台湾新编豫剧、京剧艺术与舞蹈艺术,笔者认为,河南豫剧现代戏要从“本体语言”上找到突破口,同时注重“唱舞并重”,从而开拓其舞蹈的最大“空间”——可在人物情感宣泄的制高点、两场戏的衔接处、场次的特定情境下安插舞蹈,进而为塑造人物形象、顺利推动剧情、烘托渲染气氛服务；结合故事情节与豫剧唱腔的音韵特色编舞,从而使豫剧舞蹈独具特色,“舞”与“剧”完美地融合；在继承传统豫剧的舞蹈程式之美学特征的前提下,根据剧情变化与人物塑造的需要,适当地借鉴京剧舞蹈、中国古典舞、中国民族民间舞的语汇,在循序渐进中,对河南豫剧现代戏的舞蹈程式进行革新。
[Abstract]:In 2006, the opera was included in the first batch of "national intangible cultural heritage. But after the founding of new Chinese the birth of Henan modern Henan opera, it is difficult to develop, and this is one of the main body language Opera Dance, can not play its role is not without relationship. Therefore, this paper attempts to discover and summary of dance exists in the evolution of Henan modern Henan Opera in question, so as to effectively use modern Henan Opera in Henan dance and proposed countermeasures and suggestions.
The author from a "perspective", Henan modern Henan Opera Dance under the time background and the cultural environment of the Henan modern Henan Opera sprout, longitudinal combs, exploration and diversification of three stages of development are summarized, summed up the dance in the three major problems in them, i.e. dance a marginalized, mechanical dance accompaniment, the dance program and lack of inheritance and development.
Compared with Henan modern Henan Opera is the coexistence of new Taiwan opera, Peking Opera Art and the art of dance, the author believes that the Henan modern Henan opera to find a breakthrough from the "body language", while focusing on "sing dance and" maximum "space" to develop its dance of catharsis in emotion commanding heights between the two plays, specific screenings of placement and dance, characters, plot driven smoothly, romancing atmosphere service; the combination of story and opera singing the phonological features to make opera dance choreography, unique, "dance" and "play" in the premise of perfect fusion; aesthetic characteristics of the dance program the inheritance of traditional opera, according to the needs of the story changes and character creation, appropriate reference to China Opera Dance, classical dance, folk dance, Chinese vocabulary, in step by step In Henan, the modern Henan Opera Dance program innovation.

【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J825;J705

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