宋代石窟舞蹈形象研究——大足石刻的典型性舞蹈造像

发布时间：2018-02-26 02:26

本文关键词： 宋代舞蹈石窟舞蹈造像大足石刻审美研究　出处：《重庆大学学报(社会科学版)》2013年05期 　论文类型：期刊论文

【摘要】：大足石刻是最具代表性的宋代石窟艺术,它集建筑、舞蹈、美术、音乐等元素于一体,既受宗教仪规和量制的限制,又受时代精神、审美趣味和风俗礼仪等因素的影响,是宋代造型艺术的代表。深入研究大足石刻所蕴含的舞蹈造型,不仅可以挖掘重庆本土的舞蹈资源,丰富大足艺术研究舞蹈领域的薄弱,同时对研究宋代舞蹈的审美价值及史学意义大有裨益。文章以大足宋代石窟中的"六师外道谤佛不孝"、"春龙起蜇图"及"帝释天与阿修罗战"三座石窟舞蹈造型为例,运用形式分析法、比较研究法和文化人类学等方法,挖掘大足石刻中舞蹈形象特征、语汇表达、表现形式及艺术审美取向,从艺术遗产、艺术创作的角度研究其重要
[Abstract]:Dazu stone is the most representative of the Song Dynasty grotto art, its architecture, dance, art, music and other elements in one, not only by the religious rituals and business restrictions, but also by the influence of the spirit of the times, aesthetic taste and customs and other factors, is a representative art in Song Dynasty. The further study of Dazu stone contained the dance style, not only can tap Chongqing local dance dance art research resources, rich Dazu field is weak, while the aesthetic value and historical significance to be of great advantage. Based on the study of the Song Dynasty dance song "Dazu Grottoes six Division externalists slanders the Buddha of filial piety", "play Chunlong stung diagram" and "Indra and O Xiuluo war in the three Grottoes dance style as an example, using the formal analysis method, research method and cultural anthropology method, mining dance image features, Dazu stone vocabulary expression, form and aesthetic orientation, from art. Study on the importance of production and artistic creation

【作者单位】：重庆大学艺术学院;
【基金】：中央高校基本科研项目“中国汉唐古典舞文化型教育模式研究”(CQDXWL-2013-058) 教育部新世纪优秀人才计划项目“巴蜀石窟群艺术研究及其数字化应用建设”(NCET-11-0553)
【分类号】：K879.3;J709.2

【参考文献】