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山东海阳秧歌调查与研究

发布时间:2018-02-01 08:38

  本文关键词: 山东 秧歌 海阳秧歌 非物质文化遗产 出处:《山西师范大学》2010年硕士论文 论文类型:学位论文


【摘要】:海阳秧歌,又称海阳大秧歌,在当地也称“唱秧歌”、“跑秧歌”、“扭秧歌”、“逗秧歌”,流传于胶东半岛的海阳、乳山(今属威海市)一带,其中以海阳最为普遍,故称海阳秧歌。它集歌舞戏于一体,是一种带有简单情节、唱舞小戏的广场艺术形式。 海阳秧歌源于西周,创于明,兴于清。自清兴盛后又兼采众长,逐步发展、日趋成熟,一直延续到当前的繁盛。海阳秧歌是在自给自足的小农经济基础上产生并形成的,其形式中既有古风,又吸收了外省区的表演形式。历史上清末的封建宗族观念、民国的文明改革、抗日战争中的革命洗礼以及新中国成立后政治、经济、文化的影响等,都在海阳秧歌的表演形式中有所遗存。而现在,海阳秧歌正处于有待发掘、研究,有待升华的过渡阶段。 海阳秧歌是包括道具舞蹈、扮演人物、民间小戏等表演形式在内的综合形式。表演内容丰富,队伍结构严谨。秧歌剧本兼收古今,名目繁多,使不同观众都能尽兴。 海阳秧歌与同属胶东半岛的胶州秧歌相比较,因地理位置的差异以及受当地商业文化的影响,仪式性、娱乐性都有明显的不同。 由于海阳市委市政府的高度重视,海阳大秧歌队伍日益壮大,艺术表演水平显著提高。2006年海阳秧歌被国务院公布为首批非物质文化遗产。即便如此,现阶段需要我们完成的工作还有很多。 笔者在前辈研究的基础上,结合地方文献和田野调查所获得的口碑资料,对海阳秧歌的生存环境、形成发展、艺术特色、剧目剧本以及当代生存状况等方面做进一步探讨研究,从而总结出海阳秧歌的艺术价值与文化价值,提出可行性的保护措施,以期引起社会对海阳秧歌更广泛的关注。
[Abstract]:Haiyang Yangko, also known as Haiyang Yangko, is also known locally as "singing Yangko", "running Yangko", "wriggling Yangko", "teasing Yangko", and spreading around Haiyang, Rushan (now belonging to Weihai City) in Jiaodong Peninsula. Among them, Haiyang is the most popular, so it is called Haiyang Yangge. It is a kind of square art form with simple plot, singing and dancing little drama. Haiyang Yangge originated from the Western Zhou Dynasty, created Yu Ming, and flourished in the Qing Dynasty. After the prosperity of the Qing Dynasty, the Yangko was gradually developed and gradually matured. Haiyang Yangge was born and formed on the basis of self-sufficient small-scale peasant economy, and its forms include the ancient style. It also absorbs the performance forms of foreign provinces and autonomous regions, the feudal clan concept in the late Qing Dynasty, the civilization reform of the Republic of China, the revolutionary baptism in the War of Resistance against Japan and the influence of politics, economy and culture after the founding of New China. All of them remain in the performance form of Haiyang Yangge. Now, Haiyang Yangge is in the transitional stage of unearthing, research and sublimation. Haiyang Yangko is a comprehensive form including props dance, playing characters, folk drama and other forms of performance. The performance content is rich, the team structure is rigorous. Yangko plays both ancient and modern, a variety of names. To make different audiences enjoy themselves. Comparing Haiyang Yangko with Jiaozhou Yangko which belongs to Jiaodong Peninsula, due to the difference of geographical location and the influence of local commercial culture, ritual and entertainment are obviously different. Due to the attention of Haiyang municipal government, Haiyang Yangko team is growing, and the level of art performance has improved significantly. In 2006, Haiyang Yangko was announced by the State Council as the first batch of intangible cultural heritage. Even so. There is still a lot of work to be done at this stage. On the basis of the previous research, combined with the local literature and field investigation of the word of mouth information, Haiyang Yangge survival environment, the formation of development, artistic characteristics. In order to sum up the artistic value and cultural value of Haiyang Yangge and put forward the feasible protection measures. In order to cause the society to Haiyang Yangge more extensive attention.
【学位授予单位】:山西师范大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:J722.2

【参考文献】

相关期刊论文 前3条

1 巩丽美;高峰;;海阳秧歌的发展与道具文化[J];电影评介;2007年10期

2 薛艺兵;;北方各地“秧歌调”同源关系辨识[J];黄钟-武汉音乐学院学报;2007年01期

3 张蔚;;闹节——山东秧歌的仪式性与反仪式性[J];戏剧艺术;2007年01期



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