论舞蹈创作的诗性追求

发布时间：2018-03-01 23:01

本文关键词： 舞蹈创作诗歌诗性追求舞蹈意境　出处：《山东师范大学》2016年硕士论文　论文类型：学位论文

【摘要】：自古以来诗、舞、乐三位一体,舞蹈与诗的关系十分密切。从本质上讲,舞蹈和诗都是抒情的艺术,它们均是借助于一定的物质载体来表达人们的思想感情、传达信息、沟通交流,不断融合发展的一种艺术形式。诗在文学领域里被称之为“文学的顶峰、文学的最高形式”,因为诗表达思想感情最强烈、集中,形式凝练,语言优美,手法浪漫,意境深远。黑格尔说:诗“最富于心灵性的表现”,“诗在一切艺术中流注着……”。舞蹈创作作为舞蹈的一种审美实践活动,在舞蹈构思和舞蹈语言方面离不开诗的某些特质。诗中常用的一些表现手法如夸张、比兴、含蓄等,对塑造鲜明生动的舞蹈形象有着一定的激发,诗的多样化风格也给舞蹈增添了新的活力。因而,创作一部优秀的舞蹈作品最终都会上升到对深邃诗性内涵意蕴的追求。本论文从诗性这个角度来探索舞蹈创作的内在精神,力图通过分析舞蹈作品来阐释贯穿于舞蹈创作思想中诗性的品质文化。论文主体部分分为四个章节:第一章“舞蹈创作与诗的关系”,主要阐述舞蹈创作与诗的本质特征,探究古今中外诗歌历史文化发展,并在此基础上去挖掘舞蹈创作与诗之间的内在联系;第二章“舞蹈创作起点的诗性追求”,本章主要从舞蹈构思和舞蹈语言两个方面来探索舞蹈创作对诗性文化的追求。首先,在舞蹈构思方面,具体对构思的灵感产生、构思中想象空间的发挥,以及创新思维的生成这三个过程进行深入的分析。其次,在舞蹈语言表达上,主要从诗化的意象语言、诗情的叙事语言和诗韵的动作语言三方面展开论述;第三章“舞蹈创作过程中的诗性体现”,着重分析塑造舞蹈形象所常用的一些手法,挖掘舞蹈内在的形象美与多样化风格在诗性中的具体体现;第四章“舞蹈创作效果的诗性升华”,这是本论文的重要章节。先对创作者自身文化背景进行全面的分析,进而对意境中情景交融、虚实相生与形神兼备、气韵生动这两对审美范畴展开阐述,从而深层次的探索舞蹈创作中对诗之意境的追求。
[Abstract]:Since ancient times, poetry, dance, music trinity, dance and poetry are very close relations. In essence, dance and poetry are lyrical art, they all use certain material carrier to express people's thoughts and feelings and convey information. Communication and communication is a form of art that is constantly developing. Poetry is called "the pinnacle of literature, the highest form of literature" in the field of literature, because poetry expresses the strongest, most concentrated, condensed form, beautiful language, and romantic modus operandi. The artistic conception is profound. Hegel says: poetry is "the most spiritual expression", "poetry flows through all art." Dance creation is an aesthetic practice of dance. In the aspect of dance conception and dance language, we can not do without some characteristics of poetry. Some commonly used techniques of expression in poetry, such as exaggeration, comparison, implication, etc., have a certain incentive to create vivid and vivid dance images. The diversified style of poetry also adds new vitality to dance. Therefore, the creation of an excellent dance work will eventually rise to the pursuit of profound poetic connotation. This paper explores the inner spirit of dance creation from the perspective of poetry. The main part of the thesis is divided into four chapters: the first chapter, "the relationship between dance creation and poetry", mainly expounds the essential characteristics of dance creation and poetry. To explore the historical and cultural development of Chinese and foreign poetry, and on this basis to explore the inherent relationship between dance creation and poetry; In the second chapter, "the poetic pursuit of the starting point of dance creation", this chapter mainly explores the poetic culture pursuit of dance creation from two aspects: dance conception and dance language. The three processes of imagination space and the creation of creative thinking are analyzed deeply. Secondly, the poetic image language is the main expression of dance language. The narrative language of poetic emotion and the action language of poetic rhyme are discussed in three aspects. Chapter three, "poetic embodiment in the process of Dance creation", focuses on the analysis of some commonly used techniques for shaping the image of dance. The 4th chapter "poetic sublimation of dance creation effect" is an important chapter of this thesis. First, the author's own cultural background is comprehensively analyzed. Then it expounds the aesthetic categories of artistic conception, such as the blending of emotion and scene, the combination of void and reality and the combination of form and spirit, so as to explore the pursuit of the artistic conception of poetry in the deep exploration of dance creation.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J704

【相似文献】