拉班在中国

发布时间：2018-03-16 06:50

本文选题：拉班　切入点：舞蹈学　出处：《舞蹈》2017年09期 　论文类型：期刊论文

【摘要】：1979年,中国舞蹈家协会第一次派戴爱莲先生和吴静姝女士参加国际拉班动作分析委员会学术双年会,即第19届ICKL会议。2004年7月24日,在戴爱莲先生多年运筹帷幄之后,第23届ICKL会议首次在中国北京举行。2017年7月23日—29日,"第30届国际拉班舞谱双年会"在北京师范大学成功举办,这是拉班双年会第二次回到北京。本刊与中国拉班研究中心共同策划了此次"拉班在中国"专题,对"拉班在中国"的历史、发展和现状给予关注,以期能够借此描摹出目前我国(大陆及台湾地区)拉班理论及舞谱研究的整体状貌,并由此引发出更多思考。自20世纪40年代起,有着舞蹈领域"爱因斯坦"之称的冯·鲁道夫·拉班和他的舞蹈理论、舞谱,伴随满怀爱国热忱、从英伦归来的戴爱莲先生之步履首次被国人知晓。在其后诸多前辈们不遗余力的外拓推广之间,在近80载岁月时光的风蚀与磨砺之中,"拉班在中国"终于可以从孤帆远影到星星之火,从渐行渐近到蔚然成风,如今遂有气象。冯·鲁道夫·拉班,享誉世界的舞蹈科学家、现代舞蹈理论之父。也许舞蹈哲学家的称号更适合他,因为他对舞蹈的创造性思考早已超越了单一艺术门类,他那具有普遍性意义的科学视角,那些关乎生命哲学、唯物辩证、宇宙空间、动作逻辑等看似形而上又皆可落实在"舞蹈"的考察,显然是寓"舞蹈"之体,为我们投射出身体的科学与哲学之光。具体到拉班舞谱,那又岂止是一种世界通行的舞蹈记录术,那分明是一份始于感性、成于理性,并可两者互为校验的科学分析的文本。而即便是对于拉班及其理论最粗浅的认识,中国对它的了解和接纳都晚于世界舞蹈界半个多世纪。
[Abstract]:In 1979, the Chinese Dancing Association sent for the first time Mr. Dai Ailian and Ms. Wu Jingshu to attend the 19th ICKL Conference of the International Laban Action Analysis Committee. The 23rd ICKL Conference was held in Beijing, China for the first time. From July 23rd 2017 to 29th, the 30th International Laban Dance Biannual meeting was successfully held at Beijing normal University. This is the second time that Laban has returned to Beijing. Together with the China Laban Research Center, the magazine has planned the special topic "Laban in China", paying attention to the history, development and current situation of Laban in China. In order to describe the whole situation of the current Laban theory and dance spectrum research in China (mainland and Taiwan), and thus lead to more thinking. Since 1940s, Von Rudolf Laban, known as Einstein in the field of dance, and his dance theory, dance spectrum, accompanied by patriotic zeal, For the first time, Mr Dai Ailian, who returned from England, has been known to his countrymen for the first time. In the wind erosion and sharpening of nearly 80 years, Laban in China has finally been able to move from the solitary sail to the spark, from the approaching to the wind, and now there is a weather. Von Rudolf Laban, a world-renowned dance scientist, The father of modern dance theory. Perhaps the title of dance philosopher is more suitable for him, because his creative thinking on dance has already gone beyond a single category of art, his scientific perspective of universal significance, which concerns philosophy of life, materialistic dialectics, Cosmic space, logic of action and so on seem to be metaphysical and can be carried out in the inspection of "dance". Obviously, it is the body of "dance" that projects the light of science and philosophy of the body for us. It is more than a universal dance recording, it is clearly a text of scientific analysis that begins with sensibility, becomes rational, and can be mutually validated. And even the most superficial understanding of Laban and his theory, China's understanding and acceptance of it were later than half a century in the world of dance.
【分类号】：J703

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