汉画鼗鼓舞形态变迁考

发布时间：2018-02-24 23:02

本文关键词： 汉画鼗鼓舞形态巫乐　出处：《北京舞蹈学院学报》2017年04期 　论文类型：期刊论文

【摘要】：汉画中的鼗鼓舞表演形态多样,本文以图像结合文献的考据方式探讨、论述鼗鼓舞的形态演变,认为鼗鼓的导乐、节乐、终乐的功能,形成了以鼗鼓等节乐的表演形态;汉画鼗鼓舞中手戏杂技与舞蹈的融合,以乐器为道具的舞蹈形态及持鼗而舞的有声形态等形成了汉代百戏的综合表演形态;汉画鼗鼓舞的祈福、禳灾、辟邪、交通人神等功用,形成以鼗导乐的巫舞的演变形态。
[Abstract]:There are various forms of performance in Han Dynasty painting. This paper discusses the evolution of the form of Drum in combination with the textual research of the literature. The author thinks that the function of guiding music, festival music and final music of the drum has formed the performance form of the festival music such as the drum and so on. The combination of acrobatics and dance in Han paintings inspired the performances of 100 Han operas, such as musical instruments as props and musical instruments as props, as well as the sound forms of dancing. The functions of Han painting and encouragement included praying for blessings, abusing disasters, dispelling evil spirits, and communicating with people and gods, and so on. Form the evolving form of witchcraft dance with music.
【作者单位】：南阳师范学院汉文化中心;
【基金】：教育部课题《汉代古琴的图像学研究》(项目编号:13YJA760020) 河南省科技厅软科学项目《中原汉代百戏(杂技)的研究与应用》(项目编号:142400411202);河南省科技厅软科学项目《南阳汉代画像石与汉代乐舞表演体系构建研究》(项目编号:162400410417)成果之一
【分类号】：J209.2;J722

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