朝鲜族舞蹈技能训练的逻辑性及方法研究

发布时间：2018-03-13 20:24

本文选题：意识性　切入点：物理性　出处：《北京舞蹈学院学报》2013年03期 　论文类型：期刊论文

【摘要】：舞蹈是以人体为表演手段,体现人类情感的形象艺术,是情感和形象,即意识性和物理性的完美结合体。因此,舞蹈技能究其本质,超越了单纯的人体物理运动机能,是以人体为载体、以意识的抑制功能为核心的由意识到物质的转换技能。所以,在舞蹈技能训练中首先要开发人的情感意识机能,充分发挥情感意识的主导作用,使之能够按照情感旨意娴熟自如地支配身体活动,从中建立情感语言系统,这是舞蹈技能训练技法的逻辑及核心。本文以上述的逻辑为理论依据,以朝鲜族舞蹈为例,分析和论述了开发舞蹈意识技能的训练技法及方法论。
[Abstract]:Dance is the image art of human emotion, which is the perfect combination of emotion and image, that is, consciousness and physicality. It is a conversion skill from consciousness to substance with the human body as the carrier and the inhibitory function of consciousness as the core. Therefore, in the training of dance skills, we should first develop the function of human emotional consciousness and give full play to the leading role of emotional consciousness. It is the logic and core of dance skill training technique to make it be able to control body activity skillfully and freely according to emotional will, and establish emotional language system from it. This paper takes the above logic as the theoretical basis and takes Korean dance as an example. This paper analyzes and discusses the training techniques and methodology of developing dance consciousness skills.
【作者单位】：延边大学艺术学院;
【分类号】：J722.22

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