中国古典舞与西方芭蕾舞审美差异研究

发布时间：2018-04-22 21:38

本文选题：中国古典舞 + 西方芭蕾舞　；参考：《山东师范大学》2017年硕士论文

【摘要】：本论文旨在通过描写中国古典舞与西方芭蕾舞的差异性进行比较,在中西方舞蹈审美文化上进行一番梳理与探索。中国舞蹈的发展源远流长,但中国古典舞是自新中国成立以后在老一辈的舞蹈艺术工作者的辛勤努力下逐渐发展起来的,西方芭蕾舞自路易十四时期发展至今已有四百多年的历史。两个不同的舞种在各自文化的影响下形成了无论在动作语汇、情感表达、审美原则上都不尽相同,究竟是基于怎样的文化背景造成了两个舞种的审美方面产生差异以及差异的表现,在今后如何更好的发展中国舞蹈,就是本论文研究的重点。自本论文共分为三大章节进行讨论:第一章:对中西方舞蹈发展的文化背景进行分析,按时期对中国古典舞和西方芭蕾舞的划分,比较研究二者在不同的历史时期和文化背景下舞蹈发展方面的差异性。第一节:分析中国古典舞产生、复兴、发展三个不同时期的发展历程;第二节:分析西方芭蕾舞在早期芭蕾、浪漫芭蕾、古典芭蕾、现代芭蕾、当代芭蕾五个不同时期的发展历程;第三节:分析中国古典舞与西方芭蕾舞各自产生环境下中西方舞蹈的美学原则和审美特征。第二章:从美学角度入手,探究中国古典舞与西方芭蕾舞审美差异的外在表现和内在原因。第一节:分析中国古典舞与西方芭蕾舞审美差异的外在表现。从舞蹈形态上来看,中国古典舞以圆为美,西方芭蕾舞追求直线美;从表现形式说来看,中国古典舞追求含蓄美和意境美,西方芭蕾舞追求形式美和身体美;从舞蹈的创作角度来看,二者的取材、音乐、服装、道具等运用都存在差异性。第二节:分析中国古典舞与西方芭蕾舞审美差异的内在原因,主要是由于二者不同文化的影响下造成了中西方对于集体主义和个人主义观点的差异、对待自然的态度的差异、以及对待舞蹈美学的着眼点和超越度的不同。第三章:立足于全球化的发展趋势,中西方舞蹈的碰撞与融合并找到中国舞蹈的个性发展之路。第一节:基于中国古典舞学科建设的发展建议,培养多元化的舞蹈人,摒弃不成不变的的统一教材,改变教学模式、发扬地域特色、培养实践能力,促进中国古典舞的发展;第二节:基于舞蹈本身发展的视角下,看中国古典舞今后在审美道路上的发展走向和追求。
[Abstract]:The purpose of this thesis is to compare the differences between Chinese classical dance and western ballet, and to sort out and explore the aesthetic culture of Chinese and western dance. The development of Chinese dance has a long history, but Chinese classical dance has gradually developed since the founding of New China, thanks to the hard work of the older generation of dance artists. Western ballet has a history of more than 400 years since Louis XIV. Under the influence of their respective cultures, the two different kinds of dance have formed different expressions of action, emotion and aesthetic principles. How to develop Chinese dance better in the future is the focus of this thesis. The thesis is divided into three chapters: chapter one: the cultural background of the development of Chinese and western dance is analyzed, and the division of Chinese classical dance and western ballet is made according to the period. The differences of dance development in different historical periods and cultural backgrounds are compared. Section one: analysis of the development process of three different periods of the emergence, revival and development of Chinese classical dance; the second section: the analysis of western ballet in the early ballet, romantic ballet, classical ballet, modern ballet, The development of contemporary ballet in five different periods. The third section: the analysis of the aesthetic principles and aesthetic characteristics of Chinese classical dance and western ballet. The second chapter: from the aesthetic point of view, to explore the aesthetic differences between Chinese classical dance and western ballet external performance and internal reasons. Section one: analyze the aesthetic difference between Chinese classical dance and western ballet. From the aspect of dance form, Chinese classical dance is beautiful by circle, western ballet pursues straight line beauty, Chinese classical dance pursues implicit beauty and artistic conception beauty, western ballet pursues form beauty and body beauty, from form of expression, Chinese classical dance pursues implicit beauty and artistic conception beauty, and western ballet pursues form beauty and body beauty. From the angle of dance creation, there are differences in the use of materials, music, clothing, props and so on. The second section analyzes the internal reasons of the aesthetic difference between Chinese classical dance and western ballet, mainly because of the difference of Chinese and western views on collectivism and individualism, and the difference of attitude towards nature under the influence of different cultures. And the different point of view and transcendence of dance aesthetics. Chapter III: based on the trend of globalization, the collision and integration of Chinese and Western dance and find the way of personality development of Chinese dance. The first section: based on the development suggestions of the discipline construction of classical dance in China, we should train the diversified dancers, abandon the unchangeable unified teaching materials, change the teaching mode, develop the regional characteristics, cultivate the practical ability, and promote the development of the Chinese classical dance. Section two: from the perspective of the development of dance itself, to see the trend and pursuit of Chinese classical dance in the aesthetic road.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J701

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