“80后”中国舞者研究

发布时间：2018-02-21 18:01

本文关键词： “80后” “80后”中国舞者创作价值观艺术品格第十届全国舞蹈比赛　出处：《山东艺术学院》2014年硕士论文　论文类型：学位论文

【摘要】：2003年到2004年之间，“80后”一词突然涌现在我们眼前，直到今天“80年代”、“80后”已渐渐成为一种文化现象，出生在上世纪80年代的这样一个群体果真有着特殊的故事。他们是“蜜罐”里成长的一代，也是生活压力最大的一代；他们有不一样的快乐童年，现在却也面临着最严峻的考验；他们是追求个性的叛逆青年，也是用心实现梦想的奋斗青年。社会背景、政治语境对艺术形态的影响是必然的。艺术形态呈现的不仅是艺术家个人的生命体验，更是社会文化状况的真实写照。中国的“80后”一代，在其成长的过程中，经历了相比其他年代的人更为深刻的思想意识变革。特定的时代背景、成长经历，造就了“80后”独特的气质，这些内在气质通过他们的作品展现出来，他们的作品也因此产生了一些特殊的标记，这也可以称作是他们独特的艺术品格。在中国舞蹈发展史中，80年代也是一个分水岭，，是代表着中国舞蹈开始复苏繁荣的一个重要阶段。在中国舞蹈的重要过渡期成长起来的新一代“80后”舞者，现在正是活跃在舞台上最优秀、最具有独特艺术风格和艺术追求的新生力量，他们有着自己独特的创作思维和表达方式。时代赋予了“80后”中国舞者自我并集体；依赖且独立；先锋亦怀旧的艺术特质。他们对舞蹈的热爱和理解已与老一辈有所不同，不再是上世纪五六十年代的“英雄儿女”，为新中国而舞；也不再是上世纪七八十年代的“百花争艳”，为大众而舞；他们只为表达自己而舞，为真实、为梦想而舞。在“80后”一代人开始崭露头角，渐渐步入主流的今天，舞台上最活跃的“80后”中国舞者虽尚处在成长阶段，但他们的出现对中国舞蹈事业的发展有着超乎寻常的影响。本文以“80后”中国舞者为研究对象，目的在于分析和总结这一代舞者的发展现状及作品特点，来研究其独特的艺术创作风格、舞蹈思想和舞蹈观，在他们的共性中寻找相对于“50后”、“60后”而言的独特个性，即时代赋予“80后”中国舞者的专属印记，以求对中国舞蹈未来发展趋势的研究形成一定的启示作用。
[Abstract]:Between 2003 and 2004, the word "post-80s" suddenly popped up in front of us. Until today "80s", "post-80s" has gradually become a cultural phenomenon. Such a group, born in -20s, has a special story. They are the generation growing up in the Honeypot and the most stressed generation; they have a different happy childhood. Now they are also facing the most severe test; they are the rebellious youth who pursue their individuality, and the struggling youth who strive to realize their dreams. The influence of social background and political context on art form is inevitable. Art form presents not only the individual life experience of the artist, but also the true portrayal of the social and cultural situation. People who have experienced more profound ideological changes than those of other ages. The specific background of the times, the growth experience, has created the unique temperament of the "post-80s", which is manifested through their works. As a result of this, their works have produced some special marks, which can be called their unique artwork. In the history of Chinese dance development, the 1980s were also a watershed. It represents an important stage in the revival and prosperity of Chinese dance. The new generation of "post-80s" dancers, who grew up during the important transitional period of Chinese dance, are now the best dancers active on the stage. The most unique artistic style and artistic pursuit of the new forces, they have their own unique creative thinking and expression. Vanguard also nostalgic artistic characteristics. Their love and understanding of dance has been different from the older generation, is no longer 0th century "hero children", dance for the new China; Nor is it the 1970s and 1980s of 0th century, when they dance for the masses; they dance only to express themselves, to be true and to dream. Today, when the "post-80s" generation is beginning to emerge and gradually enters the mainstream, the most active "post-80s" Chinese dancers on the stage are still in their growing stages. However, their appearance has a remarkable influence on the development of Chinese dance career. This paper takes the "post-80s" Chinese dancers as the research object, in order to analyze and summarize the present situation and characteristics of this generation of dancers. To study its unique artistic creation style, dance thought and dance view, and to find the unique personality relative to "after 50" and "post-60" in their commonness, that is, the unique imprint of the era that endows the "post-80s" Chinese dancers. In order to the future development trend of Chinese dance to form a certain enlightenment.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J709.2

【参考文献】