戏曲之美,为舞所用
发布时间:2018-03-13 09:31
本文选题:改编理念 切入点:改编实践 出处:《北京舞蹈学院》2016年硕士论文 论文类型:学位论文
【摘要】:本文分为三个主体部分,分别从改编的理念、改编的实践以及改编的意义三个方面来分析舞剧《夕照》对经典戏曲《白蛇传》的改编,并以小见大,引出舞剧对传统经典戏曲的改编可能面临的问题,机遇和挑战。第一个部分主要阐述并分析了《夕照》尊重经典与探索求新并行的改编理念。即是从内容上,在继承经典精神内涵的基础上,提升出时代的主题和精神,从而赋予舞剧深厚的文化底蕴与深刻的现实意义。从表现形式上,在改编理念的指引下,既深入于戏曲艺术的精髓之中,又借反哺的养分发展舞蹈自身,借鉴与创造并重,尊重与创新并持,在探索戏曲经典与舞剧形式最佳契合点的同时,不断开拓舞剧自身新的表现形式。最终通过从内容到形式对经典戏曲的尊重和再创造,使其自身的艺术价值得到全面的提升。此外还在此改编理念的基础上确立了《夕照》对经典戏曲改编所持有的立场和原则,即:坚持“不戏说”也“不乱说”,为《夕照》改编经典戏曲的基本点;坚持在尊重经典的基础上去探索求新,成功地创作一部舞剧,为《夕照》追求的目标。创作者将此理念贯穿于整个舞剧的创作全程,既是创作者尊重经典的具体承诺,也是创作者探索求新的具体实践,二者是相向并行的。第二部分主要从文本结构的重塑、动作语言的重构、人物形象的塑造和群舞的辅助功能四个方面,阐述并分析《夕照》由戏曲向舞剧可行的转化方式和具体的实践方法。总结出舞剧对经典戏曲的转化应当在端正的改编理念的引领下,遵循戏剧的要素,在舞剧思维的组织下,借鉴可以为舞剧所用的,改造与舞剧所不相适应的,创造使舞剧更加丰富的。具体来说,《夕照》在舞剧结构上,从纵向上将故事情节的逻辑架构重新选择和组织,从横向上将表现方式由戏曲的叙述层面向舞剧的抒情层面转化,以一种更适合于舞剧的表现特性且不削弱戏剧性的方式完成文本结构的重塑;在动作语言的重构上,以发挥动作语言对舞剧的叙事和表达功能为目的,以中国古典舞为审美原则,吸收戏曲中可为舞所用的形态或动作,以增强舞剧语言的风格性和表意性。同时通过对借鉴动作的创新,突破舞蹈语言的固定模式、拓展舞剧语言的可能空间,使其最终凝炼成集风格性、表意性、抒情性于一身并为舞剧叙述情节、刻画人物、表达情感所用的舞蹈语言;在人物形象的塑造上,从外部形象上,借鉴戏曲行当的程式化特点,在形态和律动上为人物形象的塑造找到清晰的对位和个性化的表现形式。从人物内心情感上,在坚持戏曲人物主体品格的基础上进一步体察人物的内在感受,塑造出有血有肉的舞剧人物形象。此外,充分发挥群舞对塑造人物、叙述情节的辅助功能,调动一切可能的舞台因素去完成艺术形式转换的同时,树立起舞剧自身的艺术魅力。第三个部分主要阐述《夕照》对经典戏曲的改编意义。将“为观众而说,为经典而立”的改编意义作为创作者的己任,从目的上看,《夕照》将观众的审美需求作为舞剧确立改编理念以及一切创作实践的关照点,让创作者的审美追求和观众的审美需求产生共鸣关系。从意义上看,将传承民族文化,促进艺术繁荣作为改编的价值关照点,通过强调舞剧创作过程中在改变理念、表现形式和动作语言风格上对经典戏曲艺术的借鉴,强调在尊重传统文化基础上的创新,以不同于戏曲的舞剧艺术形式改编传播经典,传承文化。
[Abstract]:This paper is divided into three parts, respectively from the adaptation of the concept, the practice of the adaptation and the adaptation of the significance of the three aspects to analyze the classic opera ballet < > > < snake adaptation, and adaptation of traditional dance leads the child is father of the man, the classic opera may face problems, opportunities and challenges. The first part mainly the < > describes and analyzes the classic and explore innovative respect parallel concept. That is adapted from the content, based on inheriting the classic spirit connotation, promote the theme of the times and the spirit of giving ballet profound cultural connotation and profound practical significance. From the form of expression, in the adaptation under the guidance of the concept in essence, both in-depth opera art, and by the development of the dance of nutrient feeding, both reference and creation, respect and innovation and to explore, in the traditional classical dance form with the best fit point at the same time, not Opening up its new ballet performance. Finally through the respect from the content to the form of classical opera and re creation, make its artistic value improve. Based on the idea of adaptation also established the position and principle of < >, the classic opera adaptation holds that: adhere to the "no joking" and "nonsense", as the basic point of the adaptation of the classic opera < >; persist in respect of the classic to explore innovation, successfully created a ballet, the pursuit of "sunset > goal. The creator of this idea throughout the creation of dance course, specific commitment to respect the classic both a creator. Is also the Creator of practice and exploration of innovation, the two are opposite in parallel. The second part mainly from the remodeling of the structure of the text, the reconstruction of the action language, four aspects of the characters and the dance of auxiliary functions. < > and analysis by way of transforming to sunset Opera Ballet feasible and practical method. Summed up the transformation of the classical opera ballet should be in the correct concept of adaptation under the guidance, follow the elements of drama, drama in the thinking of the organization, reference can be used for ballet, ballet and the phase transformation to adapt, create more ballet. Specifically, < > in the structure of drama on the sunset, to choose from the logical structure longitudinal story and organization transformation from horizontal admiral performance by the opera narrative Lyric dance oriented level, in a more suitable for ballet performance characteristics and does not weaken a dramatic way to reshape the structure of the text; in the reconstruction of the action language, to play the action language to ballet narrative function and expression for the purpose, to Chinese classical dance aesthetic principle, opera dance can be absorbed In the form of action, in order to enhance the ballet style of language and meaning. At the same time by reference to the action of innovation, break through the fixed mode of dance language, dance language may expand the space, eventually condensed into style, expressive, lyrical and dance in a narrative, characterization the emotional expression, the language of dance; image of the characters, from the external image, from the stylized feature drama, in the form and rhythm of shape characters found form clear counterpoint and personalized. From the character of inner feelings, inner feelings of characters based on further understanding the main character of the opera characters, creating drama characters true to life. In addition, give full play to group characters, narrative plot of the auxiliary function, to mobilize all possible factors to complete the stage art Operation mode conversion at the same time, to establish their own dance artistic charm. The third part mainly elaborates the significance of the adaptation of < > classic opera. "For the audience, as a classic rock" adaptation significance as the creator of the mission, from the objective perspective, "sunset > audience's aesthetic needs as Ballet establish the concept and practice of creative adaptation of all care, let the relationship resonate with the aesthetic needs of the aesthetic pursuit of the creator and the audience. From the point of view, the national cultural heritage, promote the prosperity of art as the value of moral adaptation, by emphasizing the creative process of the ballet in the change idea, form and language style of classic action opera art for reference, emphasis on respect for innovation based on traditional culture, which is different from the traditional opera art form drama adaptation communication classic, cultural heritage.
【学位授予单位】:北京舞蹈学院
【学位级别】:硕士
【学位授予年份】:2016
【分类号】:J723
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