论舞剧《玉卿嫂》与《茶花女》中悲剧女性的表演艺术特征

发布时间：2018-03-05 17:34

本文选题：玉卿嫂　切入点：茶花女　出处：《华南理工大学》2015年硕士论文　论文类型：学位论文

【摘要】：本论文以中国舞剧《玉卿嫂》和西方舞剧《茶花女》作为研究对象,对舞剧中悲剧女性的表演艺术特征,以理论结合实践的方法展开美学范畴的学术探讨。关于舞剧,学术界并没有统一的概念。一般学者从“舞蹈戏剧”的角度对舞剧进行解释,即“舞剧是以舞蹈为主要表现手段的一种戏剧形式”。作为戏剧艺术塑造人物形象是戏剧表演的根本。只有人物形象塑造的栩栩如生,才能够真实反映人与人、人与社会之间的情感和矛盾,并可以使舞剧焕发出真实的艺术美感。在戏剧表演中,戏剧语言是塑造人物的基本手段。在舞剧中,戏剧语言就是舞蹈动作语言。《玉卿嫂》是台湾作家白先勇的小说代表作之一。小说的主人公玉卿嫂是一位外柔内刚的寡妇,由于陷入了盲目的爱情之中,酿成了个人悲剧。《茶花女》是法国著名作家小仲马于1848年创作的一部享誉世界的文学作品,讲述了女主人公玛格丽特这位名噪一时的法国巴黎名妓一生的经历,并展现了茶花女为爱而弃爱的心碎历程。这两部舞剧的编导运用舞蹈动作表现了原著女主人公的悲剧形象,不论是玉卿嫂“博弈般”的双人舞还是茶花女“戏中戏舞中舞”的双人舞,都刻画出了玉卿嫂和茶花女为爱而死的悲剧女性形象。正因为如此,在《玉卿嫂》与《茶花女》这两部舞剧中,女性悲剧角色塑造的舞蹈动作上有着相似之处。如:用快速移动的跳跃、旋转等舞蹈动作再现主人公为爱疯狂的特征以及用缓慢而有力的划圈动作、快速的旋转动作等舞蹈动作再现主人公爱恨纠缠的特征等等。由于她们所采用的为爱而死的方式不同,造成了同样的舞蹈动作在表演上的差异,从而在舞台上出现了两个完全不同的为爱而死的悲剧女主人公人物形象。从舞蹈动作入手探讨舞剧《玉卿嫂》与《茶花女》中女性悲剧角色塑造的表演艺术特征,对舞剧本质核心美的研究具有理论和实践两方面的价值和意义。
[Abstract]:This thesis takes the Chinese dance drama Yuqing Sisters and the Western Dance Drama Camellia Girl as the research object, discusses the characteristics of the tragic women's performing arts in the dance drama, and carries out the academic discussion of the aesthetic category with the method of combining theory with practice. There is no unified concept in the academic world. The general scholars explain the dance drama from the angle of "dance drama". That is, "dance drama is a kind of drama form with dance as the main means of expression". As a dramatic art, it is the foundation of a dramatic performance to portray the character image. Only when the character image is vivid can it truly reflect people and people. The emotion and contradiction between people and society, and can make the dance drama radiate the true artistic beauty. In the drama performance, the dramatic language is the basic means of shaping the character. In the dance play, Drama language is dance action language. "Yuqing Sisters" is one of the masterpieces of the novels of Bai Xianyong, a Taiwanese writer. The protagonist of the novel, Yuqing Sistress, is a widow who is just inside the womb and falls into blind love. In 1848 Dumas, a famous French writer, wrote a world-renowned literary work about the heroine Marguerite, the famous Paris prostitute in France. The choreographer of the two plays shows the tragic image of the original heroine by using dance movements. Whether it is the "game" double dance of Yuqing sister-in-law or the double dance of the camellia-girl "dance in the play", they all depict the tragic female image of Yuqing's wife and the camellia-girl dying for love. In "Yuqing Sisters" and "Camellia Girl", there are similarities in dance movements shaped by women's tragic characters. Dance movements such as rotation reproduce the character of the heroine as crazy as love and use slow and powerful circles. Dance movements such as rapid rotation reappear the characters of the protagonists' love and hate entanglement and so on. Because of their different ways of dying for love, the same dance movements are different in performance. There are two completely different tragic heroines who died for love on the stage. From dance movements, this paper discusses the artistic characteristics of the female tragic characters in the dance drama Yuqing Sisters and Camellia. The research on the core beauty of dance drama has both theoretical and practical value and significance.
【学位授予单位】：华南理工大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J733

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