岭南广府文化影响下中山“醉龙舞”的艺术表现特征

发布时间：2018-04-15 05:35

本文选题：中山醉龙舞 + 岭南广府文化　；参考：《北京舞蹈学院学报》2017年03期

【摘要】：中山"醉龙舞"这一传统的民间龙舞过去曾盛行不衰,成为人们喜闻乐见的艺术形式。这一习俗一直保留至20世纪50年代初,近年来在政府的大力推动下,"醉龙舞"得以恢复并迅速地蓬勃发展,2008年6月被收录于国家级非物质文化遗产名录。舞龙这项活动深受群众的喜爱,由于各地的地理环境、气候条件、语言声调、风俗习惯的差异,舞龙也自然有不同的风格特点,在岭南广府文化的影响下,形成了独一无二的中山"醉龙舞"。它以拟人化的艺术手段,多变的形式,生动的形象,表现出当地劳动生活祭祀的场景,又融武术洪拳、醉拳、杂耍等技艺为一体,展现出人们强烈的求生存、求发展的内在生命力,因而具有巨大的审美力和感染力,更容易激发起欣赏者的情感共鸣。本文根据实地田野调查,通过分析中山"醉龙舞"的形象特征、主体性特征和审美特征,剖析在岭南广府文化影响下的中山"醉龙舞"的艺术表现特征。
[Abstract]:Zhongshan "drunken Dragon Dance", a traditional folk dragon dance, was popular and became a popular art form.This custom remained until the early 1950s. In recent years, thanks to the great efforts of the government, "drunk Dragon Dance" was restored and rapidly developed, and was included in the National Intangible Cultural Heritage list in June 2008.The dragon dance activity is deeply loved by the masses. Due to the differences in geographical environment, climatic conditions, language tone, customs and habits, dragon dance naturally has different styles and characteristics. Under the influence of the Guangfu culture in the south of the five ridges,Formed a unique Zhongshan "drunk dragon dance."It takes anthropomorphic artistic means, changeable forms, vivid images, shows the scene of sacrifice in local working life, and combines martial arts, such as Hong Quan, drunk fist, juggling, etc., and shows people's strong struggle for survival.Seeking the inner vitality of development, it has great aesthetic power and appeal, and it is easier to arouse the emotional resonance of the appreciator.Based on the field investigation, this paper analyzes the image, subjectivity and aesthetic characteristics of Zhongshan's "drunken Dragon Dance", and analyzes the artistic expression characteristics of Zhongshan's "drunken Dragon Dance" under the influence of Lingnan Guangfu culture.
【作者单位】：深圳大学师范学院;
【分类号】：J722.214

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