曹操《气出倡》三首与汉代歌舞百戏关系考论

发布时间：2018-01-30 00:40

  本文关键词： 曹操 气出倡 乐舞百戏 公宴诗　出处：《中国典籍与文化》2017年02期 　论文类型：期刊论文

【摘要】：曹操《气出倡》三首是模拟汉代古曲之作,古辞丢失,曲题难明。古今学人对曹操之作颇多误解,如认定为游仙之作,没有积极意义,且与曹操"性不信天命""见欺神仙"之精神相悖。本文经多方考索分析,以为曹操《气出倡》并非求仙之作,而是描摹由"仙倡"表演的乐舞百戏,并对汉古曲《气出》之题义作出蠡测,其与汉代迎气活动密切相关,类似于"月令迎气乐"的乐舞表演。在此基础上,联系建安时期的公宴诗予以多方证明,《气出倡》三首为"游宴"而非"游仙"。曹操本人在求仙态度方面并无矛盾之处。
[Abstract]:Cao Cao's three works are to imitate the ancient songs of the Han Dynasty. The ancient words are lost and the title is difficult to understand. Ancient and modern scholars have quite a lot of misunderstandings about the works of Cao Cao, such as the works of traveling immortals, there is no positive significance. And it is contrary to Cao Cao's spirit of "seeing and deceiving the Immortals". This article, by various textual research and analysis, thinks that Cao Cao is not seeking immortals, but depicting the music and dance operas performed by "immortals". It is closely related to the activities of welcoming Qi in the Han Dynasty, which is similar to the music and dance performance of "Yue Ling Ying Qi Yue". On this basis, it is proved by the public banquet poems in Jian'an period. The three songs are "banquets" rather than "immortals". Cao Cao himself has no contradiction in his attitude towards immortality.
【作者单位】： 北京师范大学文学院;
【基金】：博士后基金面上项目一等资助“拟诗与中古诗学传统的建构与演进”(2016M590056)阶段性成果
【分类号】：J709.2
【正文快照】： 考之相关文献,《气出倡》原为汉曲。《文选》卷一八马融《长笛赋序》有云:“有洛客舍逆旅,吹笛,为《气出》《精列》相和。”李善注引《歌录》曰:“《古相和歌》十八曲,《气出》一,《精列》二。《魏武帝集》有《气出》《精列》二古曲。”(1)《宋书·乐志》载录曹操此曲,题作《，

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