“象舞”初探

发布时间：2018-03-13 17:18

本文选题：“象舞”　切入点：武王　出处：《管子学刊》2010年04期 　论文类型：期刊论文

【摘要】：本文对周初之"象舞"的产生及其影响进行了初步的分析与梳理。作者从对"象"的文字训诂入手,分析了在中华民族文明发展的滥觞期,汉字、《易》和原始舞蹈的创生过程中,"象"作为早期先民的一种模仿、象形的交流、互动的信息传递手段,发挥着不可或缺的沟通载体作用。对"象舞"在华夏舞蹈史发展过程中的承先启后的历史地位,本文也进行了梳理,肯定了其审美主体意识的自觉与回归、启动了舞蹈世俗化、人性化、规范化、社会化的艺术进程的重要作用。
[Abstract]:This article has carried on the preliminary analysis and the combing to the appearance and the influence of "Xiang Dance" in the early Zhou Dynasty. The author begins with the textual exegesis of "Xiang", and analyzes the origin of the development of the Chinese nation's civilization. In the creation of Chinese characters, Yi Yi, and primitive dance, "Xiang" was used as a means of imitating, pictographic communication and interactive information transmission of the early ancestors. This paper also combs the historical position of "Xiang Dance" in the course of the development of Chinese dance history, affirms the consciousness and return of its aesthetic subject consciousness, and starts the secularization of dance. Humanization, standardization, socialization of the art process of the important role.
【作者单位】：闽江学院蔡继琨音乐学院;
【分类号】：J709.2

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